1,721,304 research outputs found
Rizki Alfedo 028 V 8 Mei - Meilany NT_Tri Hastono_Nurirwan S
Rizki Alfedo 028 V 8 Mei - Meilany NT_Tri Hastono_Nurirwan
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
suci ayu
ABSTRACTSUCI AYU MEILANY PUTRI. REPRESENTATION OF FEMINISM IN THE ENOLA HOLMES MOVIE (2020): SEMIOTIC ANALYSIS OF C.S PEIRCE.Advised by Diana Anggraeni and Bob Morison Sigalingging.A movie is a mass media that is closest to people's lives. The movie serves as a medium that is entertaining and interesting to watch. In a movie, there is usually a hidden sign or message to be conveyed to the audience. This study aims to describe the representation of feminism that appears in the movie entitled Enola Holmes. The movie was released in 2020 and based on the novel Sherlock Holmes by Nancy Springer. This study applied a descriptive qualitative method that describes information in the form of text or transcripts and images from movies as objects of research. This research used C.S Peirce's semiotic theory to analyze data and the feminism approach as an analysis method. The results of this study indicated that there are 15 data classified in the part of triangle meaning to support the representation of feminism found in the Enola Holmes movie. The existence of signs is projected through the appearance of signs in the form of 14 qualisigns and 1 legisign. The existence of the Object in the form 14 indexes and 1 symbol, and the presence of the Interpretant in the form of 14 arguments and 1 dicent sign resulting in 4 types of representation of Enola Holmes' feminism as the main character in the movie, namely intelligent woman, brave woman, independent woman, and tough woman.Key words : Enola Holmes, Movie, Representation of Feminism, Semiotics.ABSTRAKSUCI AYU MEILANY PUTRI. REPRESENTATION OF FEMINISM IN THE ENOLA HOLMES MOVIE (2020): SEMIOTIC ANALYSIS OF C.S PEIRCE.Dibimbing oleh Diana Anggraeni dan Bob Morison Sigalingging.Film adalah sebuah media massa yang keadaannya paling dekat dengan kehidupan masyarakat. Film berfungsi sebagai media yang menghibur dan menarik untuk ditonton. Dalam sebuah film biasanya terdapat tanda atau pesan tersembunyi yang ingin disampaikan kepada penonton.Penelitian ini bertujuan untuk mendeskripsikan representasi feminisme yang muncul dalam film berjudul Enola Holmes. Film inidirilis pada tahun 2020 dan diangkat dari novel Sherlock Holmes karya Nancy Springer. Kajian ini menerapkan metode kualitatif deskriptif yang menguraikan informasi dalam bentuk teks atau transkrip dan gambar dari film sebagai objek penelitian. Penelitian ini menggunakan teori semiotika C.S Peirce untuk menganalisis data dan pendekatan feminisme sebagai metode analisis. Hasil penelitian ini menunjukkan bahwa terdapat 15 data yang diklasifikasikan dalam part of triangle meaning untuk mendukungrepresentasi feminisme yang yang ditemukan dalam film Enola Holmes. Keberadaan tanda diproyeksikan melalui kemunculan sign dalam bentuk 14 qualisign dan 1 legisign. Keberadaanobject dalam bentuk 14 index dan 1 symbol, dan kehadiranInterpretant dalam bentuk 14 argument dan 1 dicent sign yang menghasilkan 4 jenis representasi feminismeEnola Holmes sebagai karakter utama dalam film,yaitu wanita cerdas, wanita pemberani, wanita mandiri, dan wanita tangguh.Kata Kunci : Enola Holmes, Film,Representasi Feminisme, Semiotika
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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