1,721,149 research outputs found
Marcel Martin, étudiant en filmologie
No full textLe critique de cinéma Marcel Martin soutint une thèse en philosophie et filmologie en 1955 à la Sorbonne (le Langage cinématographique) et à cette fin fut un auditeur assidu des cours qui se dispensaient dans le cadre de l’Institut de filmologie créé en 1946 par Gilbert Cohen-Séat. Tirés de ses archives personnelles déposées à l’Université de Lausanne, on publie dans cette première livraison des notes de cours de Maurice Merleau-Ponty, Étienne Souriau, Mikel Dufrenne et Georges Friedmann.In 1955 the film critic Marcel Martin defended a thesis in filmology at the Sorbonne (entitled “Cinematographic Language”), and for this purpose he had diligently followed the courses organised in the framework of the Institut de filmologie created by Gilbert Cohen-Séat in 1946. Drawn from Martin’s personal archives deposited at the University of Lausanne, his notes on the classes of Maurice Merleau-Ponty, Étienne Souriau, Mikel Dufrenne and Georges Friedmann are published here, with more material to follow.Il critico cinematografico Marcel Martin discusse una tesi di filmologia nel 1955 alla Sorbonne (Il linguaggio cinematografico) e, a questo scopo, frequentò assiduamente i corsi che si tenevano presso l’Istituto di Filmologia, creato nel 1946 da Gilbert Cohen-Séat. Pubblichiamo in questa prima sezione gli appunti, provenienti dai suoi archivi personali conservati all’Università di Lausanne, dei corsi di Maurice Merleau-Ponty, Étienne Souriau, Mikel Dufrenne e Georges Friedmann
Rioux (Marcel) Martin (Yves) éd La Société canadienne-française
No full textPoulat Emile. Rioux (Marcel) Martin (Yves) éd La Société canadienne-française. In: Archives de sociologie des religions, n°34, 1972. p. 241
Disparition de Marcel Martin (1926-2016)
Full text linkCritique et écrivain de cinéma prolifique, Marcel Martin, disparu récemment, dans sa 90e année, a participé, dès sa fondation, à notre association. Jean Gili lui rendra hommage dans notre prochain numéro. Soulignons cependant d’ores et déjà ici le rôle important qu’il a joué en tant que critique : il débute en 1948 dans les Lettres françaises et participe sur la longue durée aux pages « cinéma » de cet hebdomadaire jusqu’à sa disparition, puis au magazine Révolution. Membre de la rédaction de..
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
« La Paternité niée de Marcel Martin » de Ramon Saizarbitoria ou de l’humilité de l’écrivain face au juge suprême
Full text linkUn texte intrigant « Marcel Martinen aitatasun ukatua (edo ‘la femme, elle, sait’« [La paternité niée de Marcel Martin (ou ‘la femme, elle, sait’)] est une longue nouvelle de 45 pages (ou novella, selon le terme anglais correspondant le plus exactement à ce format narratif) faisant partie de l’ensemble romanesque Gorde nazazu lurpean [Garde-moi sous terre] publié en 2000 par Ramon Saizarbitoria. Avec ce livre, Ramon Saizarbitoria transforme l’essai marqué avec de ses deux romans antérieurs (H..
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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