1,721,068 research outputs found
Michael Dobson in Conversation with Jyotsna Singh / Interview
Director of The Shakespeare Institute Michael Dobson and Michigan State University English Professor Jyotsna Singh deliberate 'Shakespeare's global role' and postcolonial readings of his canon during the RSC and University of Birmingham's Radical MischiefDirector of The Shakespeare Institute Michael Dobson and Michigan State University English Professor Jyotsna Singh deliberate 'Shakespeare's global role' and postcolonial readings of his canon during the RSC and University of Birmingham's Radical MischiefDescription based on online resource; title from title screen (Digital Theatre+, viewed April 26, 2022
A research interview with theatre historian Michael Dobson on Christopher Beeston and Caroline drama (15 minutes)
A research interview with theatre historian Michael Dobson on Christopher Beeston and Caroline drama (15 minutes
Michael Dobson and Estelle Rivier-Arnaud, Rewriting Shakespeare’s Plays For and By the Contemporary Stage
Présentation critique de l'ouvrage de Michael Dobson et Estelle Rivier-Arnaud consacré aux réécritures des pièces de Shakespeare pour la scène contemporaine.International audienc
PEMS: Seminar, Michael Dobson, 24 Nov. 2017, 17.30 pm
La prochaine séance du Paris Early Modern Seminar: Séminaire interuniversitaire sur la première modernité britannique (1500-1700) aura lieu le vendredi 24 novembre, de 17 h 30 à 19 h 30 dans la salle 33 de l'Institut du Monde Anglophone (5 rue de l'école de médecine). Elle sera parrainée par le laboratoire PRISMES (EA 4398 Université Sorbonne Nouvelle). Nous y entendrons une intervention de Michael Dobson (Shakespeare Institute/ University of Birmingham) sur “Canonicity and the economy of tou..
PEMS: Seminar, Michael Dobson, 24 Nov. 2017, 17.30 pm
La prochaine séance du Paris Early Modern Seminar: Séminaire interuniversitaire sur la première modernité britannique (1500-1700) aura lieu le vendredi 24 novembre, de 17 h 30 à 19 h 30 dans la salle 33 de l'Institut du Monde Anglophone (5 rue de l'école de médecine). Elle sera parrainée par le laboratoire PRISMES (EA 4398 Université Sorbonne Nouvelle). Nous y entendrons une intervention de Michael Dobson (Shakespeare Institute/ University of Birmingham) sur “Canonicity and the economy of tou..
Michael Dobson, The Army of the Roman Republic. The Second Century BC, Polybius and the Camps at Numantia, Spain. Oxford, Oxbow, 2008
Schmidt heidenreich Christophe. Michael Dobson, The Army of the Roman Republic. The Second Century BC, Polybius and the Camps at Numantia, Spain. Oxford, Oxbow, 2008. In: L'antiquité classique, Tome 79, 2010. pp. 652-653
Michael Dobson, The Army of the Roman Republic. The Second Century BC, Polybius and the Camps at Numantia, Spain. Oxford, Oxbow, 2008
Schmidt heidenreich Christophe. Michael Dobson, The Army of the Roman Republic. The Second Century BC, Polybius and the Camps at Numantia, Spain. Oxford, Oxbow, 2008. In: L'antiquité classique, Tome 79, 2010. pp. 652-653
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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