2,460 research outputs found
Black Expressive Life Testified in an Era of Neoliberalism with Dr. Marc D. Perry
No full textThis flyer promotes a lecture by Dr. Marc D. Perry on Cuba\u27s hip hop movement being a window into the complexities of island transitioning from revolutionary socialism toward free market capitalism. This lecture is sponsored by the FIU Cuban Research Institute and is part of the SAGGSA Colloquium Series.https://digitalcommons.fiu.edu/cri_events/1277/thumbnail.jp
Negro Soy Yo
No full textIn Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched
Negro Soy Yo
No full textIn Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched
Principles of biochemistry / Laurence A Moran, Robert A Horton, Gray Scrimgeour, Marc Perry.
No full textIncludes index.pharmacy bookfair2016796 pages
T17_Survey_Imp_MCRR_Resub_2_Supp_Mats – Supplemental material for Associations of Mail Survey Length and Layout With Response Rates
No full textSupplemental material, T17_Survey_Imp_MCRR_Resub_2_Supp_Mats for Associations of Mail Survey Length and Layout With Response Rates by Q Burkhart, Nate Orr, Julie A. Brown, Ron D. Hays, Paul D. Cleary, Megan K. Beckett, Suzanne E. Perry, Sarah Gaillot and Marc N. Elliott in Medical Care Research and Review</p
Graduate recital, choral conducting. Gregerman, D., 1991
No full textRecorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, April 9, 1991, 8:00 p.m., the 392nd concert of the School of Music's 1990-1991 season.The Treble Chorus (1st-5th works) ; Graduate Chorus (6th-9th works) ; Margaret Lanning, accompanist ; Daniel Gregerman, conductor. Vocal soloists (6th work): Jenifer German, Dawn Kreizer, sopranos ; Angela Keller, Bobbie Anne Perry, Melissa Petro, altos ; Steve Biossat, John Forlini, Greg Shafer, tenors ; Derrick Barnes, Chris Bray, Mark Jewett, basses.In partial fulfillment of the requirements of the Master of Music degree in choral conducting, Western Michigan University, 1991.Information from performance program.Tenebrae factae sunt / Marc Antonio Ingegneri -- Herr, du siehst statt gutter Werke: duet from Cantata number 9 / Johann Sebastian Bach -- Laudi alla Vergine Maria / Giuseppe Verdi -- Evening song / Zontán Kodály -- Simple gifts / Aaron Copland ; text by Irving Fine -- Regina coeli, K. 276 / Wolfgang Amadeus Mozart -- Six chansons. La biche ; Puisque toute passe / Paul Hindemith -- Shenandoah / arranged by James Erb
The impact of culture and minority status on the African-American female domestic violence experience, 2017
No full textThe purpose behind this non- probability sampling, qualitative study is to explore how culture (being African American) and minority status (being a woman) impact the domestic violence experience. Participants were recruited by the author and within the Atlanta University Center Consortium. This study sought to answer two questions: First, what factors put a woman at risk for experiencing domestic violence; and second, what factors aid in a womans recovery from domestic violence. Based upon both questionnaire data as well as prior research, the author can reasonably conclude that being African American and a woman impacts the contextual experience of domestic violence. KEY TERMS: Domestic Violence, African-American, Women, Female, Men, Culture, Social and Behavioral Sciences, Social Wor
Teamroom Caverns: Looking at Learning in a Whole Language First/Second Multi-age Classroom
No full textBaroque music for brass and organ
No full textPhysical Description: 1 audio disc ; 4 3/4 in.
Performers: Empire Brass Quintet (Rolf Smedvig, trumpet & conductor ; Marc Reese, trumpet ; Michelle Perry, horn ; Mark Heitzler, trombone ; Kenneth Amis, tuba) ; William Kuhlman, organ.
Event Details: Recorded 21 Sept. 2002, Luther College, Decorah, Iowa.
Contents: Rondeau : from Abdelazer / Henry Purcell -- Fantaisie in C major, BWV 570 / Johann Sebastian Bach -- Concerto in G major : after the Trio sonata in B-flat major, TWV 42:B1 / Georg Philipp Telemann -- Sonata da camera : after the violin sonata in F major, op. 1, no. 12, HWV 370 / George Frideric Handel -- Rigaudon : from Idomenée / André Campra -- Contrapunctus I : from The art of fugue / J.S. Bach -- Allegro : from Oboe concerto no. 1 in B-flat major, HWV 301 / Handel -- Fantasia in D minor / Johann Pachelbel -- Overture and allegro : from King Arthur ; March : from The married beau / Purcell -- Fantaisie : allegro / Tomaso Albinoni -- Trumpet voluntary ; The Prince of Denmark\u27s march / Jeremiah Clarke -- Prélude : from Te deum in D major / Marc-Antoine Charpentier -- Opening movement : from A mighty fortress is our God, BWV 80 / J.S. Bach
Scandales et intimités : l'actrice française et la célébrité féminine au dix-huitième siècle
No full textThis dissertation demonstrates how the emergence of the concept of female celebrity created a new kind of public woman and new forms of privacy in early modern France. The early modern celebrity mechanisms that I identify and analyze through the figure of the eighteenth-century French actress – her performance on stage, her rivals on and off-stage, her participation in public affairs, and her writings – contribute to the construction of her image as an actress, artist, militant, and author. Celebrity studies scholar Leo Braudy identifies the concept of “visible knownness” as a key element in the study of glory and celebrity: it is necessary for the star to be seen in order to be known and recognized as a celebrity by the public. I use Braudy’s concept of “knownness” to analyze the ways in which the creation of a public knowledge around the actress allowed the eighteenth-century French actress to forge intimate connections with her public. Drawing on the work of scholars such as Gill Perry, Felicity Nussbaum, and Laura Engel, I examine how print culture – including anecdotes, engravings, novels, and actress memoirs – shaped the celebrity actress positively as a public woman in Enlightenment France. My work thus challenges a key critical narrative in French studies regarding the place of the early modern public woman, one influenced by Jean-Jacques Rousseau’s notoriously negative vision of the public woman and based on a gendered separation of the male public sphere and the female private sphere that made it impossible for the public woman to aspire to feminine virtue. My dissertation rethinks this Rousseauist vision of the public woman through the prism of celebrity. The actress’ celebrity implies a renegotiation of the public and private spaces that legitimizes her participation in the public sphere even as it constructs her as an object of media consumption
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