1,721,159 research outputs found
Les Folies de Cardenio
No full textDirección de la colección: Emilio Martínez Mata y María Fernández Ferreiro
http://grec.grupos.uniovi.es/Las locuras de Cardenio (1630-1629) es una tragicomedia gala
en cinco actos de Pichou (1595-1631). Va dedicada al potente
privado de Luis XIII, el Señor de Sainct Simon.
Se supone que el dramaturgo francés, además de la traducción de Oudin de 1614, L’Ingénieux Dom Quixote de la Manche
composé par Michel de Cervantes, también leyó directamente
una de las numerosas versiones del Quijote en español que
circulaban en Francia por aquel entonces.
Pichou se centra aquí en los capítulos XXIII a XLVII
del hipotexto cervantino, que tratan de los amores entre
Cardenio, don Fernando, Dorotea y Luscinda. El paso del
género novelístico español al teatral francés presupone
adaptaciones culturales, concentración, condensación,
elipsis, reescritura diegética y resumen. Inserta incluso
el dramaturgo francés, entre otros textos, pasajes de Orlando enamorado (1640) de Boiardo y de Orlando furioso (1551)
de Ariosto.
Las locuras de Cardenio, jamás traducidas al español desde
el siglo xvii, son pues un ejemplo de reescritura muy original por ser recreación transgenérica —de novela a teatro—,
translingüística —del español al francés— y transcultural
—de la España del conde-duque de Olivares a la Francia del
cardenal de Richelieu—
European illustrations of Quichotte in the 21st century : questions of creation and reception
No full textL’intention de cette thèse doctorale vise à étudier la réception du chef-d’œuvre cervantin, DonQuichotte de la Manche (1605-1615), dans un corpus d’œuvres d’artistes européens du XXIesiècle dans le but d’apprécier leurs représentations du Quichotte, tout comme les interprétationsqu’ils en proposent au lecteur-spectateur contemporain. Notre étude s’appuie sur laproblématique de l’actualisation du Quichotte dans les arts visuels, notamment la peinture, auXXIe siècle, en prenant en compte les facteurs substantiels qui interviennent dans la façon depercevoir l’œuvre cervantine par ces artistes européens. Pour répondre à cette problématique,nous avons travaillé sur un corpus iconotextuel, l’œuvre cervantine Don Quijote de la Manchaet les illustrations contemporaines de quatre artistes européens, à savoir, l’artiste espagnolFernando Vicente, l’artiste français Georges Corominas, l’artiste bulgare Svetlin Vassilev etl’artiste polonais Tomasz Setowski. Afin d’explorer la réception européenne du Quichotte, nousavons mené une étude de sémiotique textuelle et iconographique qui s’appuie, d’une part, surles approches théoriques structuralistes, néo-structuralistes et postmodernes pour analyser lesrapports intertextuels, transtextuels et intermédiaux entre l’hypotexte cervantin et seshypertextes visuels. D’autre part, notre étude prend appuie également sur les approchesanthropologique, philosophique, et sociologique qui nous ont permis de mettre en évidence lediscours poétique, politique et socioculturel que les artistes européens transmettent au lecteur-spectateur par le biais des illustrations picturales du Quichotte.The intention of this doctoral thesis is to study the reception of the Cervantine masterpiece, DonQuixote de la Mancha (1605-1615), in a corpus of works by European artists of the 21st centuryin order to appreciate their representations of the Quixote, as well as the interpretations theypropose to the contemporary reader-spectator. My study raises the issue of the updating ofQuixote in visual arts, especially painting, in the 21st century, taking into consideration thesubstantial factors that intervene in the way of perceiving the Cervantine work by Europeanartists. To answer this thesis problem, we have worked on an iconotextual corpus, theCervantine work Don Quijote de la Mancha and its contemporary illustrations by four Europeanartists, namely, the Spanish artist Fernando Vicente, the French artist Georges Corominas, theBulgarian artist Svetlin Vassilev and the Polish artist Tomasz Setowski. In order to explore theEuropean reception of the Quixote, we have conducted a study of textual and iconographicsemiotics that relies, on one hand, on structuralist, neo-structuralist and postmodern theoreticalapproaches to analyze the intertextual, transtextual and intermedial relationships between theCervantes hypotext and its visual hypertexts. On the other hand, our study is also based onanthropological, philosophical and sociological approaches that have allowed us to highlightthe poetic, political and socio-cultural discourse that European artists transmit to the reader-spectator through the pictorial illustrations of the Quixote
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
« El universo simbólico del poder en La hora de todos: la representación del poder según M. Alcorlo, ilustrador de Quevedo »
No full textInternational audienc
Barroco y «Posbarroco». Modernidad y «posModernidad». El caso de Gabriel Grün, ilustrador de La vida es sueño (2018)
No full textInternational audienceThis work aims to clarify conceptual, critical and theoretical questions about rewriting Golden Age texts in contemporary arts (21st century). It first gives the reader a theoretical crawl to the purpose, to formulate a series of conceptual and epistemological proposals. At the end these concepts and reading guides are applied to the concrete example offered by the painter Gabriel Grün, illustrator of La vida es sueño, by Calderón de la Barc
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