1,720,993 research outputs found
La réinvention du passé : Une lecture de Qu’est-ce que le patrimoine numérique ? de Matteo Treleani. Treleani, Matteo. 2017. Qu’est-ce que le patrimoine numérique ? Une sémiologie de la circulation des archives. Lormont: Le bord de l’eau.
No full textLa nature des contenus documentaires qui circulent aujourd’hui sur le web, tout comme la façon dont ces documents (qu’ils soient numérisés ou « natifs-numériques ») sont diffusés, édités ou encore (re)contextualisés, n’ont rien de neutre : elles impliquent une certaine idée du passé qui, sous l’effet des nouvelles technologies et de notre culture numérique, a connu ces dernières années de profondes mutations. Matteo Treleani, dans son ouvrage Qu’est-ce que le patrimoine numérique ? (Le bord de l’eau, 2017), s’est donné pour mission de baliser et de comprendre cette nouvelle conception du passé, pour en mesurer les conséquences sur nos logiques de production, de transmission et de réception des archives. Dans une perspective sémiologique, il dresse un état des lieux des mutations épistémologiques de la fabrique des archives, invitant à repenser nos pratiques patrimoniales et notre rapport au passé.The nature of the documents circulating on the web, as well as the way in which these documents (whether digitized or “native-digital”) are disseminated, edited or even (re)contextualized, are not neutral: they imply a certain idea of the past which, under the influence of new technologies and of our digital culture, has deeply changed in recent years. In his essay Qu’est-ce que le patrimoine numérique ? (Le bord de l’eau, 2017), Matteo Treleani studies this new conception of the past, to measure its consequences on our logics of production, transmission and reception of archives. In a semiological perspective, Treleani makes an inventory of main epistemological changes in the way we are dealing with archives, and incites us to rethink our preservation practices as well as our relationship to the past
Le projet Issue.s de femmes et la valorisation des mémoires orales filmées en ligne : une superposition de narrations. Claire Scopsi (Dicen-IDF, CNAM).
No full textCaptation en ligne de l'intervention effectuée par Claire Scopsi au Séminaire UDPN du 18 mai 2018, « De la collection au corpus : le projet « Mémoire(s) Orale(s) de l’Institut Français de Presse », coordonné par Marie Dupond (UDPN, USPC), Céline Ferjoux (CARISM, Chaire académique Audiovisuel et Numérique, Univ. Paris II, Panthéon Assas), Matteo Treleani (GERIICO, Univ. Lille 3)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Luxembourg
No full textEn 2015-2016, l’activité sémiotique du Luxembourg a connu plusieurs temps forts. i) L’équipe L’équipe de sémioticiens du Luxembourg, constituée par Marion Colas-Blaise (Professeur, directrice de l’Institut d’Études Romanes, Médias et Arts – Université du Luxembourg), par Gian Maria Tore (enseignant-chercheur, Institut d’Études Romanes, Médias et Arts), par Matteo Treleani (chercheur postdoctoral, Institut d’Études Romanes, Médias et Arts, jusqu’en juillet 2015) et par plusieurs doctorants, s’..
Les archives face à la médiatisation de faits alternatifs
No full textSéminaire commun UDPN – Séminaire FabMem 2019 Mardi 29 janvier 2019 de 10:00 à 13:00 Maison de la Recherche, Université Paris 3-Sorbonne Nouvelle, 4 rue des Irlandais, 75005 Paris. Séance coordonnée par Claire Scopsi (DICEN, INTD CNAM), Céline Ferjoux (UDPN, CARISM, IFP, Université Paris 2) et Matteo Treleani (UDPN, GERIICO, Université Lille). Cette séance commune aux séminaires « Patrimoines numérisés : acteurs et pratiques » du réseau UDPN et « Fabriques de mémoires » (DICEN, CNAM,..
Approches archéologiques des archives audiovisuelles
No full textDate : 18 Janvier 2016, de 14:00 à 17:00Lieu : Ina, Centre Pierre Sabbagh : 83-85, rue de Patay, 75013 Paris coordonnée par Matteo Treleani, sémiologue, maître de conférence en communication (Université de Lille 3), en partenariat avec l’Institut national de l’audiovisuel PRÉSENTATION Approches archéologiques des archives audiovisuelles « Par "archéologie", je voudrais entendre quelque chose comme la description de l’archive. Que le mot "archéologie" vienne de l’archive. C’est-à-dire, la d..
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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