1,721,004 research outputs found

    Kellers Welten. Einleitung

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    'Critische Dichtkunst vor die Deutschen': Gottscheds Poetik

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    Der Beitrag erschließt Gottscheds 'Versuch einer Critischen Dichtkunst' in ihren systematisch relevanten Aspekten und in ihren historischen Perspektiven. In einem ersten Schritt wird die kulturpolitische Dimension der Poetik untersucht, um daran anschließend ihre kritische Kontur herauszustellen. Kritik firmiert hier einerseits als ein konzeptueller Schlüsselbegriff und zählt andererseits als Praktik des Kritisierens ganz wesentlich zum poetologischen Verfahrensarsenal. Drittens expliziert der Beitrag die intertextuelle Dimension der Poetik, indem er Gottscheds Referenzen auf die Antike gleichermaßen wie auf Autor*innen des neuzeitlichen England und Frankreich aufzeigt. Auf dieser Basis baut Gottsched die deutsche Systemphilosophie auf und um. Viertens entwickelt Gottsched ein Modell des guten Poeten, der im Schulterschluss mit Kritiker*innen und Rezipient*innen über auszubildende Vermögen – insbesondere mit Hilfe des Geschmacks – gute Literatur verbürgt. Diese gute Literatur ist für Gottsched immer gattungsmäßig organisiert, was der Beitrag abschließend mit besonderer Berücksichtigung des Besonderen Teils von Gottscheds Poetik erläutert

    Detector-based Component Model Abstraction for Microservice-Based Systems

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    One of the chief problems in software architecture is avoiding architecture model drift and erosion in all kinds of complex software systems. Microservice-based systems introduce new challenges in this context, as they often use a large variety of technologies in their latest iteration, and are changed and released very frequently. Existing solutions that can be used to reconstruct architecture models fall short in addressing these new challenges, as they cannot easily cope with continuous evolution, their accuracy is too low, and highly polyglot settings are not supported well. In this work, we report on a research study aiming to design a highly accurate architecture model abstraction approach for comprehending component architecture models of highly polyglot systems that can cope with continuous evolution. After analyzing the results of related studies, we found two possible architecture model abstraction approaches that meet the requirements of our study: an opportunistic, and a reusable semi-automatic detector-based approach. We have conducted an empirical case study for validation and comparison of the two approaches. We conclude that both detector approaches are feasible. In our case study, the reusable approach breaks even in terms of time and effort needed for establishing reuse, if modest reuse of detectors is possible, and is producing slightly more high quality and evolution-stable solutions than the opportunistic approach

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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