149 research outputs found
Commodification of Islamic Hijab and Fashion Trends
No full textThe development of the times, many aspects have changed, one of which is hijab. Now hijab is one of the fashions that is in demand by women with its simple and easy-to-use model, especially with the spread of hijab tutorials with various models, and the important thing is that hijab is a trend in this era. The purpose of this study is to describe the factors that encourage female students of Ar-Raniry State Islamic University to use hijab and the tendency of female students of Ar-Raniry State Islamic University to use commodified hijab. This research is field research using descriptive qualitative approach. To complement the results of the research the author also uses literature review. Furthermore, to collect data the author uses observation, interview and documentation methods. The data that has been obtained is analyzed descriptively and draws conclusions. The results of this study indicate that there are three factors that encourage female students of Ar-Raniry State Islamic University to use the hijab, namely because of their religious beliefs, the existence of Qanun and parental demands. Then there are also three reasons for the tendency of female students of Ar-Raniry State Islamic University to use the commodified hijab, namely the model, social class and comfort
Mitologi Hijab: Meneropong Pergeseran Makna Hijab sebagai Simbol Keimanan dan Simbol Fashion Era Milenial di Indonesia
No full textMultiinterpretations related to the definition and law of wearing hijab for Muslim women among interpreters, have a direct impact on society. Namely, some understand that wearing a hijab is an obligation for every Muslim woman. Some also understand that hijab is not an obligation but only a product of pre-Islamic Arab culture. this difference makes stretching hijab various kinds of motives, especially in the contemporary era like today. In the context of Indonesia's heterogeneous society, with various backgrounds of understanding Islamic teachings that vary in various levels also make the awareness to wear hijab also varied. There are those who are purely understanding the command to cover their genitals with hijab, some are due to follow a modern lifestyle that understands hijab as a fashion trend, and some understand hijab as a means of covering aurat and hijab as a fashion style in the present era. In this article, the author wants to explore how the hijab from the early historical aspects emerged, how from the Islamic Shari'a review, its development to the emergence of the hijab phenomenon in the contemporary era was only a style of dress without a spirituality like its wearer
Unveiling the power of critical multimodal literacy: exploring cultural difference in children’s literature through ‘The Proudest Blue — a Story of Hijab and Family’
No full textAt a time when difference is being actively diluted in the service of standardisation and conservative views of nationhood, stories about difference, and their semiotic and multimodal elements, provide rich grounds for critical engagement. This is especially the case with stories about highly visible cultural symbols, such as the hijab, worn in many school classrooms in countries like Australia. In this paper, we explore the use of critical analysis of multimodal elements as matters with which to think about cultural difference, through the picture book, The Proudest Blue — a story of Hijab and family by Ibtihaj Muhammad with art by Hatem Aly, 2020. This story presents to young people the notion of being strong in cultural difference via the symbol of the hijab. Our analysis draws on Cappello et al.’s 2019) Critical Multimodal Literacy approach to explore four dimensions: communicating with multimodal tools; re-storying, representing and redesigning; acknowledging and shifting power relationships and leveraging multimodal resources to critique and transform socio-political realities. We identify the range of multimodal tools the author and illustrator put to use to re-story and critique common misconceptions about the wearing of the hijab as a religious symbol. Making links between multimodal composition and critical analysis is a powerful way to affirm the significance of children’s literature that addresses difference, a term often conflated with diversity which references dominant norms. It can also inspire children to story their own matters in ways that critique notions of cultural homogeneity.Full Tex
OPTIMASI PRODUKSI HIJAB DENGAN FUZZY LINEAR PROGRAMMING
No full texto meet the needs of the wearer veil or hijab, then many models of hijab are easy to use and look good. Many manufacturers and home-industry that produce hijab with various models and affordable prices. Models are also tailored to the age of the wearer or a universal means it can be used by all people from teenagers to adults. In producing hijab cannot be separated from the observation of the manufacturer of the model of the most desirable. One of the problems facing the hijab producers is how many hijabs will be made with all the constraints. Seeing from the many uses of hijab by Muslim-women then the production of hijab was adjusted to the needs of course with a relatively cheap price and good quality. From the above problems, the author solves this problem of hijab production using Fuzzy Linear Programming to determine the right amount for each model and with maximum profit. The Simplex Method is used to calculate in determining the basic variable and its purpose function
Hijab – muslim response to globalisation?
No full textYoung Muslim women are coming under an increasing influence of globalisation processes and follow global trends, which also includes fashion. This entails a certain balancing act between being modern and being religious. The author of the present paper attempts to address the question whether the hijab may be considered a Muslim answer to globalisation through its presence within the so-called “hijab fashion,” or that perhaps, to the contrary, it constitutes a symbol of a growing isolation and separation of Muslim minorities inhabiting the countries of western Europe
HIJAB BAGI WANITA MUSLIMAH DI ERA MODERN
No full textIn modern times, clothing is not only used as self-protection, but also has its own trends. In Islam clothing that is used has its own rules between men and women, namely for men from the navel to the knees, while for women that is all limbs except the face and palms, but many scholars have different opinions on these limits. Clothing used by these women, in Islam, known as the hijab. Hijab is one type of clothing that is synonymous with women. By using the hijab, such women can not be free to move, therefore hijab women become discriminated in certain areas. But hijab women are now the object of archery for the insurance industry because of the rise of hijabers that increasingly exist both in the real world and in the virtual world with the help of social media that is booming. Then came the sharing of businesses in the field of wisdom. That must be remembered in this hijab fashion in accordance with Islamic religious rules. The method used by the author in making scientific works is to use field research methods, by looking at overall what is happening in the community
HIJAB COMMODIFICATION IN REJOICE HIJAB SHAMPOO TELEVISION ADS BASED ON JOHN FISKE’S SEMIOTIC ANALYSIS
No full textThis study aims to determine how the semiotic meaning of veiled women in the shampoo advertisement of Rejoice Hijab #Hijabisa by Fatin Shidqia Lubis. Author using John Fiske's semiotics analysis to identify and describe meaning on its ads. John Fiske's semiotics theory consist of three main area, namely: the sign itself, the code or system that operates the mark, and the midwifery where the code and the sign work. John Fiske's semiotics analysis also have three levels, namely: the level of reality, the level of representation, and the level of ideology. But the author only use one group, that is the level of reality which includes several codes, such as display codes, dress codes, gesture codes, and expression codes. This research using descriptive-qualitative approach, while the research method used is John Fiske's semiotic analysis. The results of this study that Rejoice Hijab shampoo ad version of Fatin Shidqia Lubis is a commercial ad, the ad depicts the self-image of the veiled woman displayed in a trendy, fashionable, stylish and contemporary style by changing the veiled culture according to religion. Although shown with a very active and energetic role, but this message carries a religious symbol starting from the display code, where the gestures displayed do not comply with Islamic religious norms. The use of Fatin Shidqia Lubis as a veiled woman is a brand ambassador to convince audiences that the #Hijabisa tagline can indeed be proven by this singer even though she wears the hijab. Three benefits of 1 product are offered through a song by Fatin with a demonstration of 3 hair treatments. The use of women wearing hijab shows to attract the attention of consumers, where current hijab trends have developed so that producers are interested in creating the latest shampoo products by incorporating symbols from Islam
The politics of the Hijab
No full textBronwyn Winter has better part of two decades thinking and writing about the politics of the hijab, and here in conversation with Shakira Hussein at Gleebooks they explore the issues surrounding this highly politicised garment, which are very far from simple.
An ostensibly simple piece of cloth can be one of the most controversial and divisive items in a society. In 2004, when the French Government decided to ban Muslim girls from wearing headscarfs - or hijab - to school, popular opinion split on the issue. Was it an authoritarian abuse of religious freedom? Or, was it a strike against religious ghettoisation, by a staunchly secular government? Bronwyn Winter has better part of two decades thinking and writing about the politics of the hijab, and here in conversation with Shakira Hussein at Gleebooks they explore the issues surrounding this highly politicised garment, which are very far from simple.
Bronwyn Winter is the author of "Hijab and the Republic: Uncovering the French Headscarves Debate." She is a Senior lecturer in French Studies at the University of Sydney. She is also Director of the University\u27s International and Comparative Literary Studies program. Winter is currently working on a book that will look at how 9-11 has impacted on women\u27s lives and on transnational feminist activism.
Shakira Hussein is a writer and researcher focusing on Islam, gender and South Asia. She is currently completing her PhD on encounters between Western and Muslim women at ANU\u27s Centre for Asian Societies and Histories.
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Book Review of Hijab Butch Blues: A Memoir
No full textRobb Scott, a co-editor of C2C Digital Magazine, studied and read closely Lamya H\u27s new book, Hijab Butch Blues, a Memoir, and has reviewed what he considers the key aspects of the author\u27s autobiographical account of growing up and developing as a non-traditional female while conserving her religious heritage and practices within her Islamic faith community
Voriconazole for the treatment of refractory <i> Aspergillus fumigatus</i> keratitis
No full textWe report a case of Aspergillus fumigatus keratitis in a 53-year-old, well-controlled diabetic female who did not respond to standard antifungal treatment. She was started on topical natamycin eye drops, but the infiltrate continued to progress. Topical amphotericin B and systemic ketoconazole was added, however, there was no response and the infiltrate increased further. She was then switched to topical and systemic voriconazole. Steady resolution of the infiltrate was noted within 2 weeks of therapy
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