1,723,476 research outputs found
Mikhail M. Speranskii and the development of law and Russia, 1826-1833.
No full textMikhail M. Speranskii and the development of law and Russia, 1826-1833
[Convocation] Photograph of Dr. Juliet Garcia With Dr. Mikhail M. Bouniaev - 03
No full textDr. Juliet Garcia and Dr. Mikhail M. Bouniaev at the Faculty and Staff Convocation.https://scholarworks.utrgv.edu/utbphotographs/1392/thumbnail.jp
TO THE 100TH ANNIVERSARY OF MIKHAIL M. ODINTSOV, CORRESPONDING MEMBER OF THE USSR ACADEMY OF SCIENCES
Full text linkThis article provides basic information about Mikhail M. Odintsov (1911–2011), Corresponding Member of the USSR Academy of Sciences, and his scientific, organizational and social activities. From 1954 to 1976, he was the founder and director of the Institute of Geology of the East Siberian Branch of the USSR Academy of Sciences, which is now world known as the Institute of Earth's Crust of the Siberian Branch of the Russian Academy of Sciences. The Institute was awarded with two Orders of Lenin (in 1963, and in 1971), and the Order of Red Banner of Labour (1975). In 2011, the scientific community in Russia celebrates the 100th anniversary of Mikhail M. Odintsov
First description of the female of Emblyna zherikhini (Marusik 1988) comb. n. (Araneae: Dictynidae)
No full textOmelko, Mikhail M. (2011): First description of the female of Emblyna zherikhini (Marusik 1988) comb. n. (Araneae: Dictynidae). Zootaxa 3132: 64-67, DOI: 10.5281/zenodo.27942
MIKHAIL M. ODINTSOV’S CONTRIBUTION TO DEVELOPMENT OF THE MINERAL AND RAW MATERIALS COMPLEX OF THE EASTERN SIBERIA
Full text linkThe publication is devoted to the role of Mikhail M. Odintsov, Corresponding Member of the USSR Academy of Sciences, and his scientific school in solution of fundamental problems related to regularities of occurrence of endogenic mineral resources at ancient platforms. Based on mineragenic zonation data on the southeastern segment of the Siberian platform, Mikhail M. Odintsov determined the location of the AngaroViluisky ore belt that controls deposits and ore occurrences of magnetite, sulfates of copper and nickel, gold, base metals, barite, сelestine, and diamonds. Fundamental concepts proposed and developed by Mikhail M. Odintsov contributed significantly to studies of structures and evolution of ancient platforms and facilitated development of modern forecasting concepts concerning exploration of primary and alluvial deposits of diamonds in the southern part of the Siberian craton
MIKHAIL M. ODINTSOV’S EXHIBITION IN THE MUSEUM OF THE INSTITUTE OF THE EARTH’S CRUST
Full text linkThe Museum of the Institute of the Earth’s Crust opened an exhibition devoted to Mikhail M. Odintsov (1911–1980), the prominent Russian geologist and the corresponding member of the USSR Academy of Sciences, who headed the Institute of the Earth’s Crust from 1954 to 1976. He was among researchers who pioneered in discovering diamonds in Siberia, Russia. He determined promising diamondbearing areas in Yakutia. The kimberlitic nature wad established, and the diamondiferous kimberlite prospecting method was developed. Prospective diamondbearing capacities were forecasted for the southern part of the Siberian platform and the Prisayanie. The Angara-Vilui ore belt was defined as the largest mineragenic sub-province in the southern East Siberia. The exhibition was opened on 07 November 2011 when the All-Russia Conference devoted to the 100th anniversary of Mikhail M. Odintsov took place in Irkutsk. It presents photographs, personal belongings and documents that provide information about Mikhail M. Odintsov’s childhood and youth years, pedagogical activities, field studies, researches, multidiscipline scientific organization, social and political activities. A collection of kimberlite samples from Yakutia and beyond supports the exposition. A model of the Mir kimberlite pipe is presented; it is the first diamondiferous kimberlite found in June 1955 and developed in Siberia
Review of the genus Pseudoxistrella Liang, 1991 (Orthoptera: Tetrigidae, Metrodorinae)
No full textYu, Sergey, Omelko, Mikhail M. (2012): Review of the genus Pseudoxistrella Liang, 1991 (Orthoptera: Tetrigidae, Metrodorinae). Zootaxa 3573: 59-65, DOI: 10.5281/zenodo.21029
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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