1,721,420 research outputs found
"Mi corazón es patio", versos de Marcos Ana: l'animació com a recurs retòric en la videopoesía
Get PDF[ES] Realización de una pieza audiovisual a través de los versos de Marcos Ana, en la que se utilizan técnicas de animación cuadro a cuadro y rotoscopia que, combinadas con animación digital, son utilizadas para plasmar en imagen varias estrofas de "Mi corazón es patio". Tomando como punto de partida la libertad creativa que ofrece la animación, se hace un recorrido por las diversas fases que llevan a la consecución de la obra, desde la inspiración hasta el producto final, en la que el lenguaje visual toma gran importancia para trasladar tanto el mensaje como la emoción.[EN] Production of an audiovisual piece based on the verses of Marcos Ana. The audiovisual piece uses frame-by-frame animation and rotoscoping techniques, combined with digital animation. These techniques are used to capture in image several verses of Mi corazón es patio . Taking the creative freedom offered by animation as a starting point, a journey is made through the different phases that lead to the creation of the work, from inspiration to the final product, in which the visual language takes on great importance to convey both the message and the emotion.Cortés Somavilla, I. (2025). "Mi corazón es patio", versos de Marcos Ana: la animación como recurso retórico en la videopoesía. https://riunet.upv.es/handle/10251/228556TFG
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Voci dal carcere in Dulce Chacón e Marcos Ana
No full textIl saggio prende in esame due importanti testi (La voz dormida, 2002, di Dulce Chacón e Decidme cómo es un arbol, 2007, di Fernando Macarro alias Marcos Ana) ascrivibili all’ambito della memoria storica della Spagna contemporanea, quella tendenza culturale e artistica che ha preso le mosse nei primi anni del nuovo secolo e che ha portato alla luce episodi della guerra civile e della repressione franchista fino a pochi anni fa sconosciuti, proponendo innovative interpretazioni di accadimenti militari e politici, rivisitando fatti noti e meno noti. Si sottolinea pertanto il riferimento costante alla testimonianza diretta e alla trasmissione orale come base del racconto. Pur tenendo in considerazione le profonde implicazioni con la postmodernità, l’obiettivo di questi testi è anche quello di dare ascolto ad esigenze etiche e politiche, in linea con la nuova tendenza culturale neomoderna nella quale assume importanza decisiva la preservazione della memoria del trauma. Le due opere prese in considerazione esibiscono principalmente chiare caratteristiche di referenzialità, ma presentano molti passaggi in cui il racconto del narratore scivola inevitabilmente nell’invenzione, creando quel mescolamento tipico del romanzo storico in cui elementi di finzione diventano inscindibili dai dati documentabili. Per questo, la scrittura dei due autori è importante in virtù del progetto etico che essi propongono e della loro funzione performativa, che comporta il riconoscimento del trauma e la costruzione di una memoria collettiva
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Biografía e historiografía en las novelas " Author, author!: a novel" y "A man of parts: a novel" de David Lodge
Get PDF[ES] El presente trabajo de investigación indaga en la evolución estilística del escritor británico David Lodge, señalando que aquellas novelas publicadas por el autor durante la primera década del siglo XXI difieren en ciertos aspectos de su producción literaria correspondiente al siglo XX. Para ello, en la primera parte de la investigación se analiza los fundamentos teóricos subyacentes al estilo literario en Author y a Man of Parts. En la segunda parte, los aspectos formales y temáticos referentes al estilo literario en Author y a Man of Parts. Dichas novelas se conforman como un tipo de creación que persigue verdades que acotan hechos concretos y cabales, la denominada truth in facts, a la vez que expresan la narrativa de vivencias o life-writing, escritura que manifiesta experiencias personales en forma de confesión o diario. Consecuentemente, en dichas obras literarias, David Lodge opta por reflejar la llamada ʽnovela de autor,ʼ decantándose por delinear ficcionalmente las biografías de los escritores consagrados decimonónicos Henry James y H. G. Wells
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Reseña de: Díaz-Marcos, Ana María (ed.). Escenarios de crisis: dramaturgas españolas en el nuevo milenio. Sevilla: Benilde Ediciones, 2018
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