3,632 research outputs found
Sverre Fehn: l'arte nordica di spazializzare il tempo
No full textLa sceneggiatura delle scelte concrete è parte di una collana, "gli strumenti" , che vuole fornire riflessioni conoscitive e teoriche nei campi della scienza contemporanea, del pensiero, dell'arte, dell'urbanistica, dell'architettura e della produzione di oggetti. "La sceneggiatura delle scelte concrete" con prefazione di Antonino Saggio, a cura di Valerio Perna e Gabriele Stancato contiene gli scritti di dieci dottorandi, Matteo Baldissara, Giulia Cervini, MIcaela Di Domenicantonio, Massimiliano Modena, Valerio Perna, Giulia Perugi, Samuel Quagliotto, Elisa Romano, Gabriele Stancato ed Alessandro Zilio offre una panoramica sui metodi di composizione adoperati da differenti architetti scomponendone opere specifiche ed estraendone caratteri chiave reiterabili e reinterpretabili nel progetto di architettura
Documentazione e autodocumentazione nella cultura certosina del Seicento: il caso lombardo fra Matteo Valerio e Daniele Crespi
No full textRuolo di Matteo Valerio O.Cart. nella definizione della memoria visiva (affreschi di Daniele Crespi) e documentaria (archivio) della Certosa pavese
Recommended from our members
Fantastic Architecture and the Building of Europe in Valerio Evangelisti's Eymerich Fiction
No full textConcomitant with the horizontal expansion of EU territory through physical and political enlargement is a genealogy narrative, which emphasizes the ostensible roots of Europeanness in classical antiquity and Christianity. In the face of this sanitized genealogy, which lies at the heart of the European constitutional project, a range of alternative and more inclusive narratives circulate in contemporary European popular fiction. This paper focuses on a series of fantasy novels by the Italian author Valerio Evangelisti, featuring Inquisitor Eymerich as hero-investigator. In his highly popular novels, Evangelisti seeks to uncover layers of shared historical memory untainted with post-Enlightenment rhetoric.
The central architectural tropes of Evangelisti’s imaginary world are those of a castle and a convent, epitomizing the temporal and sacral power in European history. Each isolated from its outside environment and built on layer upon layer of subterranean chambers and corridors, the castle and the convent conceal a past quite different from the one championed in the official European genealogy. Memories of pagan worship and Islamic or Judaic learning – banished from the official rhetoric – continue to thrive, dark and threatening, in the subterranean strata of Evangelisti’s European edifice. Evangelisti thus provides an incisive critique of the official European story of origin, which threatens to suppress any alternative visions of European history or unorthodox avenues for European identity formation
La sceneggiatura delle scelte concrete. Processi e metodi della progettazione architettonica
No full text"Sceneggiature delle scelte concrete" sintetizza la necessità di una scrittura pertinente alle modalità del pensiero progettuale, piuttosto che scritture letterarie, storico filologiche o giornalistiche con lo scopo di fornire dei “veri e propri dispositivi sintattici” per la comprensione e la trasmissione delle scelte strutturanti il progetto di architettura. Nati nel seminario di dottorato tenuto dal professor Antonino Saggio a “Sapienza,” gli scritti di Matteo Baldissara, Giulia Cervini, Micaela Didomenicantonio, Massimiliano Modena, Giulia Perugi, Samuel Quagliotto, Elisa Romano, Alessandro Zilio e dei curatori Valerio Perna e Gabriele Stancato e dello stesso Saggio divulgano metodi e processi di Louis Kahn, Herzog & De Meuron, Steven Holl, Sverre Fehn, Mies van der Rohe e Makoto Sei Watanabe attraverso opere significative realizzate in un arco temporale di quasi novanta anni, dai primi anni Venti del Novecento fino ai più recenti esperimenti dell’Information technology in architettura."The screenplay of concrete choices" summarizes the need of a type of writing that is very relevant to the modalities of architectural design thinking, rather than literary, historic, philologic or journalistic ones, with the aim to provide proper "syntactic tools" for the comprehension and transmission of the structuring choices behind the architectural design process. Developed during the doctoral seminar held by professor Antonino Saggio at "Sapienza", the writings of Matteo Baldissara, Giulia Cervini, Micaela Didomenicantonio, Massimiliano Modena, Giulia Perugi, Samuel Quagliotto, Elisa Romano, Alessandro Zilio and of the curators Valerio Perna and Gabriele Stancato and of Saggio himself, spread methods and processes of Louis Kahn, Herzog & De Meuron, Steven Holl, Sverre Fehn, Mies van der Rohe e Makoto Sei Watanabe through some of their most significant works, covering a time period of almost ninety years that goes from the twenties of the 20th century to the most recent information technology experimentations in architecture
Mandatory and Contract-Based Shareholding Disclosure
No full textThis paper advocates a takeover-neutral legal framework for shareholding disclosure. After showing how the laws on securities custody may affect shareholding disclosure, it summarises the state of the art of shareholder identification and ownership disclosure in some major jurisdictions. Next, it considers the features that should qualify an effective regulatory system of shareholding disclosure and sketches how the applicable rules could be designed with a view to ensure that regulation is takeover-neutral: in particular, the extent to which issuers should be left free to devise their own tailored regime is investigated. Then, the issue of how (supra-national) harmonisation can play a role in this area is discussed. The paper argues for a harmonised policy solution which, while guaranteeing a sufficient degree of standardisation (and, consequently, limited adaptation and compliance costs), also allows for a flexible implementation through a system of centralised default rules and opting in/out choices both at the Member States’ and at the issuers’ level
Montagna e comunità: nuovi paradigmi per il dibattito geografico e le politiche di rigenerazione
No full textMountain and Community: New Approaches for Geographical Research and Regeneration Policies
Mountain research has been a distinctive subject in Italian geographical studies, encompassing both physical and human geography.
These inquiries have frequently been intertwined with governmental issues and strategic national goals. In the last decades of the
20th century, mountain research was focused on addressing socio-environmental imbalances and was developed under a systemic,
neo-positivist approach. This topic reached its peak with the implementation of the National Strategy for Inner Areas (SNAI), a
regeneration policy promoted by the Italian government to address environmental changes and rethink the mountain regions. Our
paper aims to provide a critical analysis on mountain research in Italian geography in order to address some issues underlying
governmental policies in mountain regions and to deconstruct an established idea of community that is prevalent in geographical
research and regeneration policies
Hermann Kant. Ein bio- bibliografisches Profil
No full textThe proximity to the power apparatus has cast dark shadows on the literary work of Hermann Kant, who is regarded as one of the most read authors of the GDR. Valerio Furneri embeds Kant's life and work in the all-German context of the 20th century and reinterprets his classics such as Die Aula or Der Aufenthalt. The author does not pursue the claim to rehabilitate the GDR, nor to trivialise Kant's role in it. Instead, the attempt is made to look at Kant's entire work from a temporal distance and to re-evaluate it. Through his works, Kant was able to accompany and depict not only the German-German history, but also European history.Die Nähe zum Machtapparat hat dunkle Schatten auf das literarische Werk von Hermann Kant, der als meistgelesener Schriftsteller der DDR gilt, geworfen. Valerio Furneri bettet Kants Leben und Werk in den gesamtdeutschen Kontext des 20. Jahrhunderts ein und interpretiert vor diesem Hintergrund Klassiker wie Die Aula oder Der Aufenthalt neu. Der Autor verfolgt dabei weder den Anspruch, die DDR zu rehabilitieren, noch Kants Rolle darin kleinzureden. Stattdessen wird der Versuch unternommen, Kants Gesamtwerk aus zeitlicher Distanz zu betrachten und neu zu bewerten. Durch seine Werke gelang es Kant nämlich nicht nur die deutsch-deutsche, sondern auch die europäische Geschichte zu begleiten und abzubilden
Hermann Kant. Ein bio- bibliografisches Profil
No full textThe proximity to the power apparatus has cast dark shadows on the literary work of Hermann Kant, who is regarded as one of the most read authors of the GDR. Valerio Furneri embeds Kant's life and work in the all-German context of the 20th century and reinterprets his classics such as Die Aula or Der Aufenthalt. The author does not pursue the claim to rehabilitate the GDR, nor to trivialise Kant's role in it. Instead, the attempt is made to look at Kant's entire work from a temporal distance and to re-evaluate it. Through his works, Kant was able to accompany and depict not only the German-German history, but also European history.Die Nähe zum Machtapparat hat dunkle Schatten auf das literarische Werk von Hermann Kant, der als meistgelesener Schriftsteller der DDR gilt, geworfen. Valerio Furneri bettet Kants Leben und Werk in den gesamtdeutschen Kontext des 20. Jahrhunderts ein und interpretiert vor diesem Hintergrund Klassiker wie Die Aula oder Der Aufenthalt neu. Der Autor verfolgt dabei weder den Anspruch, die DDR zu rehabilitieren, noch Kants Rolle darin kleinzureden. Stattdessen wird der Versuch unternommen, Kants Gesamtwerk aus zeitlicher Distanz zu betrachten und neu zu bewerten. Durch seine Werke gelang es Kant nämlich nicht nur die deutsch-deutsche, sondern auch die europäische Geschichte zu begleiten und abzubilden
Machinima! Teorie. Pratiche. Dialoghi
No full textMachinima! Teorie. Pratiche. Dialoghi esamina uno dei fenomeni di ibridazione mediale più interessanti degli ultimi vent’anni. Contrazione di machine e animation, il machinima si colloca all’intersezione tra videogioco e cinema, animazione elettronica e performance in tempo reale nei mondi virtuali. Opera derivata ma inaspettata, il machinima ha introdotto una nuova estetica, ma soprattutto, un nuovo modo di giocare con l’immagine. La sua storia è contraddistinta da innovazioni e imprevisti, alterazioni e alterchi, hacking e modding.
Il volume si articola in tre sezioni. La prima, TEORIE, inquadra il fenomeno sul piano concettuale, storico e legislativo, illuminando testi e contesti produttivi, distributivi, giuridici e commerciali. La seconda, PRATICHE, presenta i contributi di artisti e registi, producer e performer che hanno definito la natura del medium. Infine, DIALOGHI propone conversazioni su temi che spaziano dall’arte al mercato, dal disimpegno ludico all’attivismo politico. Il carattere interdisciplinare e l’eterogeneità degli approcci rendono Machinima! uno strumento ideale per comprendere le trasformazioni dei media e dell’arte contemporanea nell’era digitale.
Con contributi di Matteo Bittanti, Matteo Bonvicino, Alessandro Cavaleri, Marque Cornblatt, Frank R. Dellario, Joshua Diltz, Jun Faklenstein, Douglas Gayeton, Friedrich Kirschner, Kate Fosk, Kari Kraus, Mathias Jansson, Robert Jones, Clint Hackleman, Hugh Hancock, Tracy Harwood, Paul Marino, Mizuko Ito, Henry Lowood, Mark Methenitis, Michael Nitsche, Paolo Pedercini, Ilaria Ravarino, Dan O'Reilly Rowe, Valerio Sillari, Eddo Stern
- …
