1,721,094 research outputs found
Jesajanische Prophetie im Spiegel exegetischer Tradition. Zu Hintergrund und Sinngehalt des Schriftzitats in 1Kor 2, 9
Gottes Wort und Gottes Verheißungen. Zur Eigenart der Schriftverwendung in 2Kor 6, 14-7, 1
Gottes Wort und Gottes Verheißungen. Zur Eigenart der Schriftverwendung in 2Kor 6, 14-7, 1
New Testament quotations and the text of the Ambrosian Hexateuch
The paper compares the biblical text as attested in the Ambrosian Hexateuch with Old Testament passages as quoted in the New Testament. Three stages of textual evidence are examined: the original uncial text (5th cent.), marginal readings from the early middle ages, medieval annotations (11 cent.). Peculiar readings of the uncial text of Deuteronomy show remarkable contacts with the pauline literature and the Epistle to the Hebrews; they have to be regarded as LXX variants textually linked to the biblical text of NT authors
The Influence of the Septuagint on the Vocabulary of the Second Epistle of Peter. The Cases of ὁμίχλη, ἐμπαίκτης, ῥοιζηδόν and ἀμώμητος in 2 Peter 2:17; 3:3, 10, 14
This paper focuses on those rare words in the Second Letter of Peter that were most likely drawn from the Septuagint or whose use in 2 Peter can be better explained by looking at the Septuagint. The aim is to illustrate the influence of the Septuagint on the unique vocabulary of 2 Peter
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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