1,720,969 research outputs found
Percorsi di Mario Perrotta verso il Milite Ignoto
No full textIl saggio ricostruisce i percorsi del narratore e drammaturgo Mario Perrotta evidenziando fasi che intrecciano formazione, impriting artistici, autonoma ricerca e rapporti con il territorio. Fra il 1994 e il 2000 si svolge una fase propedeutica compiuta assieme agli attori e registi del Teatro dell'Argine. Fra il 2000 e il 2005 Perrotta sviluppa una propria via verso la narrazione teatrale recuperando dialetto, drammaturgia testuale e il modello costituito da Dario Fo. Fra il 208 e il 2012, la problematica necessità di padroneggiare la scrittura si confronta a tutto campo con le modalità della drammaturgia d'autore, della letteratura e della regia teatrale. Nel 2013, Perrotta si confronta con il pittore Antonio Ligabue facendo coincidere narratore e personaggio. L'anno successivo, la drammaturgia di Milite ignoto millenovecentodiciotto prevede un parlante metamorfico e corale che manifesti le esistenze e i linguaggio del popolo di soldati morti ai quali si rivolge
Odisea
No full textDesde su estreno el 16 de noviembre de 2007, el espectáculo Odisea de Mario Perrotta (Lecce, 1970) no ha dejado de cosechar numerosos elogios de público y crítica. Protagonista de dos de los más afortunados espectáculos de la última década (Italiani, Cìncali! y La turnata, en torno a la dolorosa emigración a Bélgica y Holanda de trabajadores italianos durante la primera posguerra), Mario Perrota protagoniza con esta obra un giro en su producción, apartándose momentáneamente de la vena más civil y comprometida de su trabajo en favor de una dramaturgia más introspectiva centrada en trascender la narración para volcar, en un verdadero monólogo, las inquietudes de un Telémaco moderno a la espera del padre apenas conocido. Reflexión sobre la paternidad y, en cierto modo, la pacata sociedad de nuestros días, la lectura propuesta de la Odisea supone una inteligente actualización del mito homérico y de las posibilidades que los textos clásicos siguen ofreciendo para iluminar aspectos de nuestra condición humana
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Mau-dire la guerre: Préface à Mario Perrotta, Milite ignoto quindicidiciotto / Soldat inconnu quinze-dix-huit (édition bilingue), traduction collective dirigée par Florence Courriol et Filippo Fonio
No full textMau-dire la guerre « Quelle connerie la guerre », écrivait Prévert. Il parlait de la Deuxième Guerre mondiale, mais cela vaut tout aussi bien pour la précédenteces deux guerres apparaissant de plus en plus, selon certains historiens, comme les deux pôles paroxystiques d'un seul et même conflit 1. C'est en tout cas la conviction motrice qui sous-tend le texte (et le spectacle qui en est issu, à moins que ce ne soit l'inverse 2) de Mario Perrotta. « Connerie », mais encore, pour le dire autrement et plus précisément : massacre, déshumanisation, réification des combattants, embrigadement des individus dans une gigantesque entreprise mortifère qui ne les concerne pas, au nom de « valeurs » et d'« idéaux » pervertis dont ils sont parfois dupes un moment, le temps de découvrir dans la tranchée que la guerre n'a rien de noble, rien de transcendant, rien de la promesse du monde meilleur qu'elle leur avait fait miroiter. La voix qui porte le discours sur la guerre dans le texte-spectacledans le texte spectaculairede Perrotta est celle d'un « milite ignoto », comme l'indique le titre. Le « milite ignoto » en Italie, de même que le « soldat inconnu » en France, est, comme on sait, un soldat anonyme tombé au combat lors de la Première Guerre mondiale, choisi plus ou moins au hasard, chargé de représente
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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