7,943 research outputs found

    Estrategía de marketing digital para la marca personal “Michelle López”

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    Disponible en soporte impresoEn un mundo cada vez más conectado, la presencia en línea se ha vuelto esencial para individuos y empresas por igual. En este contexto, se establece la marca personal "Michelle López" en el ámbito de la creación de contenido y estrategia digital, explorando las oportunidades y desafíos en plataformas digitales como Instagram y LinkedIn. “Michelle López” ofrece una variedad de servicios, desde redacción de artículos para la web, marketing digital hasta gestión de redes sociales y contenido multimedia. La marca parte del análisis FODA y la investigación de la competencia en plataformas como Instagram y LinkedIn, seleccionadas estratégicamente por su enfoque visual, interacción directa y profesionalismo. Con un público objetivo diverso que incluye emprendedores, profesionales independientes y organizaciones sin fines de lucro, la marca busca posicionarse y construir una comunidad en línea. Los objetivos específicos en esta etapa inicial incluyen aumentar seguidores y participación activa en ambas plataformas en un plazo de seis mese

    Sobre a recepción e fortuna crítica do chamado “Conto gallego” de Rosalía de Castro

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    [Resumo]: O denominado “Conto Gallego”, único exemplo de prosa narrativa galega de Rosalía de Castro, foi considerado durante anos un texto de dubidosa autoría, en parte polos problemas ligados á súa problemática difusión, o que provocou un certo silencio bibliográfi co e que fose un texto escasamente estudado. No artigo ofrécese unha completa revisión das valoracións e lecturas que sobre el se teñen feito, como exemplo da reavaliación crítica a que foi submetida a obra rosaliana nos últimos trinta anos.[Abstract]: For years, scholars have argued over the authorship of Rosalía de Castro’s only narrative prose text in Galician, her so-called Conto Gallego (‘A Galician Tale’). The confusion with regard to the identity of its author, due in part to problems in relation to how the text was originally transmitted, has led to its frequent omission from de Castro’s bibliography and a tendency to be overlooked by scholars of her work. This article proposes a complete reassessment and revision of the tale, as part of the critical reappraisal of de Castro’s writing over the past thirty years

    English opens doors...for whom?: an ethnography exploring the tensions between English language policy creation, implementation and students' expectations

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    This dissertation looks to explore the ways in which social actors make meaning about the role of English language policy in the current global and neoliberal context. My goal is to recognize how English language policy requirements are being created and implemented in Chile in effort to understand the larger social issue, which is tied to the global spread of English. In order to do this, I analyze the discourses used by teachers and students at a technical- professional school in Chile, as they make sense of English and English language policy. Part of this analysis recognizes the language ideologies being indexed by these social actors, which speak to how we form our beliefs about language. In addition to examining participants' voices, I also engage in critical discourse analysis so that I can identify the public discourses being disseminated by the media and the technical-professional institute, since these ideas could influence the way in which participants understand the role of English language policy in this neoliberal context. By using ethnography, I am able to gain multiple perspectives about this phenomenon in order to better understand how to amend the policy process. As such, the findings of this study demonstrate that there are several steps that policymakers can take in order to create policy that applies to the lives and experiences of teachers and students. First, a student/teacher forum should be established so the voices of the people involved in the implementation of the policy are heard. Second, the current neoliberal curricular goals must be amended based on students’ needs. Lastly, English has to be reconceptualized according to the contexts and aspirations of students.Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2018-05-01The student, Michelle Castro, accepted the attached license on 2016-04-12 at 14:25.The student, Michelle Castro, submitted this Dissertation for approval on 2016-04-12 at 14:29.This Dissertation was approved for publication on 2016-04-13 at 15:01.DSpace SAF Submission Ingestion Package generated from Vireo submission #9192 on 2016-07-07 at 14:16:35Made available in DSpace on 2016-07-07T21:14:38Z (GMT). No. of bitstreams: 3 CASTRO-DISSERTATION-2016.pdf: 5251645 bytes, checksum: f484bae108db17ea3ff916248b0da6a9 (MD5) LICENSE.txt: 4212 bytes, checksum: eebafc35b56d66501a2c2a4b9ad8453d (MD5) PROQUEST_LICENSE.txt: 4558 bytes, checksum: 5067f19260c6f5375c2dabc54ec8e2d8 (MD5) Previous issue date: 2016-04-13Embargo set by: Seth Robbins for item 93245 Lift date: 2018-07-07T21:14:52Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD systemEmbargo set by: Seth Robbins for item 93245 Lift date: 2018-07-07T21:18:16Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD systemLimited Restriction Lifted for Item 93245 on 2018-07-08T09:15:20Z

    Rosalía de Castro e as escritoras angloamericanas do seu tempo en La hija del mar

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    [Resumo] O presente traballo analiza a recepción por parte de Rosalía de Castro de escritoras europeas e americanas dos séculos XVIII e XIX coas que compartiu preocupacións de autoría, de xénero, temáticas e literarias. Prestarase especial atención ás referencias intertextuais de escritoras mencionadas pola propia Rosalía nos seus escritos, en particular á inglesa Charlotte Turner Smith e á norteamericana Maria Susanna Cummins e á identificación de Rosalía con elas e coas súas carreiras literarias. A análise permite afirmar que nas súas obras propuxeron cuestións relativas ás mulleres, á súa orfandade e ás súas capacidades, ben como ao feito de que as habelencias femininas son truncadas pola sociedade circundante, en particular, se teñen vocación de as desenvolveren en igualdade cos varóns.[Abstract] This article deals with the reception by Rosalía de Castro of eighteenth- and nineteenth-century European and American female writers with whom she shared preocupations about authorship and gender, as well as thematic and literary concerns. Special attention will be paid to the intertextual references of the writers mentioned by the Galician author, particularly Charlotte Turner Smith and Maria Susanna Cummins, and to de Castro’s identification with these writers and their literary careers. This analysis will show that they presented issues pertaining to female foundlings, their capacities and how their abilities were not accepted in their respected societies, particularly if they wanted to behave as males would do.Ministerio de Comercio, Economía y Empresa; FEM2015-66937-PXunta de Galicia; ED431D 2017/1

    Evocação de Castro Soromenho

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    A obra de Castro Soromenho é apresentada como um trabalho de denuncia do sistema colonial. O autor coloca em evidência o fato de que o escritor Castro Soromenho foi um pioneiro dessa literatura de denuncia, a par da visão trágica de um processo.The word of Castro Soromenho, is presented like a critical work against the colonial system. The author shows the evidence in de fact that the writer Castro Soromenho was a pioneer of this critical literature, with of a tragical vision of a process

    Carta, Rubén Darío a Francisco Castro, 1882 Julio 3

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    abstract: Handwritten letter from Rubén Darío to Francisco Castro, Darío's friend from León (Nicaragua). Francisco Castro was director of the literary magazine "El Ensayo" (1880-1881). Rubén Darío collaborated with Castro on "El Ensayo". Rubén Darío was in Chinandega (Nicaragua) when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0.Other names cited in this letter are: Moncada, Ibarra, Ayón, Duarte and Selva.The top edge is slightly torn

    Funaxopsis Heyer & Castro, 2009, gen. nov.

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    Funaxopsis gen. nov. Type species: Cunaxoides passerinae Den Heyer, 1981b. Diagnosis. This genus can be distinguished from other genera by the following set of characteristics: tibia IV with 2 sts and 1 long sts; setae c2 and h2 smooth and depression for pe organ on tarsus I lacking. Etymology. The senior author just added a few more letters to the stem-“..unaxo..” and ending it on a taxonomically recognized suffixPublished as part of Heyer, Jacob Den & Castro, Tatiane M. M. G., 2009, SiGe-Space-Synthesizer-Entwicklung eines SiGe-Synthesizerdemonstrators: SISSI; Schlussbericht, pp. 1-15 in Zootaxa 2140 on page 13, DOI: 10.2314/gbv:620362286, http://zenodo.org/record/531966

    Guillermo Pérez Castro Lira (1952-2003)* In memoriam. 32. Arqueología

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    Hernández Pons, Elsa 1996. “Arqueología histórica en México: Antecedentes y propuestas”, en Enrique Fernández Dávila y Susana Gómez Serafín (coords.), Primer Coloquio de Arqueología Histórica, México, Conaculta, INAH, pp. 1-26.Matos Moctezuma, Eduardo (coord.) 1974. Proyecto Tula, primera parte, México, INAH-SEP.Núñez Montesinos, Eduardo 1996. “Entrevista con Guillermo Pérez Castro Lira”, en Actualidades Arqueológicas, núm. 9, noviembre-diciembre, México, ENAH, pp. 13-14.Peña Castillo, Agustín y Ma. del Carmen Rodríguez 1976. “Excavaciones en Dainí, Tula, Hidalgo, en Eduardo Matos Moctezuma (coord.), Proyecto Tula, segunda parte, México, INAH-SEP.Pérez Castro Lira, Guillermo 1989. “Noticias sobre la arqueología histórica”, en Arqueología, núm. 5, México, INAH, pp. 211-216.Pérez Castro Lira, Guillermo et al. 1989. “El Cuauhxicalli de Moctezuma I”, en Arqueología, núm. 5, México, INAH, pp. 131-151.Pérez Castro Lira, Guillermo 1990. “Una escultura mexica en la antigua casa de la imprenta”, en Arqueología, núm. 2, segunda época, México, INAH.Sánchez, Bartolomé 1974. “El desalojo de los chinantecos”, en Estudios Indígenas, vol. III, núm. 4, México, INI

    Entre a sombra e o mergulho, uma casa que ri. Casa Baltazar de Castro, Braga, 1963-1965

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    A Casa Baltazar de Castro foi projectada e construída entre 1963 e 1965 e é omissa, quase sem excepção, em toda a historiografia da arquitectura portuguesa. A operacionalidade da utilização de temas, definidos por outros autores a propósito do estudo de obras arquitectos contemporâneos, como fizemos em relação às leituras propostas por: Fernandez da obra de José Carlos Loureiro, por Moneo das obras de Stirling e Siza e por Stirling da obra de Le Corbusier, na análise da obra de Celestino de Castro, demonstra, em nossa opinião, o carácter informado e cosmopolita das reflexões que enformam a obra deste arquitecto e em particular a Casa Baltazar de Castro. Esta é uma casa na “fronteira”, quer na biografia do autor, quer na história da arquitectura portuguesa em que participa, em nossa opinião, de pleno direito. Na fronteira entre o modernismo e o pós-modernismo, entendido este como a crise das grandes narrativas, a casa Baltazar Castro exprime a inquietação da aproximação de tempos diversos, mas não dá, ainda, o passo para a construção de um novo paradigma. São disso relevadores, nomeadamente, a evolução da expressão plástica e espacial para uma cada vez maior personalização e riqueza volumétrica, o acentuar da importância dos sistemas construtivos e materiais, e a redescoberta de uma relação estreita com o solo e a envolvente próxima.Baltazar Castro House, designed by the architect Celestino de Castro, was built between the years 1963 and 1965. Although the author is a well-known architect, his house is without explanation ignored, given that no reference of it in the historiography of the modern Portuguese architecture exists. In this brief text, I try to explain that this invisibility is incoherent with the intrinsic quality of the building. This is done by first analysing a set of key concerns and ideas, defined by certain authors, in the study of other architects (contemporaries of CC), such as: Fernandez on Loureiro, Moneo on Siza and Stirling and Stirling on Le Corbusier, and then using the same concerns and ideas for analysing Celestino de Castro house. This method of analysis led me to recognise the informed and cosmopolitan character of Celestino de Castro’ work and of his building in particular, since it was possible to identify on both the same key concerns and ideas. I highlight as the most significant characteristics of this house its unique and strong formal spatial expression, its volumetric complexity and the way it rediscovers a more intense relation with the ground level and the urban environment.info:eu-repo/semantics/publishedVersio

    The public and private faces of the friendship between Fidel Castro and Gabriel Garcia Marquez

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    Nobel Prize-winning Colombian author, Gabriel Garcia Marquez, is one of the most widely read Latin American authors in the world. His novels One Hundred Years of Solitude and Love in the Time of Cholera are among many people’s favourite books. But, despite loving his books, many of his readers have found it difficult to understand his political views – especially his support and friendship for the recently deceased former president of Cuba, Fidel Castro
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