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Mathilde Albisson (2024). El proceso al libro. La censura inquisitorial en la España del siglo XVII
Mathilde Albisson (2024).
El proceso al libro. La censura inquisitorial en la España del siglo XVII.
Madrid: Ediciones Cátedra, 416 pp.
[ISBN 978-84-376-4726-5]
#5 Séminaire du 17 février 2023 : Mathilde ALBISSON
Mathilde Albisson (Universidad Autónoma de Barcelona) : « Las fuentes documentales para el estudio de la censura inquisitorial en la España Moderna » La censura inquisitorial constituyó un potente instrumento de control ideológico y de represión cultural en la España Moderna: restringió el acceso a las producciones intelectuales, coartó la libertad de expresión e influyó de manera duradera en las formas de acercarse a los textos, así como en la labor de los escritores, impresores y libre..
Mathilde Albisson (ed.), "Los agentes de la censura en la España de los siglos XVI y XVII"
Reseña de Mathilde Albisson (ed.), "Los agentes de la censura en la España de los siglos XVI y XVII"
Presentación de las Jornadas internacionales "Controversia y producción escrita en la España moderna (siglos XVI-XVII)", Madrid, 12 y 13 de abril de 2018.
Presentación de las Jornadas internacionales "Controversia y producción escrita en la España moderna (siglos XVI-XVII)", Madrid, 12 y 13 de abril de 2018. Organizadores : Mathilde Albisson y Lucía Sans Góme
Presentación de las Jornadas internacionales "Controversia y producción escrita en la España moderna (siglos XVI-XVII)", Madrid, 12 y 13 de abril de 2018.
Presentación de las Jornadas internacionales "Controversia y producción escrita en la España moderna (siglos XVI-XVII)", Madrid, 12 y 13 de abril de 2018. Organizadores : Mathilde Albisson y Lucía Sans Góme
Les agents de la censure dans l'Espagne des XVIe et XVIIe siècle
Los agentes de la censura en la España de los siglos XVI y XVII ORGANISATION Mathilde Albisson (ED 122 ‒ CRES-LECEMO – Université Paris 3 Sorbonne Nouvelle) Con el apoyo de École Doctorale 122 Europe latine - Amérique Latine PARTICIPANTS María José Vega Ramos (Universitat Autonòma de Barcelona) Javier Burguillo (Universidad de Barcelona) Álvaro Bustos Tauler (Universidad Complutense de Madrid) Cesc Esteve (Universitat de Barcelona) Héctor Urzáiz Tortajada (Universidad de Valladolid..
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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