1,720,979 research outputs found
Marco Scacchi. Canones nonnulli
No full textEdizione critica con facsimile della stampa originale, introduzione storica e commento (in inglese, italiano e lituano) dei "Canones nonnulli" di Marco Scacchi (Königsberg, 1649). Con un approfondimento dei vari dispositivi canonici. Il testo introduttivo latino dell'autore è tradotto e annotato. I "Canones nonnulli" rappresentano una fonte preziosa per lo studio del canone artificioso di scuola romana diffuso a metà Seicento in area baltica, nella confederazione polacco-lituana
Marco Scacchi. Canones nonnulli
No full textEdizione critica con facsimile della stampa originale, introduzione storica e commento (in inglese, italiano e lituano) dei "Canones nonnulli" di Marco Scacchi (Königsberg, 1649). Con un approfondimento dei vari dispositivi canonici. Il testo introduttivo latino dell'autore è tradotto e annotato. I "Canones nonnulli" rappresentano una fonte preziosa per lo studio del canone artificioso di scuola romana diffuso a metà Seicento in area baltica, nella confederazione polacco-lituana
A tradição platônica no breve discorso sopra la musica moderna, de marco scacchi (1649)
No full textIn the year 1649, Marco Scacchi (1600-1662), Giovanni Francesco Anerio's
disciple, publishes a theoretical work called “Breve Discorso Sopra la Musica Moderna” in
which he builds important arguments for the defense of his own music practice placed in the
context of the Seconda Pratica. After a period of controversies between him and the
composers Paul Siefert and Romano Micheli, Scacchi inveighs against the Prima Pratica
composers and, in turns, he praises the compositional industry of his time. The present article
intends to put in evidence the tradition of the Platonic arguments used by Scacchi in his
narrative, reclaiming early discourses which were buildt over Platonic topics, shared during
the 17th century controversies between "ancients" and "moderns".No ano de 1649, Marco Scacchi (1600-1662), discípulo de Giovanni Franceso
Anerio, publica um trabalho teórico intitulado “Breve Discorso Sopra la Musica Moderna”,
no qual edifica importantes argumentos na defesa da música praticada por ele e inserida no
contexto da Seconda Pratica. Após um período de embates e controvérsias com os
compositores Paul Siefert e Romano Micheli, Scachi censura em seu discurso os
compositores da Prima Pratica, ou prática musical antiga, e louva, por sua vez, a indústria
composicional de seu tempo. Pretendemos, neste artigo, evidenciar os argumentos de tradição
platônica elencados por Scacchi na construção de sua narrativa, recuperando, para tal efeito,
os discursos que o precederam e que se erigiram sobre as tópicas compartilhadas durante os
embates entre antigos e modernos, no período que compreende a primeira metade do século
XVII
A TRADIÇÃO PLATÔNICA NO BREVE DISCORSO SOPRA LA MUSICA MODERNA, DE MARCO SCACCHI (1649)
Full text linkNo ano de 1649, Marco Scacchi (1600-1662), discípulo de Giovanni Franceso Anerio, publica um trabalho teórico intitulado “Breve Discorso Sopra la Musica Moderna”, no qual edifica importantes argumentos na defesa da música praticada por ele e inserida no contexto da Seconda Pratica. Após um período de embates e controvérsias com os compositores Paul Siefert e Romano Micheli, Scachi censura em seu discurso os compositores da Prima Pratica, ou prática musical antiga, e louva, por sua vez, a indústria composicional de seu tempo. Pretendemos, neste artigo, evidenciar os argumentos de tradição platônica elencados por Scacchi na construção de sua narrativa, recuperando, para tal efeito, os discursos que o precederam e que se erigiram sobre as tópicas compartilhadas durante os embates entre antigos e modernos, no período que compreende a primeira metade do século XVII
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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