53 research outputs found
Cinema e altre scritture. Intervista a Mario Martone,
L'intervista affronta il rapporto fra letteratura e cinema nell'universo creativo di Mario Martone, e in generale i problemi teorici dell'adattamento e del rapporto fra diversi media e diversi linguaggi artistici, con particolare riferimento al film L'Odore del sangue e al rapporto con il romanzo di Paris
Una drammaturgia del montaggio e della citazione. Premessa a “La seconda generazione (Neottolemo)” di Mario Martone
The article publishes for the first time the text of a famous performance directed in 1988 by Mario Martone, made by a series of ancient and modern passages about Achilles' son, and focused on the post-heroic generatio
La ferita, la malinconia, la diversità : Mario Martone e Giorgina Pi riscrivono il mito di Filottete
This issue focuses on two significant theatrical rewritings of the Philoctetes myth: La seconda generazione (Neottolemo) (1988) by Mario Martone and Lemnos (2022) by Giorgina Pi. Although separated by decades, both works employ the Greek myth as a lens through which to interpret the present. Martone’s production constructs its dramaturgy through a mosaic of quotations from ancient and modern authors, transforming Neoptolemus into an emblem of a generation caught between reverence for and rejection of paternal models. Pi’s Lemnos sym-bolically relocates the action to Makronisos, a concentration camp for Greek political prisoners (1947-1974), interweaving Sophocles’ text with writings by Ritsos, Adrienne Rich, Derek Walcott, and Hélène Cixous. This contribution is an introduction to the reading of the issue
“Spostamenti progressivi dei linguaggi”. Martone e l’opera d’arte totale
Un'analisi della produzione creativa di Mario Martone alla luce del concetto di opera d'arte totale, codificato da Wagner e ripreso dalle avanguardie storiche, dal primo teatro di ricerca multimediale al confronto con la tragedia greca, dalle regie di teatro musicale al cinemaAn analysis of Mario Martone's creative production, from the perspective of Wagnerian total work of art, the paper deals with the first intermedial avant-garde theatre, the performances of Greek tragedy, the experience with musical theatre and finally his movie
<h3><i>Cinema e altre scritture</i>. Interview with Mario Martone</h3>
Transcript and reworking of the interview held on 30 January 2006 at the University of Rome "La Sapienza" during the lectures series organized by the Italian Department of Italian and Performing Arts and by the IRRE of Lazio, coordinated by Michela Costantino
Spostamenti progressivi dei linguaggi : Martone e l’opera d’arte totale
An analysis of Mario Martone's creative production, from the perspective of Wagnerian total work of art, the paper deals with the first intermedial avant-garde theatre, the performances of Greek tragedy, the experience with musical theatre and finally his movies
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