1,720,985 research outputs found
Replication Data for: Institutions of Engagement: Exploring Political Participation in University Yearbooks
Data for Institutions of Engagement: Exploring Political Participation in University Yearbook
Micro data repositories: increasing the value of research on the web
Presentation at Open Repositories 2014, Helsinki, Finland, June 9-13, 2014General Track Papers and PanelsThe session was recorded and is available for watching (this presentation starts at 0:01:20)As funders and the academic community start to recognise the value in preserving and disseminating data, computing services departments are increasingly called upon to provide infrastructure. We discuss considerations in developing a micro repository approach, where an instance of a repository is created for each dataset, exploring data acquisition and interface requirement. Key to this approach is standardising instances of the repository for reduced support overheads. Details of two micro data repositories are provided as case studies. While the two repositories differ significantly in nature, both have been managed on the same infrastructure and have been well recieved by their respective owners resulting in the creation of an institutional solution.Field, Adam (University of Southampton, United Kingdom)Patrick, McSweeney (University of Southampton, United Kingdom
Aggregated Erevnametrics: bringing together alt-metrics through Research Objects
This position paper examines the spectrum of artefacts that contribute to the research process, in the context of bibliometrics and erevnametrics. We examine how existing research evaluation techniques could be enhanced with richer information about the research process and research outputs
The Mechanisms and Impact of Encouraging Community Engagement in Teaching Repositories
HumBox is a community repository for humanities-focused resources. It was created using a co-design process that revealed that for the repository to successfully support a community its users needed to have an identity in the repository, control of their own resources and lightweight communication tools. Now that HumBox has been running for over two years it is possible to reflect on these ideals and the tools that support them, and in this paper we present a survey of HumBox users that has discovered that the community tools were used to refine resources, encouraged engagement and led to a perceived improvement in pedagogic practices
Towards an institutional PLE
PLEs in their broader sense (the ad-hoc, serendipitous and potentially chaotic set of tools that learners bring to their learning) are increasingly important for learners in the context of formal study. In this paper we outline the approach that we are taking at the University of Southampton in redesigning our teaching and learning infrastructure into an Institutional PLE. We do not see this term as an oxymoron. We define an Institutional PLE as an environment that provides a personalised interface to University data and services and at the same time exposes that data and services to a student’s personal tools. Our goal is to provide a digital platform that can cope with an evolving learning and teaching environment, as well as support the social and community aspects of the institution
The HumBox: changing educational practice around a learning resource repository
The HumBox is a learning resource repository for the Humanities educational community in the UK. Over the last three years the challenge for Humbox has been to act as not only a shared library for its community, but also to change the working practices of individuals in that community by encouraging them to work in a more open way and to actively share their materials and ideas with others. Getting users to engage with and adopt innovative systems is a well-known problem; with the HumBox our approach was to focus on user experience (UX) design through agile development and ongoing participatory and co-design activities. In this paper we present a mixed methods evaluation of the success of this engagement over the past three years, focusing especially on the way that users have appropriated the system and its services in order to solve real problems. Our evaluation reveals that for many HumBox users we have been successful in creating a technology that is invisible (meaning beneath the level of notice and concern) and that the result of this is less micro-appropriation (users adopting and using specific features in new ways) and more macro-appropriation (users adopting and adapting the site as a whole). We conclude that in the case of HumBox invisible technology coupled with the social framework of co-design and user engagement activities, has allowed a diffusion of ownership, and created a safe social and technical environment where the community can debate high-level issues, and that this has led to changes in both professional and pedagogical practice
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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