81 research outputs found
Ranko Marinković in Czech translations
No full textThis work deals with the literary production of Croatian author Ranko Marinković and surveys primarily his publications released in Czech language. The biggest part presents two most important translations - the collection of short stories Ruce (The Hands) and the novel Kyklop (The Cyclops)
Plain Revelation: Reader’s Introduction to The Apocalypse
No full textIn today\u27s world, no other part of the Bible inspires so much interest, speculation, sensationalism, and confusion as the book of Revelation. This seems strange for a book that claims to be a revelation of Jesus Christ. But it doesn\u27t have to be that way. In this concise reader\u27s introduction, Revelation expert Dr. Ranko Stefanovic makes it all plain and simple.
In a straight-forward, no nonsense way, the author leads us chapter by chapter, section by section, scene by scene, through this amazing panorama of cosmic war and glory. And through it all, we see the astounding picture of a Creator God who wins it all with justice and love when Jesus Christ is plainly revealed as King of Kings, and Lord of Lords.https://digitalcommons.andrews.edu/sem-books/1023/thumbnail.jp
Short story "Embranchment" by Ranko Marinković
No full textTema ovog završnog rada je novela Zagrljaj Ranka Marinkovića. Na samom početku predstavit će se život i stvaralaštvo Ranka Marinkovića s posebnim osvrtom na novelistiku i zbirku Ruke u kojoj je objavljena novela Zagrljaj. U središnjem dijelu analizirat će se novela te će se uputiti na višeslojnost tumačenja. U prvom dijelu bit će riječ o referencijalnom sloju novele te će se ukratko prepričati fabula, okarakterizirati likovi novele i skrenuti pažnja na važnost koju Marinković pridaje jeziku u ovoj noveli. U drugom dijelu govorit će se o važnosti simbola u noveli, o alegorijskome tumačenju novele, važnosti koju Marinković pridaje stvarnosti i umjetnosti te će se predstaviti Zagrljaj kao novela koja prikazuje autora u procesu stvaranja knjiženog djela. To nas ujedno dovodi do trećeg sloja, a to je ''književno književni'' sloj. Ako djelo promatramo u ovom kontekstu dolazimo do zaključka kako je Zagrljaj modernistički tip proze. Kroz poglavlje o elementima modernizma u ovoj noveli ukratko će se sumirati cijeli rad i donijeti zaključak.The topic of this final work is short story Embranchment by Ranko Marinković. At the very beginning, Ranko Marinković's life and work will be presented with a special focus on the novellas and collection of short storys Hands, in which the Embranchment is published. In the central part, a short story will be analyzed and multiplicity of the interpretations will be addressed. The first part will be the reference layer of the short story and will briefly recount the fable, characterize the characters of the short story and draw attention to the importance Marinković attaches to the language. The second part will discuss the importance of the symbols in Embranchment, the allegorical interpretation of the short story, the importance that Marinković attaches to reality and art, and to present Embranchment as the short story that shows author in the process of creating a literature. This brings us to the third layer, which is a '' literature about literature''. If we look at the work in this context, we come to the conclusion that Embranchment is a modernist type of prose. Through the chapter on the elements of modernism in this short story, it will briefly summarize the whole work and make a conclusion
Self-referentiality in Ranko Marinković's narrative fiction
No full textAutoreferencijalnost pripovjedne proze Ranka Marinkovića u ovom se radu
istražuje na dvjema razinama – modernističkoj i postmodernističkoj: u Marinkovićevim
se pripovjednim tekstovima prati kako modernistička autoreferencijalnost, koja
podrazumijeva vjeru u moć autora i teksta, prelazi u postmodernističku
autoreferencijalnost, u kojoj se iznosi sumnja u tu istu moć, propitujući pritom status
književnosti u društvu.
U radu se iznosi teza o dijakronijskoj progresiji spisateljske samosvijesti u
pripovjednoj prozi Ranka Marinkovića, koja ujedno označava i dijakronijski put
Marinkovićeve pripovjedne proze od pripadnosti modernizmu prema postmodernizmu.
Pritom se istražuje kako se u Marinkovićevim pripovjednim djelima mijenja pozicija
autorske svijesti: za razliku od romantičarske ironije u ranijim pripovjednim djelima,
koja kulminira u noveli Zagrljaj, u romanima Zajednička kupka i Never more javlja se
postmodernistička ironija, koju obilježava svijest o nemoći i autora i teksta. Autora
posebno zanima odnos umjetnosti i života, odnosno paradoks književnoga teksta koji je
istovremeno i referencijalan i autoreferencijalan. Rezultat je toga propitivanja
autoironična perspektiva: tako se u Marinkovićevoj pripovjednoj prozi preko ironične,
groteskne i ludističke autoreferencijalnosti koja se najčešće pojavljuje u formi
autoreferencijalnih i metatekstualnih komenatara pokazuje kako jedna paradigma
smjenjuje drugu, odnosno kako modernizam prelazi u postmodernizam.
Znanstveno istraživanje provedeno u ovom radu pridonosi razumijevanju
kompleksnoga Marinkovića djela s obzirom na ključnu temu rada, odnosno na
interakciju autorske svijesti i implicitnoga čitatelja te potkrjepljuje tvrdnju o mjestu
Marinkovićeva opusa u poetičkom međuprostoru između modernizma i
postmodernizma.This dissertation investigates the self-referential quality of Ranko Marinković's
narrative fiction by focusing on its two levels – modernist and postmodern. In other
words, Marinković's narrative works are read with the purpose of analysing how
modernist self-referentiality, which implies faith in both the author's and the text's
power, translates into postmodern self-referentiality, which expresses distrust in that
same power while simultaneously questioning literature's social status.
The dissertation argues that Ranko Marinković's narrative fiction is
characterized by the diachronic progression of authorial self-awareness which also
pertains to the diachronic transition of Marinković's narrative fiction from its modernist
footing to postmodernism. The author is thus particulary interested in the relationship
between art and life, namely the paradoxical quality of literary text which is at the same
time referential and self-referential. This questioning results in a self-ironic perspective:
Marinković's narrative fiction employs ironic, grotesque and ludic self-referentiality
which takes on the form of self-referential and metatextual commentary, particulary in
the two metanarrative texts, thus demonstrating how one paradigme supplants antoher,
namely how modernism translates into postmodernism
Ranko Mladenović author of the proposed Regulation on theatres of the Kingdom of Yugoslavia
No full textРанко Младеновић је оставио значајан траг у нашем позоришном животу у међуратном периоду – као драмски писац, преводилац, критичар и теоретичар, позоришни делатник. Мало је познато да се у више наврата бавио и осетљивим, деценијама горућим и ни до данас разрешеним питањем позоришног закона. Овде ће бити разматрана два
његова чланка о овој теми (из 1931. и 1939), као и његов предлог Уредбе
о позориштима Краљевине Југославије који се у рукопису чува у Музеју
позоришне уметности Србије.Avant-garde poet, literary critic and journalist Ranko Mladenović (Klisura,
June 28, 1892 – Belgrade, January 6, 1943) left a significant mark on the theater
life of Serbia in the period between the two world wars. He proved himself as a
playwright, translator, theater critic, historian and theoretician, and his activity
was particularly related to the National Theater in Belgrade, of which he was a
member on several occasions, in different positions.
However, it is little known that Mladenović was very dedicated to issues of
legal regulations on the theater on several occasions. Immediately after the end
of the Great War and the establishment of a new state, the Kingdom of Serbs,
Croats and Slovenes (later the Kingdom of Yugoslavia), there was a need for a
unified law that would regulate the work of theaters throughout the country,
their tasks and goals, the relationship of the state to the theater, social issues of
artists and other employees... On two occasions (1931 and 1939), Mladenović
appeared publicly in the Belgrade press with articles about the then unsustain
able situation, which equated the theater with any state institution, and artists
with officials. Then he himself wrote the proposal of the Regulation on the theaters of the Kingdom of Yugoslavia (the manuscript of this document is kept
in the Museum of Theater Arts of Serbia), which shows his knowledge of the
essence and nature of theater, its specificities and needs. The further fate of this
proposal is unknown; the official proposal submitted to the Ministry of Education by the Actors’ Association in 1940 had many similarities, but also differences. The Second World War hindered the possible adoption of this law, and Serbia has not received an adequate Theater Law even to this day.Научни скупови ; књ. 223. Одељење језика и књижевности ; књ. 3
Medieval and Earlymodern Fortifications of Koprivnica
No full textU radu se koristi analiza dosadašnjih rekonstrukcija koprivničkih utvrda kao povod da se na osnovu objavljenih dokumenata pokuša napraviti korak dalje u njihovom prikazivanju. U prvom dijelu se navodi osam autora koji su crtežom nastojali prikazati koprivničke povijesne utvrde. Uz svaki prikaz stavljena je i kratka primjedba. Kao osnova za daljnje izlaganje, u drugom su dijelu predstavljeni planovi koprivničkih utvrda nastali od druge polovice XVI. do sredine XVII. stoljeća. Više je pažnje posvećeno ranim planovima jer se iz njih može iščitati i starije stanje kao i vidjeti na kojoj je osnovi izgrađena bastionska tvrđava. Analizirano je devet planova sa prvim, malim bastionima, ali još sačuvanim kaštelom, te četiri plana tvrđave sa velikim bastionima na sva četiri ugla. Slijedeće poglavlje bavi se razvojem koprivničkih utvrda od prvih poznatih podataka iz XIV. stoljeća. Prepoznate su tri srednjovjekovne faze razvoja te napravljena analiza svega što bi na kasnijim planovima i u izvještajima moglo biti srednjovjekovno (npr. barbakan, nasip u grabi oko grada i dr.). Slijedi prikaz gradnji koje su na koprivničkim utvrdama izvedene pedesetih i šezdesetih godina XVI. stoljeća (nazvao sam ih međufazom). Zatim se istražuje gradnja tvrđave s velikim bastionima koja traje od sedamdesetih godina XVI. do sredine XVII. stoljeća. Kod svake faze nastojao sam po raspoloživim podacima predstaviti kako su utvrde izgledale. Na kraju je nekoliko misli o daljnjem istraživanju koprivničkih utvrda te o načinu kako da se rad povjesničara i arheologa iskoristi u obrazovne i turističke svrhe.In this paper, the author used an analysis of all previous reconstructions performed on Koprivnica’s fortifications, and published documents at hand, as the basis for an attempt to make a step further in portraying what these fortifications might have looked like in the past.
In the first part, the author cited 8 different artists that sketched the historic fortifications in Koprivnica. All sketches and drawings were accompanied with brief commentaries. Using this as pretext for further elaboration, in the second part the author presented blueprints of Koprivnica’s strongholds, dating from mid 16th to mid 17th century period. More attention was paid to early blueprints and sketches, as they had witnessed a previous, older situation, and provided an insight into the buildings of the bastion fort. Nine blueprints have been analyzed with the very first, small bastions built in, still preserved castle, and four blueprints with large bastions built in all four corners.
The next chapter probes into the development of Koprivnica’s fortifications from the early 16th century records. We have recognized three medieval phases of this development and a proper analysis of everything in the later blueprints that might have been medieval (for example, barbican, the outer trench rampart around the town etc.). It’s followed by description of building process on Koprivnica’s fortifications, in 1550s to 1560s (the author calls them the In-Between phase). Then, the object of investigation is moved to fortification with large bastions, the building of which took from 1570s to mid 17th century. Each phase is represented and back up with available data, and the author presented what the fortifications might have looked like. Finally, the author shares some thoughts on possible new research of Koprivnica’s fortifications and on the potentials, that the work of historians and archeologists is used in educational and promotional purposes
Gordova i Kontovec - dva vlastelinstva na području Grubišnog Polja
No full textThis paper analyzes the data on medieval properties Gordova and Kontovec, highlighting their topography. The author attempts to reconstruct the area of these two properties, with its habitats, churches, and fortifications. The area around Grubišno Polje lost most of its medieval toponymy and so the portrayal of the status it used to have is only partially possible.U radu se analiziraju podaci o srednjovjekovnim vlastelinstvima Gordovi i Kontovcu s naglaskom na njihovoj topografiji. Nastoji se rekonstruirati prostor ovih dvaju posjeda s naseljima, crkvama i utvrdama na njima. Područje oko Grubišnog Polja izgubilo je većinu svoje srednjovjekovne toponimije te je prikaz nekadašnjeg stanja moguć samo djelomično
Српска основна школа у Високом (1840–1914)
No full textIn this paper, the author speaks of Serbian primary schools in Bosnia and Herzegovina and of the founding of Serbian Primary School in Visoko during the Ottoman reign. The author then speaks of School’s history during Austro-Hungarian occupation until the beginning of the First World War. The goal of this paper is to preserve the remembrance of Visoko’s educational tradition and to remind the readers of the struggle for establishing and opening first Serbian schools in Bosnia
Field induced changes in the ring/chain equilibrium of hydrogen bonded structures: 5-methyl-3-heptanol
No full textabstract: Using non-linear dielectric techniques, we have measured the dynamics of 5-methyl-3-heptanol at a temperature at which the Kirkwood correlation factor g[subscript K] indicates the coexistence of ring- and chain-like hydrogen-bonded structures. Steady state permittivity spectra recorded in the presence of a high dc bias electric field (17 MV/m) reveal that both the amplitude and the time constant are increased by about 10% relative to the low field limit. This change is attributed to the field driven conversion from ring-like to the more polar chain-like structures, and a direct observation of its time dependence shows that the ring/chain structural transition occurs on a time scale that closely matches that of the dielectric Debye peak. This lends strong support to the picture that places fluctuations of the end-to-end vector of hydrogen bonded structures at the origin of the Debye process, equivalent to fluctuations of the net dipole moment or g[subscript K]. Recognizing that changes in the ring/chain equilibrium constant also impact the spectral separation between Debye and α-process may explain the difference in their temperature dependence whenever g[subscript K] is sensitive to temperature, i.e., when the structural motifs of hydrogen bonding change considerably.This article may be downloaded for personal use only. Any other use requires prior permission of the author and AIP Publishing. The following article appeared in The Journal of Chemical Physics and may be found at http://aip.scitation.org/doi/10.1063/1.4961022
On the onomastic method (with examples from Celtic onomastics)
No full textU članku autor raspravlja o kriterijima na osnovi kojih se neko ime može pripisati određenom keltskom jeziku, prakeltskomu, ili bilo kojem slabo posvjedočenom ili rekonstruiranom jeziku. Kriteriji pomoću kojih se neki onomastički element pripisuje određenom jeziku temelj su metodologije kojom te elemente prepoznajemo kao keltske. Posljedice takvih metodoloških promišljanja ispituju se na problemima navodnih keltskih antroponima i toponima u području Ilirika.In this paper the author discusses the criteria for attributing certain names to Celtic, or other poorly attested, or reconstructed, languages. The clear and unambiguous formulation of such criteria help us in the identification of Celtic onomastic elements. These methodological problems are discussed with respect to the examples of allegedly Celtic toponyms and anthroponyms from the Roman province of Illyricum
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