11,328 research outputs found
El Leloir que conocí. Entrevista al Dr. Armando J. Parodi en el marco del proyecto Houssay y Leloir
No full textEntrevista al Dr. Armando J. Parodi en el marco del proyecto Houssay y LeloirOriginalFil: Parodi, Armando J.. Fundación Instituto Leloir; ArgentinaColorMatías A. Loewy (Entrevista); Esteban D. Rosso (Producción Audiovisual) y Santiago Alventosa (Técnica Audiovisual)1 videograbación digitalLFL-ACE-M. Entrevistas, grabaciones, y otros materiales multimedia sobre LFLUnidad documental simpleAR-HYL-201
El Premio Nobel a Luis F. Leloir. Entrevista al Dr. Armando J. Parodi en el marco del proyecto Houssay y Leloir
No full textEntrevista al Dr. Armando J. Parodi en el marco del proyecto Houssay y Leloir.OriginalFil: Parodi, Armando J..ColorMatías A. Loewy (Entrevista); Esteban D. Rosso (Producción Audiovisual); Santiago Alventosa (Técnica Audiovisual)1 videograbación digitalLFL-ACE-M. Entrevistas, grabaciones, y otros materiales multimedia sobre LFLUnidad documental simpleAR-HYL-201
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
Leggere il tempo. Conversazione sull’architettura sensibile di Armando Ruinelli
No full textArmando Ruinelli’s forty-year architectural experience, as documented in the recent publication Leggere il tempo, is characterised by its sensitivity and attention to context. Devoid of excess and extravagance, his work establishes a polite dialogue with its surroundings, reflecting the discreet personality of the author. At the core of Ruinelli’s practice lies a profound ethical consideration, extending beyond the design phase to encompass the entire spectrum of operational intricacies. His perspective on time translates into an acceptance of material aging, emphasising the importance of allowing buildings to follow their natural course. Rooted in context, his architecture seeks not only continuity but harmonious integration within the Alpine landscapes they inhabit. In dialogue with the interviewer, Ruinelli emphasises his preference for artisanal work, highlighting the significance of precision in execution and the centrality of humans over materials. His poetic exploration is manifested in creating atmospheres and carefully balancing the dynamic components of a project. Reflecting on the role of the architect, he envisions them as craftsmen endowed with both technical acumen and creative vision. Finally, Ruinelli shares a meaningful project – the fountains in the Soglio cemetery – a creation laden with delicacy and symbolism that underscores the spiritual depth of his work
Cajambre de Armando Romero
No full textThe last novel of the Colombian author Armando Romero takes place in the forest traversed by the river Cajambre, which flows into the Pacific Ocean. In this work, Romero recollect the culture of the Pacific coast, where he had the opportunity to live as a young man, and pays a tribute to African-American women of that area, which have always been the support of local communities. The tragic story of Ruperta allows the author to explore the social dynamics between different sectors of that community, and to investigate the relationships with the white strangers, called «paisas» . It is a strange noire and a tribute to the river, to its people and a personal story describing the wonderful and difficult impressionist landscape of the damp tropical jungle
Dal trascendentale verso il trascendente, A proposito di L’estraneità interiore di Armando Rigobello
No full textUna riflessione critica sul personalismo di Armando Rigobello
Historia y memoria : Entrevista: Dr. Armando Torres
No full textEn el marco del Congreso Internacional de Jóvenes Medievalistas celebrado en el mes de Marzo en la Ciudad de México, Scriptorium entrevistó al Dr. Armando Torres, doctor en Historia e investigador de la Universidad de Costa Rica. Sus líneas de investigación conjugan la historia del derecho y la historia política en el Ducado de Borgoña en la época capeta.
¿Cómo nace su interés por la Historia, y concretamente por la Historia Medieval? Todo nace con el interés de comprender qué se encuentra antes de la modernidad. Siempre los textos de historia, las clases de la secundaria te hablan de reinos, de un momento a otro, la Revolución Francesa, y al día siguiente, democracia, como si todo hubiera sido un proceso de tres días consecutivos. Entonces comienzo a cuestionarme y a cuestionar alrededor mío pero nadie puede darme una respuesta satisfactoria. Ahí decido que lo mío sería estudiar Historia e intentar dar alguna respuesta a esa pregunta..
Segno tra i segni: Armando Petrucci, l'autografia letteraria e le tre corone trecentesche
No full textIl saggio propone una riflessione su uno dei temi centrali degli interessi scientifici di Armando Petrucci, ovvero l’autografia letterario, in relazione alle figure di Dante, Boccaccio e Petrarca. Nel contributo vengono rivisitati alcuni dei suoi studi, cercando di cogliere i segni di un percorso evolutivo e di mettere in luce la loro capacità di avviare itinerari di ricerca intrapresi da studiosi che hanno saputo sviluppare le formidabili intuizioni di Petrucci, percorrendo spesso direzioni diverse da quelle da lui indicate
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