1,721,161 research outputs found
Entre recherche d’identité et identité de la recherche
Full text linkMémoire de fin d\u27étude du diplôme de conservateur, promotion DCB16, sur les bibliographies nationales à partir de l\u27exemple du STCN, bibliographie nationale néerlandaise, soulignant l\u27intérêt d\u27une bibliographie rétrospective européenne
Mémoires de Claude Haton. Tome 3, 1573-1577
No full textMathis Rémi. Mémoires de Claude Haton. Tome 3, 1573-1577. In: Bibliothèque de l'école des chartes. 2006, tome 164, livraison 1. pp. 309-311
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Pratiques quotidiennes de travail au Cabinet des estampes dans les décennies 1750 et 1760
No full textInternational audienceUsing two notes that Hugues-Adrien Joly, keeper of the Bibliothèque royale prints room, wrote on illustrated 16th c. books, the author analyzes the way they were working at that time, choices that were made to organize and hold the prints, the origin of the historical information and the relations with contemporary artistsÀ partir de deux notes autographes de Hugues-Adrien Joly, garde des estampes de la Bibliothèque royale (1750-1792), sur des livres illustrés du XVIe siècle, l'auteur analyse les pratiques de travail de l'époque, les choix effectués dans la conservation et l'organisation des collections, l'origine des renseignements historiques utilisés dans ce traitement, le rapport avec les artistes contemporains
Pratiques quotidiennes de travail au Cabinet des estampes dans les décennies 1750 et 1760
No full textInternational audienceUsing two notes that Hugues-Adrien Joly, keeper of the Bibliothèque royale prints room, wrote on illustrated 16th c. books, the author analyzes the way they were working at that time, choices that were made to organize and hold the prints, the origin of the historical information and the relations with contemporary artistsÀ partir de deux notes autographes de Hugues-Adrien Joly, garde des estampes de la Bibliothèque royale (1750-1792), sur des livres illustrés du XVIe siècle, l'auteur analyse les pratiques de travail de l'époque, les choix effectués dans la conservation et l'organisation des collections, l'origine des renseignements historiques utilisés dans ce traitement, le rapport avec les artistes contemporains
Quand un prix Nobel publie à compte d’auteur
No full textNational audienceRoger Martin du Gard published “Devenir!” at his own expense in 1908. Through the story of the copy recently acquired by the library of the École des Chartes, the author recounts the history of this edition, from its publication to the purchase of the stock by the NRF, and analyzes how the story of this book, one of whose heroes is a Chartist like Martin du Gard, parallels that of the authorRoger Martin du Gard publie "Devenir !" à compte d'auteur en 1908. À travers l'histoire de l'exemplaire récemment acquis par la bibliothèque de l'Ecole des chartes, l'auteur fait l'histoire de cette édition, de sa parution au rachat des stocks par la NRF et analyse combien l'histoire de ce livre, dont un des héros est chartiste tout comme Martin du Gard, raconte en parallèle celle de l'auteu
Jules Lieure (1866-1948), spécialiste d’estampes anciennes, collectionneur et graveur
Full text linkJules Lieure est à la fois une figure omniprésente de l’histoire de l’estampe et un parfait inconnu. Alors qu’il mène une très ordinaire carrière de fonctionnaire administratif, il se prend de passion pour ce médium. Sympathique et sociable, il devient une personnalité du petit monde parisien de la gravure à travers plusieurs pratiques : érudit auteur de plusieurs livres – et en particulier du catalogue de référence de l’œuvre de Jacques Callot – collectionneur, et artiste graveur amateur d’un certain talent.Jules Lieure is both an omnipresent figure in the history of French printmaking and a complete unknown. While leading a very ordinary career as an administrative civil servant, he developed a passion for this medium. Sympathetic and sociable, he became a personality in the small Parisian world of printmaking through several practices: a connoisseur, author of several books - and in particular the reference catalogue of the work of Jacques Callot – a collector, and an amateur etcher who is not deprived of talent
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