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A Qadiriyya Sheikh Mor Ali Baba in Sivas
No full textThere are a number of spirituality leaders that become prominent for establishment of the Muslim identity in the Sivas province nearly 1,000 years. Among these leaders the prominent name in reconstruction of the spiritual world in Sivas was Mor (Mur) Ali Baba (1804-1884). Mor Ali Baba moved up from Kirkuk and settled down in Sivas, established Qadiri lodges where he showed the true path, died in Sivas and was buried in the lodge of his own. Ali Baba was a poet and editor in addition to his sufistic identity. He used Ali as nickname in his poets. His date of death was not certain before but it was detected certainly as 1884 with the help of court registries. He had five sons. His older and the second older sons Poet Abdulqadir Qulami (1854-1887) and Seyfeddin served as sheikh in Sivas Qadiri lodge after the death of their father. After the lodges were closed down in 1925, Mor Ali Baba's grandchildren were far away from lodge service. They took the Moral surname and have served as officers
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Calligraphist Afif İbrahim Efendi
Get PDFHattat Afif İbrahim Efendi Osmanlı Hat tarihine adını yazdırmış hattatlardandır. O
her ne kadar büyük hattatlar arasında olmasa bile, günümüze ulaşan çok az sayıdaki eserinden
onun değerli bir kalem sahibi olduğu açıkça görülmektedir. Afif Efendi hat derslerini
Hüseyin Hablî’den almıştır. Kendisi esasen bir devlet memurudur. Öyle olunca da her
halde hat onun için bir meslek olmamıştır. Ama çok büyük bir hat merakı olduğu bize intikal
eden miras listesinde apaçık görülmektedir. Onun koleksiyonunda görülen yazıların
acaba ne kadarı günümüze ulaşabildi? Çünkü bugüne kadar arşivlerde görülen en zengin
hat koleksiyonunu Afif İbrahim Efendi yapmıştır. Hafız Osman ve Şeyh Hamdullah gibi
hat tarihinin önde gelen üstadlarının yazılarını onun büyük bir şevkle topladığı görülüyor.
85 adet muhtelif türde Hafız Osman, 68 adet de yine muhtelif türde Şeyh Hamdullah hattı
toplaması onu bu alanda “tek” yapmaya yetecek bir miktardır.
Afif Efendi devrine göre iyi bir de kitap koleksiyonu yapmıştır. Bu haliyle onu değerli
bir kültür ve sanat adamı olarak zikretmek gerektiği ortadadır.Calligraphist Afif İbrahim Efendi is one of the calligraphers that put his stamp on
the Ottoman Calligraphy history. Even if he didn’t have a special place among popular
caligraphists he had limited number of works that reach the present day and this indicates
that he wrote well. Afif Efendi took his calligraphy lessons from Hüseyin Habl. He was
ordinarily a public servant. In this case probably calligraphy was not his real job. But his
interest in calligraphy can be seen obviously from his list of heritage (muhallefat). How
many of the writings in his collection has reached the present day? Because Afif İbrahim
Efendi had the richest calligraphy collection that has been in the archives till today. It is
obvious that he keenly collected the calligraphies of Hafız Osman and Şeyh Hamdullah
who were leading experts in the calligraphy history. He also had a good book collection
according to his period. Therefore apparently he was a precious culture and art expert
The Life of Tuğrakeş İsmail Hakkı Altunbezer (1873-1946)
Get PDFİsmail Hakkı Altunbezer, Osmanlı hat tarihinin en büyük üstatlarındandır. Celî sülüs yazıları ve çok başarılı istifleri, onun sanat yönünü, sanattaki dehasının çapını bihakkın aksettirmektedir. O sadece Türkiye'nin ve İslam âleminin değil, bütün Dünya'nın gıpta ile bakması gereken gerçek bir değerdir. Hat sanatında verdiği eserler bir kuyumcunun veya bir elmas tıraşçısının itina ve dikkati ile vücut bulmuş gibi eksiksiz ve kusursuzdur. Harflerin ve kelimelerin terkip ve inşasında hiçbir zorlama yoktur. Hepsi yerli yerinde ve olması gereken en makul ve münasip ölçüdedirler. Tıpkı bir kimya terkibinde miligramla ifade edilen ölçülerle ortaya çıkan yeni bir terkipte olduğu gibi hassastırlar
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