1,074 research outputs found

    La performance teatral del juglar contemporani Matteo Belli

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    En aquesta dissertació he intentat recórrer els principals elements que caracteritzen el treball teatral de l'actor contemporani bolonyès Matteo Belli. La primera part se centra en les informacions bàsiques, necessàries per col·locar correctament el fenòmen tan complex com fascinant del joglar. En segona instància, he pensat en aprofundir l'aspecte de la comicitat introduint directament el treball de Belli, i relacionar-lo, per dir-ho així, amb el panorama actual del teatre contemporani. A més a més, he presentat alguns exemples relacionats amb algunes obres d'artistes moderns i contemporanis italians, d'aquesta manera prentenc comprendre millor el procés de voluntarietat que s'amaga darrere la comicitat i els seus mecanismes intrínsecs. Per concloure, he inclòs una entrevista amb ell, que em va concedir en aquests quatre anys de recerca, on es pot apreciar, no només un gran coneixement del món de l'espectacle, sinó que també una profunda espessor cultural

    La performance teatral del juglar contemporani Matteo Belli

    No full text
    En aquesta dissertació he intentat recórrer els principals elements que caracteritzen el treball teatral de l’actor contemporani bolonyès Matteo Belli. La primera part se centra en les informacions bàsiques, necessàries per col•locar correctament el fenòmen tan complex com fascinant del joglar. En segona instància, he pensat en aprofundir l’aspecte de la comicitat introduint directament el treball de Belli, i relacionar-lo, per dir-ho així, amb el panorama actual del teatre contemporani. A més a més, he presentat alguns exemples relacionats amb algunes obres d’artistes moderns i contemporanis italians, d’aquesta manera prentenc comprendre millor el procés de voluntarietat que s’amaga darrere la comicitat i els seus mecanismes intrínsecs. Per concloure, he inclòs una entrevista amb ell, que em va concedir en aquests quatre anys de recerca, on es pot apreciar, no només un gran coneixement del món de l’espectacle, sinó que també una profunda espessor cultural

    Assessment and reduction of the seismic vulnerability of a stone masonry vault

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    A numerical approach is presented to assess the seismic vulnerability of barrel masonry vaults and evaluate the effectiveness of a traditional retrofitting intervention consisting in the reinforcement of the extrados. A linear elastic no–tension model is adopted to cope with the negligible strength in tension of ancient brick and stone masonry and perform a two–dimensional finite element analysis of arch–like sections. Instead of implementing conventional load history analysis or limit load analysis, the minimization of the relevant strain energy function is implemented to solve the non–linear equilibrium under the effect of different load scenarios. A segmental barrel vault made of stone masonry is investigated in an ancient building under static and seismic loads. The collapse load of the structural element is computed before and after the intervention and the reduction achieved in terms of seismic vulnerability is evaluated as prescribed by technical codes

    Il fantomatico Belli. Pittore girovago nella Francia di fine Ottocento o copista per la regina Vittoria?

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    From the Parisian collection of Angelo Sommaruga, two paintings signed “Belli” were considered realized by the Italian artist Enrico Belli. The author identified him in Benet Belli, a Spanish painter who was confused in his life with the most known Enrico, who worked in England as a copyist for her Majesty the Queen Victoria. From this point the author traces the works and life of Benet Belli – who travelled from Barcelona to Paris in 1878 – and also of Enrico who left England for India in the same years. Nowadays many paintings by Benet – especially in the French and Italian market of art – are confused and attributed to Enrico; now we know the difference between them

    Carlo Matteo Capelli - recto

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    Botanico: Capelli, Carlo Matteo (1763-1831). Professore di botanica e materia medica e prefetto dell\u27Orto botanico nell\u27Università di Torino. Titolo manoscritto ed estremi cronologici riportati sul recto, dove compaiono anche le note: 1899; Da litogr. prest. da S. Belli. Montata su cartoncino 105 x 65 mm. 1 fotografia : aristotipo ; 87 x 57 mm. Vai alla scheda bibliografica: https://galileodiscovery.unipd.it/discovery/fulldisplay?context=L&vid=39UPD_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma99001502640020604

    Carlo Matteo Capelli - verso

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    Botanico: Capelli, Carlo Matteo (1763-1831). Professore di botanica e materia medica e prefetto dell\u27Orto botanico nell\u27Università di Torino. Titolo manoscritto ed estremi cronologici riportati sul recto, dove compaiono anche le note: 1899; Da litogr. prest. da S. Belli. Montata su cartoncino 105 x 65 mm. 1 fotografia : aristotipo ; 87 x 57 mm. Vai alla scheda bibliografica: https://galileodiscovery.unipd.it/discovery/fulldisplay?context=L&vid=39UPD_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma99001502640020604

    The comparative advantage of government : a review

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    In theory, market failures are necessary but not sufficient conditions for justifying government intervention in the production of goods and services. Even without market failures, there might be a case for government intervention on the grounds of poverty reduction or merit goods (for example, mandatory elementary education and mandatory use of seatbelts in cars and of helmets on motorbikes). In every case, contends the author, a case for government intervention must first identify the particular market failure that prevents the private sector from producing the socially optimal quantity of the good or service. Second, it must select the intervention that will most improve welfare. Third, it must show that society will be better off as a result of government involvement--must show that the benefits will outweigh the costs. It is impossible to judge a priori whether or what type of government intervention is appropriate to a particular circumstance or even to a class of situations. Such judgments are both country- and situation-specific and must be made on a case-by-case basis. To be sure, it is easier to make such judgments about market failures based on externalities, public goods, and so on, than about the market failures based on imperfect information. Market failures rooted in incomplete markets and imperfect information are pervasive: Markets are almost always incomplete, and information is always imperfect. This does not mean that there is always a case for government intervention and that further analysis is unnecessary. On the contrary, there is a keener need for analysis. The welfare consequences of the"new market failures"are more difficult to measure so government intervention's contribution to welfare is likely to be more difficult to assess and the case for intervention (especially the provision of goods and services) is more difficult to make. One must also keep in mind that government interventions are often poorly designed and overcostly. Poorly designed interventions may create market failures of their own. Governments concerned about low private investment in high-risk projects, for example, may guarantee them against risk but in the process create problems of moral hazard and induce investors to take no actions to mitigate such risks. And some interventions may turn out to be too costly relative to the posited benefits. In seeking to provide extension services, for example, governments may incur costs that are higher than the benefits farmers receive.Decentralization,Environmental Economics&Policies,Economic Theory&Research,Health Economics&Finance,Labor Policies,Health Economics&Finance,Banks&Banking Reform,Knowledge Economy,Environmental Economics&Policies,Economic Theory&Research

    Belli dialettale, Belli universale. Francis Darbousset traduttore dei sonetti romaneschi

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    L'articolo studia le 461 traduzioni che Francis Darbousset ha lasciato inedite dei Sonetti romaneschi di Giuseppe Gioachino Belli. Si prende in esame il difficile rapporto tra testi in dialetto e traduzioni in lingue straniereThe essay examines 461 translations of Giuseppe Giochiano Belli's Sonnet by Frencj translator Francis Darbousset. The author reflects on the difficult relationship between texts in dialect and translations in foreign languages

    Perpetuare la memoria: architettura e arredo scultoreo nella città teatroide

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    La città di età ellenistica e romana si sviluppa attraverso i suoi spazi pubblici e le sue architetture in funzione della rappresentazione di se stessa, della comunità civica che la abita o del suo rapporto con il potere; complessi monumentali e architetture marcano il paesaggio urbano e definiscono spazi pubblici come quinte scenografiche, all’interno delle quali assume un ruolo importante l’arredo scultoreo, funzionale a rappresentare i valori della comunità, ad onorare i suoi cittadini, in un complesso rapporto tra il personaggio onorato – spesso artefice delle stesse trasformazioni urbane - e la comunità che lo onora e che definisce spazi e modi attraverso cui manifestare il proprio omaggio. La ricostituzione dell’arredo scultoreo e del suo rapporto con gli spazi pubblici e i complessi architettonici è spesso condizionato dal livello di conservazione e dalle vicende della vita postclassica dei centri urbani antichi; il contributo, che si propone, intende esaminare il fenomeno del rapporto tra scultura negli spazi pubblici urbani antichi, attraverso alcuni casi studio, per cercare di definire forme e modi attraverso cui l’arredo scultoreo diviene elemento integrante dell’immagine della città.Hellenistic and Roman cities define their public spaces and architectures with the view to represent themselves, the local community or their relationship with the established power; monumental architectures mark the urban landscape and outline public areas conceived as theatrical spaces, within which sculptures play a key role in representing the values of the community and in honoring citizens, in a complex relation between the honored man – who is often the main author of the urban transformations - and the local community that honors him and plans spaces and ways to homage him. The possibility to reconstruct the decorative sculptures and their relation to public spaces and architectural complexes is often conditioned by the level of conservation and the events occurred in the ancient urban centers during the post-classical period. The aim of this paper is to examine the connection between sculpture and ancient urban public spaces, by analyzing some meaningful case studies, in the attempt of identifying forms and ways through which sculptures become an integral part of the city’s overall image

    La cultura figurativa delle poleis del Golfo di Taranto: forme e funzioni della scultura

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    The paper deals with marble sculptures from the Greek poleis on the Ionian Coast. While Taranto and Metaponto yielded a series of sculptures dating from the Archaic to the Hellenistic period, other sites such as Satyrion and Heraclea yielded relatively few marble works, although typologically interesting. After reexamining the evidence, the author concludes that during the Archaic and Classical periods, marble was used almost exclusively for public monuments such as cult statues and architectonic sculptures. During the Hellenistic period, however, private commission became more important, especially in the case of Taranto with its rich funerary sculpture. As can be demonstrated, both local and foreign workshops are attested
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