1,787,683 research outputs found
Letter from S. Masaki to Dominguez Estate Company, April 16, 1942
Letter refers to a check payment for a land lease rent payment at 3931 W. Huntington Street, Torrance for two years rent. Masaki's letter was accompanied by a check payment for a land lease at 3931 W. Huntington Street, Torrance, California. In the letter Masaki states the lease began in 1942 and ends in 1944. The envelope is accompanied by the letter, showing Masaki at the Santa Anita Temporary Assembly Center in Arcadia, California
Funds that supported the research activities of Masaki Miya, recipient of the 2023 Ichthyological Society of Japan Award of Excellence.
Table showing the funds that supported the research activities of Masaki Miya at the Natural History Museum and Institute, Chiba, recipient of the 2023 Ichthyological Society of Japan Award of Excellence.</p
The First Tomoh Masaki Award (2011)
AbstractProfessor Tomoh Masaki, a Japanese physician-scientist born in 1934, is particularly known for the discovery of endothelium-derived peptide endothelin and its receptors, among many other scientific achievements. In recognition of his work, the Tomoh Masaki Award was established in 2011 by the Endothelin International Advisory Board of The International Conferences on Endothelin as a biannual scientific prize in recognition of Masaki's innovative and ground-breaking work that has led to new clinical applications. The inaugural Tomoh Masaki Award was presented at The Twelfth International Conference on Endothelin held in Cambridge, UK, to one his former graduate students, Professor Masashi Yanagisawa as the first recipient of this award, who played an instrumental role in the discovery of endothelin at the University of Tsukuba, Japan. The article summarizes the scientific achievements of Masaki and the awardee, Masashi Yanagisawa, also including personal reflections of two of Masaki's former graduate students on their teacher as well as on the awardee of The First Tomoh Masaki Award 2011 and their work as scientists and their role as mentors
VKS3-020 - Kastom stori Supa Masaki - Sina Tisamuri EMAE
Side A: BLANK (sticker with "PTG" on it) Side B: (recording VKS3-020-A) Kastom stori - Supa masaki - Su̠pa masaki - Sina (Tisamuri Charley) Emae A dernière légende incomplete. Language as given
Portrait of Masaki Hori, ASACUSA experiment
Masaki Hori is the spokesperson and head of the ASACUSA collaboration on the AD decelerator
Typed Transcript of Letter to Dorothy Masaki
Condolence leter to Dorothy Masaki regarding the death of her brother
Card, Alien's Indefinite Leave, Masaki Yayoshi
Aliens Indefinite Leave Pass issued by U.S. WRA to Masaki Yayoshi. Photo on front of document. Fingerprint on back. 1 page, double sided. Paper, ink.Collected by Eugene Yayoshi at Rohwer
Nobie Masaki
Photo of a young Japanese American woman posing in front of a barracks buildings. Handwriting on the photo reads, "Dear Mrs. Billigmeier, Always, Nobie Masaki. From photo album of Robert Billigmeier.The Robert Billigmeier collection is comprised of materials collected during his work and stay at the Tule Lake incarceration camp conducting research for the University of California’s Japanese Evacuation and Resettlement Study (JERS). The collection includes: photographs taken during his time at Tule Lake; a scrapbook created by students at Tule Lake in 1942; camp publications; reports and manuscripts; and student writings. Several of the reports and manuscripts draw from the personality cards written by students in the Tule Lake incarceration camp
Data-set-masaki
Dataset for "Nobiletin has a protective effect on hair cells against neomycin-induced vestibular hair cell death"</p
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Disenchanting Japan: Japanese Futurity in Neuromancer and the Science Fiction of Masaki Goro
I apply enchantment theory to William Gibson's Neuromancer and several works by the Japanese SF author Masaki Goro to reveal shared assumptions about Japan as the locus of an emergent techno-social hybridity. Both Gibson and Masaki register signs of widespread disenchantment stemming from an increasingly technologically advanced society with a ruthlessly efficient take on capitalism. However, they mobilize their portrayals to different ends. I demonstrate that the authors diverge in their assessments of a technologically-mediated reenchantment. I also argue that the authors' use of conventions from hard-boiled fiction performs several functions. First, it ironically highlights the impossibility of nostalgia in such a future world, where the concept of home is divested of stability. Second, it evinces an anxiety over the transition from individualistic subjectivity to decentered posthumanity. Third, it reinforces the theme of the supplantation of the traditional nation-state by hyper-capitalist forms
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