1,721,145 research outputs found
Marco Spada: overture / D. F. E Auder
No full textMarco Spada was produced at the Opera Comique, Paris, 1852.; Piano solo; Cover titl
"Fra Diavolo pr. Marco Spada, musique d'Auber" Pas de balet, partition d'orchestre (manuscrit autographe)
No full textTitre uniforme : Auber, Daniel-François-Esprit (1782-1871). Compositeur. [Fra Diavolo. AWV 18]Le titre : "Fra Diavolo pr. Marco Spada" d'une main plus récente. - Pagination rajoutée. - Une note jointe du ms., indique que" ce morceau, dont le thème est emprunté à Fra Diavolo, a servi pour le ballet de Marco Spada. - Pas de Mme Rosati, au dernier tableau du troisième acte mais le thème seul a été utilisé ; l'instrumentation en est différente le motif figurant aux pp. 7 et 8 a été supprimé, la coda varie et le tout a été transposé de fa en l
Marco Spada, opéra-comique en 3 actes, poëme de M. Eugène Scribe, partition pour piano et chant, réduite par A. de Garandé
No full textTitre uniforme : Auber, Daniel-François-Esprit (1782-1871). Compositeur. [Marco Spada (Opéra-comique). AWV 43
Marco Spada, opéra-comique en 3 actes, représenté pour la 1re fois, à Paris, sur le théâtre de l'opéra comique, ce 21 décembre 1852, poème de Mr Eugène Scribe
No full textTitre uniforme : Auber, Daniel-François-Esprit (1782-1871). Compositeur. [Marco Spada (Opéra-comique). AWV 43
Marco Spada, opéra-comique en 3 actes, représenté pour la 1re fois, à Paris, sur le théâtre de l'opéra comique, ce 21 décembre 1852, poème de Mr Eugène Scribe
No full textTitre uniforme : Auber, Daniel-François-Esprit (1782-1871). Compositeur. [Marco Spada (Opéra-comique). AWV 43
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Marco Spada
Get PDFOpéra-comique en 3 actes. No. 11, Canzonetta. Bates catalog record.
Circa 1852-1860https://scarab.bates.edu/hbvpc/1033/thumbnail.jp
- …
