1,721,042 research outputs found
Recensione di Mario Lentano, '«Vissero i boschi un dì». La vita culturale degli alberi nella Roma antica', Carocci editore («Frecce»), Roma 2024, pp. 247
No full textIl contributo è una recensione del volume di Mario Lentano '«Vissero i boschi un dì». La vita culturale degli alberi nella Roma antica', Carocci editore («Frecce»), Roma 2024, pp. 247.Review of Mario Lentano, '«Vissero i boschi un dì». La vita culturale degli alberi nella Roma antica', Carocci editore («Frecce»), Roma 2024, pp. 247
LETTERE DI PASCAL, GIARRATANO, TERZAGHI, LENCHANTIN DE GUBERNATIS AD ACHILLE VOGLIANO
No full textPubblicazione di lettere di diversi mittenti ad Achille Vogliano conservate nel Fondo Vogliano custodito a Napol
Talia e i Burgundi: rifrazioni classiche e meccanismi di intertestualità in Sidonio Apollinare, Carmina, 12
No full textIl contributo discute della fitta trama di richiami intertestuali che marca questo componimento. Rilievo particolare è dedicato al contesto storico in cui Sidonio compose il c. 12: da esso emerge il disagio dell'aristocratico in una società in cui l'elemento barbaro si mostra sempre più 'invadente
Lucrezio in Copernico. Per il lessico tra geocentrismo ed eliocentrismo
No full textQuesto lavoro presuppone un altro articolo purtroppo ancora in corso si stampa. E' l'analisi di alcuni luoghi in cui Copernico sembra aver letto Lucrezio, più che altri antichi. Sono segnalati alcuni lemmi lucreziani e contesti di tipo scientifico-astronomico che avranno fortuna:orbis, sole lampada del mondo, cono di ombra, nave all'orizzonte
Servio e la poesia elegiaca
No full textServius seemingly knew the elegiac poets, but he quotes only Ovid's Metamorphoses in his commentary on Virgil. Although the passages taken from the Metamorphoses are used by Servius mainly for explaining mythological, geographical and grammatical aspects of the Virgilian work, Servius does not consider Ovid an auctoritas, but he shows a cautious, if not critical, attitude toward him
La metamorfosi per amore dell'eroe in armis acerrimus. La fabula di Achille e Polissena in Darete Frigio.
No full textin the rewriting of epic material proposed in the "De excidioTroiae" and in the "Ephemeris belli Troiani", the romance between Achilles and Polyxena is one of the most important innovations. This contribution proposes a comparative reading of this fabula within the two works, identifying consonances and dissonances. The reinterpretation of the Homeric Achilles in the elegiac perspective conducted in the "De excidio Troiae", the intertextual interferences (mainly Ovid) and the topic of erotic literature put an end to the heroism of Achilles and put him closer to anti-heroic characters, such as Andromache, inclined to love rather than to war. The choice of the Homeric hero even to start negotiations for peace with the enemy because of his love for Polyxena, results in the parodic degradation of the heroic universe: there is a symmetry, emphasized by linguistic indicators, with the best-known romance between Paris and Elena, which is the cause of the Trojan War
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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