3,333 research outputs found
The North is another country. by Nicolas Rothwell
No full texttag=1 data=The North is another country. by Nicolas Rothwell
tag=2 data=Rothwell, Nicolas
tag=3 data=Australian Magazine,
tag=6 data=16/17 November 1996
tag=7 data=20-33.
tag=8 data=NT%TOURISM
tag=10 data=Worse, better, stranger, wilder, but above all different from the rest of the country. Continuing his journey of discovery across Australia's Top half the author stops over in Darwin to hear all the truths and whispers about the North.
tag=11 data=1996/2/8
tag=12 data=96/0316
tag=13 data=CABWorse, better, stranger, wilder, but above all different from the rest of the country. Continuing his journey of discovery across Australia's Top half the author stops over in Darwin to hear all the truths and whispers about the North
Éloge de la modernité: Mélanges en l’honneur du musicologue, compositeur et performeur Pierre Albert Castanet
No full textInternational audience1 831 / 5 000Dieses Sammelbuch mit 546 Seiten enthält Vorworte von Hugues Dufourt, Michaël Levinas und Roger Tessier. Es präsentiert Analysen der musikalischen Moderne bei Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux und Régis Campo, vom Rock der 1960er Jahre bis zur zeitgenössischen Musik. Als Teil des Genres der Mischungen oder Verschiedenes konzentriert es sich auf die Ästhetik und die musikalischen Werke des Komponisten und Musikwissenschaftlers Pierre Albert Castanet, einem großen Verfechter des Konzepts der Moderne in der Musik. Es enthält auch unveröffentlichte und Originalpartituren, Gedichte und Gemälde, die zu Ehren von Castanet komponiert wurden von: Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon und seine Klasse. Er entwickelt die Themen Sonodoulia, Kataakustik, Mystagogie und Dirty Sound, die Castanets modernistisches Denken strukturieren. Die Artikel zur musikalischen Moderne sind signiert von Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. Die Artikel und Interviews über das Leben und Werk von Castanet stammen aus der Feder von Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris-Darbon, Christophe Marchand. Das Studium der Werke von Castanet wird von Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud und Daniel Mayar durchgeführt. Die Bibliographie und das Werkverzeichnis werden von Nicolas Darbon zusammengestellt. Das Buch enthält zahlreiche Abbildungen, Fotos, Partituren und ein Register.This 546-page collective book contains prefaces by Hugues Dufourt, Michaël Levinas and Roger Tessier. It presents analyses of musical modernity in Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux, Régis Campo, from 1960s rock to contemporary music. In the genre of mixtures or miscellanies, it focuses on the aesthetics and musical works of the composer and musicologist Pierre Albert Castanet, a great defender of the concept of modernity in music. It also contains unpublished and original scores, poems and paintings composed in honor of Castanet by: Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon and his class. It develops the themes of Sonodoulia, Catacoustics, Mystagogy, Dirty Sound which structure Castanet's modernist thought. The articles on musical modernity are signed by Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. The articles and interviews concerning the life and work of Castanet are written by Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris-Darbon, Christophe Marchand. The study of Castanet's works is carried out by Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud, Daniel Mayar. The bibliography and the catalogue of works are collected by Nicolas Darbon. The book contains numerous illustrations, photographs, scores, and an index.1960 à la musique contemporaine.1 831 / 5 000Este libro colectivo de 546 páginas contiene prefacios de Hugues Dufourt, Michaël Levinas y Roger Tessier. Presenta análisis de la modernidad musical en Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux, Régis Campo, desde el rock de los años 1960 hasta la música contemporánea. Enmarcada en el género de mezclas o misceláneas, se centra en la estética y la obra musical del compositor y musicólogo Pierre Albert Castanet, gran defensor del concepto de modernidad en la música. También contiene partituras, poemas y pinturas originales e inéditas compuestas en honor a Castanet por: Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon y su clase. Desarrolla los temas de Sonodoulia, Catacústica, Mistagogía y Sonido Sucio que estructuran el pensamiento modernista de Castanet. Los artículos sobre la modernidad musical están firmados por Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. Los artículos y entrevistas sobre la vida y obra de Castanet provienen de las plumas de Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris-Darbon, Christophe Marchand. El estudio de las obras de Castanet está a cargo de Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud, Daniel Mayar. La bibliografía y el catálogo de obras están recopilados por Nicolas Darbon. El libro contiene numerosas ilustraciones, fotografías, partituras y un índice.Ce livre collectif de 546 pages contient les préfaces de Hugues Dufourt, Michaël Levinas et Roger Tessier. Il présente des analyses de la modernité musicale chez Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux, Régis Campo, du rock des années 1960 à la musique contemporaine. S'inscrivant dans le genre des mélanges ou miscellanées, il s'attarde sur l'esthétique et les oeuvres musicales du compositeur et musicologue Pierre Albert Castanet, grand défenseur du concept de modernité en musique. Il contient aussi des partitions, des poèmes et des tableaux inédits et originaux composés en l'honneur de Castanet par : Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon et sa classe. Il développe les thèmes de la Sonodoulie, la Catacoustique, la Mystagogie, le Son sale qui structurent la pensée moderniste de Castanet. Les articles sur la modernité musicale sont signés par Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. Les articles et entretiens concernant la vie et l'oeuvre de Castanet sont de la plume de Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris-Darbon, Christophe Marchand. L'étude des oeuvres de Castanet est réalisée par Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud, Daniel Mayar. La bibliographie et le catalogue des oeuvres sont rassemblés par Nicolas Darbon. Le livre contient de nombreuses illustrations, photographies, partitions, et un index.Questo libro collettivo di 546 pagine contiene prefazioni di Hugues Dufourt, Michaël Levinas e Roger Tessier. Presenta analisi della modernità musicale in Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux, Régis Campo, dal rock degli anni '60 alla musica contemporanea. Inserito nel genere delle misture o miscellanee, si concentra sull'estetica e sulle opere musicali del compositore e musicologo Pierre Albert Castanet, grande difensore del concetto di modernità nella musica. Contiene inoltre spartiti inediti e originali, poesie e dipinti composti in onore di Castanet da: Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon e la sua classe. Sviluppa i temi di Sonodoulia, Catacoustics, Mystagogy e Dirty Sound che strutturano il pensiero modernista di Castanet. Gli articoli sulla modernità musicale sono firmati da Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. Gli articoli e le interviste riguardanti la vita e l'opera di Castanet provengono dalla penna di Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris- Darbon, Christophe Marchand. Lo studio delle opere di Castanet è condotto da Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud, Daniel Mayar. La bibliografia e il catalogo delle opere sono raccolti da Nicolas Darbon. Il libro contiene numerose illustrazioni, fotografie, spartiti e un indice.Este livro coletivo de 546 páginas contém prefácios de Hugues Dufourt, Michaël Levinas e Roger Tessier. Apresenta análises da modernidade musical em Marcel Duchamp, John Cage, Klaus Huber, Mauricio Kagel, Henri Dutilleux, Régis Campo, do rock dos anos 1960 à música contemporânea. Inserido no gênero de misturas ou miscelâneas, tem como foco a estética e a obra musical do compositor e musicólogo Pierre Albert Castanet, grande defensor do conceito de modernidade na música. Também contém partituras inéditas e originais, poemas e pinturas compostas em homenagem a Castanet por: Thierry Alla, Jean-Marc Chouvel, Luis Porquet, Nicola Cisternino, Alexis Pelletier, Ziad Kreidy, Daniel Mayar, Martin Laliberté, Jacques Petit, Dominique Lemaître, Alain Louvier, Odil Okilon, Thibault Darbon e sua turma. Desenvolve os temas Sonodoulia, Catacústica, Mistagogia e Dirty Sound que estruturam o pensamento modernista de Castanet. Os artigos sobre modernidade musical são assinados por Sophie Stévance, Lenka Stransky, Jean-Yves Bosseur, Laurent Pottier, Geneviève Mathon, Béatrice Ramaut-Chevassus, Aurélie Allain. Os artigos e entrevistas sobre a vida e obra de Castanet são da autoria de Nicolas Darbon, Christian Goubault, Pierre Albert Castanet, Jacques Feuillie, Radosveta Bruzaud, Arthur Dutra Carvalho Reis, Michel Masserey, Jean-Luc Tamby, Laure Chauvris-Darbon, Christophe Marchand. O estudo das obras de Castanet é realizado por Nathalie Côte, Thierry Miroglio, Marie Baudart-Manchon, Apollinaire Anakesa Kululuka, Nicolas Darbon, Radosveta Bruzaud, Daniel Mayar. A bibliografia e o catálogo de obras são coletados por Nicolas Darbon. O livro contém inúmeras ilustrações, fotografias, partituras e um índice.这本共 546 页的合集包含休斯·杜福尔 (Hugues Dufourt)、迈克尔·莱维纳斯 (Michaël Levinas) 和罗杰·泰西尔 (Roger Tessier) 的序言。它分析了马塞尔·杜尚、约翰·凯奇、克劳斯·胡贝尔、毛里西奥·卡格尔、亨利·杜蒂耶、雷吉斯·坎波的音乐现代性，从 20 世纪 60 年代的摇滚到当代音乐。它属于混合或杂项流派的一部分，重点关注作曲家和音乐学家皮埃尔·阿尔伯特·卡斯塔内的美学和音乐作品，皮埃尔·阿尔伯特·卡斯塔内是音乐现代性概念的伟大捍卫者。它还包含为纪念卡斯塔内特而创作的未出版的原创乐谱、诗歌和绘画，作者包括：Thierry Alla、Jean-Marc Chouvel、Luis Porquet、Nicola Cisternino、Alexis Pelletier、Ziad Kreidy、Daniel Mayar、Martin Laliberté、Jacques Petit、Dominique Lemaître、 Alain Louvier、Odil Okilon、Thibault Darbon 和他的班级。他发展了索诺杜利亚、灾变学、神秘学和肮脏声音的主题，这些主题构成了卡斯塔内特的现代主义思想。关于音乐现代性的文章由 Sophie Stévance、Lenka Stransky、Jean-Yves Bosseur、Laurent Pottier、Geneviève Mathon、Béatrice Ramaut-Chevassus、Aurélie Allain 署名。关于卡斯塔内的生活和工作的文章和采访均出自尼古拉斯·达尔邦 (Nicolas Darbon)、克里斯蒂安·古博 (Christian Goubault)、皮埃尔·阿尔伯特·卡斯塔内 (Pierre Albert Castanet)、雅克·弗伊利 (Jacques Feuillie)、拉多斯维塔·布鲁佐 (Radosveta Bruzaud)、阿瑟·杜特拉·卡瓦略·雷斯 (Arthur Dutra Carvalho Reis)、米歇尔·马塞雷 (Michel Masserey)、让-吕克·坦比 (Jean-Luc Tamby)、劳尔·肖弗里-达尔邦 (Laure Chauvris-Darbon) 的笔下，克里斯托夫·马尔尚。对 Castanet 作品的研究由 Nathalie Côte、Thierry Miroglio、Marie Baudart-Manchon、Apollinaire Anakesa Kululuka、Nicolas Darbon、Radosveta Bruzaud、Daniel Mayar 进行。参考书目和作品目录由尼古拉斯·达尔邦 (Nicolas Darbon) 收集。这本书包含大量插图、照片、乐谱和索引
Grace S. Fong, Herself an Author : Gender, Agency, and Writing in Late Imperial China, 2008
No full textZufferey Nicolas. Grace S. Fong, Herself an Author : Gender, Agency, and Writing in Late Imperial China, 2008. In: Études chinoises, n°28, 2009. Numéro spécial sur le droit chinois. pp. 243-247
New Necklaces: 400 Designs in Contemporary Jewellery
No full textAfter the successful New Rings and New Earrings, New Necklaces is the third book curated by jeweller and author Nicolas Estrada, from classic forms and materials to the most daring, experimental and surprising ideas, each of the 500 necklaces included in this book has something that makes it unique and relates strongly to today's social, cultural and artistic reality. With prefaces by German jeweller Julia Wild and Leo Caballero, owner of the Barcelona gallery Klimt 02, specialised in contemporary jewellers
How Did I Get to Princess Margaret? (And How Did I Get Her to the World Wide Web?)
No full textThe paper explores the growing use of
tools from the arts and humanities for investigation
and dissemination of social science research.
Emerging spaces for knowledge transfer, such as
the World Wide Web, are explored as outlets for
"performative social science". Questions of ethnics
and questions of evaluation which emerge from
performative social science and the use of new
technologies are discussed. Contemporary thinking
in aesthetics is explored to answer questions
of evaluation. The use of the Internet for productions
is proposed as supporting the collective
elaboration of meaning supported by Relational
Aesthetics.
One solution to the ethical problem of performing
the narrations of others is the use of the writer's
own story as autoethnography. The author queries
autoethnography's tendency to tell "sad" stories and
proposes an amusing story, exemplified by "The
One about Princess Margaret" (see Appendix).
The conclusion is reached that the free and open
environment of the Internet sidelines the usual
tediousness of academic publishing and begins to
explore new answers to questions posed about
the evaluation and ethics of performative social
science
Identification of author profiles through social networks
No full textThe aim of this paper is to compile dictionaries of slang words, abbreviations, contractions, and emoticons to help the pre-processing of texts published in social networks. The use of these dictionaries is intended to improve the results of the tasks related to data obtained from these platforms. Therefore, a hypothesis was evaluated in the task of identifying author profiles (author profiling).Silva, JesúsMaria Santodomingo, Nicolas EliasRomero, LigiaJorge, MarisolHerrera, MaritzaPineda Lezama, Omar Bonerg
Nikolski de Nicolas Dickner. - américanité, archéologie, intertextualité
No full textAuthor treats different dimensions of space in Nicolas Dickner's novel Nikolski. He analyses the way in which the novel ties links between space and family and, furthermore, outlines the role stratification plays in the novel
SCAD-zbMATH-01 Open Access Data Set for Author Name Disambiguation (AND) (Enhanced Version)
No full text<p>This data set contains disambiguated publication data from zbMATH (www.zbmath.org) for use in author name disambiguation (AND). It covers 28321 publications with 33810 authorship records, authored by 2946 distinct authors. Authorship records have been manually annotated with author identifiers.</p>
<p>This download includes additional data sets for advanced, selective disambiguation.</p>
<p>For details, see "Mark-Christoph Müller, Florian Reitz, and Nicolas Roy (2017): Data Sets for Author Name Disambiguation: An Empirical Analysis and a New Resource", Scientometrics, doi:10.1007/s11192-017-2363-5.</p>
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Sur les traces de Nicolas Bouvier, sur des cailloux atlantiques
No full textThe author of this travelogue follows in the footsteps of Nicolas Bouvier on the Aran Islands off the coast of Ireland. By surveying the almost deserted island of Inishmore in the middle of winter, he seeks to understand what fascinated the author of The Way of the World on these Atlantic stones twenty years earlier.L'auteur de ce récit de voyage suit les traces de Nicolas Bouvier sur les îles d'Aran au large de l'Irlande. En arpentant en plein hiver l'île quasi déserte d'Inishmore, il cherche à comprendre ce qui a fasciné vingt ans plus tôt l''auteur de L'Usage du monde sur ces cailloux atlantiques.Gauthier Lionel. Sur les traces de Nicolas Bouvier, sur des cailloux atlantiques. In: Le Globe. Revue genevoise de géographie, tome 160, 2020. Sur les pas de... pp. 93-98
Data, R scripts and ASReml scripts
No full text################################################################################################
# OBJECTIVE: Procedure to perform the data handling and the analyses + details about the files #
# AUTHOR: Nicolas Bedere ([email protected]) #
# LICENCE: CC0 1.0 Universal (CC0 1.0), Public Domain Dedication #
# LAST UPDATE: 2023-01-06 #
# PLATFORM: x86_64-pc-linux-gnu (64-bit) #
################################################################################################
#### INTRODUCTION ####
This text files aims to explain the procedure to perform both the data handling and the analyses
in the paper:
#### Description of the files:
#1. Datasets
PhenoAsreml.txt contains the observed values for the phenotypes described in the paper
PhenoAsreml_scaled.txt contains the scaled (mean of zero and standard deviation of one) of the same phenotypes. THIS DATASET IS USED FOR BIVARIATE ANALYSES WITH 2x2 STRATA
PhenoAsreml_scaledLong.txt contains the same information, organized differently because the dataset is reshaped from wide to long format.
PhenoAsreml_scaledLong_3x3strata.txt contains the information for BackFat and BodyWeight, THIS DATASET IS USED FOR BIVARIATE ANALYSES WITH 3x3 STRATA
PhenoAsreml_scaledLong_3x2strata.txt contains the information for BackFat and Adiponectin, THIS DATASET IS USED FOR BIVARIATE ANALYSES WITH 3x2 STRATA. It is only an example of dataset that needs to be generated in order to obtain all the results presented in the paper
BEDERE_2023_Data_PedigreeHens.txt is the pedigree file (individual/sire/dam) traced back over 5 generations
#2. Codes and parameter files
BEDERE_2023_RScript_handlingdata_Long.R is an R code to reshape PhenoAsreml_scaled into PhenoAsreml_scaledLong and to subset it to generate PhenoAsreml_scaledLong_3x3strata for instance
BEDERE_2023_ASREMLScript_bivariate_2x2strata.as (as well as ...3x2strata.as and ...3x3strata.as) are ASReml parameter files used to state the data, model specification and post-hoc calculation to ASReml
Please, note that some variance components have been fixed in some analyses when the algorithm was struggling to converge.
BEDERE_2023_RScript_BartlettTest.R is an R code to perform the Bartlett test.
#2. Results examples
Some output files of ASReml are provided to give an example of results for each type of bivariate analysis.
The .asr file is the log of the program, explaining how the program ran
The .res file is describing the residuals
The .pvc file describes the variance components and provides the genetic parameters with their associated standard errors.<br
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