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    Empréstimos participativos : uma verdadeira fonte de financiamento alternativa ao crédito bancário?

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    A discussão sobre as principais características dos hodiernos instrumentos de capitalização das sociedades comerciais do setor não financeiro, apoiando-se em conceitos e entendimentos de vários quadrantes do nosso ordenamento jurídico, reveste se de pertinência científica e atualidade. A presente dissertação apresenta como leitmotiv a análise, crítica, do Regime Jurídico dos Empréstimos Participativos, em vigor na ordem jurídica nacional, desde 13 de janeiro de 2022, com a aprovação do Decreto-Lei n.º 11/2022, de 12 de janeiro. Para que se possa compreender a ratio legis do presente Regime Jurídico, invocar-se-á, brevemente, a razão pela qual as pequenas e médias empresas figuram como as principais entidades visadas, e beneficiadas, com a sua aprovação. A i(nova)ção trazida pelos instrumentos financeiros de quase-capital in casu reclama a apresentação e a estruturação de raciocínios encadeados, dotados do desejável nível de clareza. Assim, o presente estudo guiar-se-á pela sistemática legal adotada pelo legislador nacional na construção do Decreto-Lei n.º 11/2022. Uma vez percorrida a estrutura legal do Decreto-Lei sub judice, discutir-se-á se a almejada finalidade do Regime Jurídico dos Empréstimos Participativos, rectius, a diversificação do portefólio das fontes de financiamento das sociedades comerciais do setor não financeiro, foi alcançada. Caso se conclua pela sua concretização, ver-se-ão abertas as portas do mercado de capitais, possibilitando-se o princípio do fim do elevado grau de dependência das pequenas e médias empresas relativamente ao crédito bancário.The discussion about the main characteristics of modern capitalization instruments for commercial companies in the non-financial sector, based on several juridical concepts and understandings, is scientifically relevant and contemporary. This dissertation presents as leitmotiv a critical analysis of the Legal Regime of Participating Loans, in force in the national legal system, since January 13, 2022, with the approval of Decree-Law no. 11/2022, of January 12. To understand the ratio legis of this Legal Regime, we will briefly discuss why small and medium-sized companies are the main entities targeted and benefited from its approval. The i(nova)tion brought by quasi-equity financial instruments in casu calls for the presentation and structuring of chained reasoning, endowed with the desirable level of clarity. Therefore, this study will be guided by the legal system adopted by the national legislator in the construction of Decree-Law no. 11/2022. Once the legal structure of the Decree-Law sub judice was reviewed and analyzed, we will discuss whether the desired purpose of the Legal Regime of the Participating Loans, rectius, the diversification of the financing sources portfolio of the commercial companies in the non-financial sector, has been achieved. Reaching such conclusion, we could hypothesize that the opening of the capital market is in view, possibly allowing for a turning point in the degree of bank credit dependence of small and medium-sized companies

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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