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    Manuel Cabada Castro, El Dios que da que pensar. Acceso filosófico-antropológico a la divinidad

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    Tourpe Emmanuel. Manuel Cabada Castro, El Dios que da que pensar. Acceso filosófico-antropológico a la divinidad . In: Revue Philosophique de Louvain. Quatrième série, tome 99, n°2, 2001. pp. 320-321

    Manuel Cabada Castro, El Dios que da que pensar. Acceso filosófico-antropológico a la divinidad

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    Tourpe Emmanuel. Manuel Cabada Castro, El Dios que da que pensar. Acceso filosófico-antropológico a la divinidad . In: Revue Philosophique de Louvain. Quatrième série, tome 99, n°2, 2001. pp. 320-321

    Manuel Cabada Castro, L'être et Dieu chez G. Siewerth, trad. E. Tourpe et A. Chereau, 1997

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    Lambinet Julien. Manuel Cabada Castro, L'être et Dieu chez G. Siewerth, trad. E. Tourpe et A. Chereau, 1997. In: Revue théologique de Louvain, 30ᵉ année, fasc. 2, 1999. pp. 218-220

    The metaphysical foundation of the “actual created infinity” in Manuel Cabada Castro. A response to morfología del infinito by Pedro Castelao

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    Este artículo propone una lectura de la fundamentación metafísica del infinito creado actual de Manuel Cabada Castro en Recuperar la infinitud diferente a la presentada por Pedro Castelao en su Morfología del infinito. Trata de mostrar que la tesis de Cabada solo puede ser aprehendida desde una metafísica ejemplarista en la que la relación ontológica entre Dios y la realidad creada es concebida de manera unitaria y no extrinsecista ni voluntarista tal como se desprende de la obra de Castelao. Recuperar puede ser considerada una consumación de la obra previa de Cabada.This paper proposes an interpretation of the metaphysical foundation of the actual created infinity by Manuel Cabada Castro in Recuperar la infinitud that is different from that presented by Pedro Castelao in his Morfología del infinito. It tries to show that Cabada’s thesis can only be understood from an exemplary metaphysics in which the ontological relationship between God and created reality is viewed in a unitary and not extrinsicist or voluntarist way such as can be reading from Castelao’s work. Recuperar can be considered a consummation of Cabada’s previous work.Depto. de Sociología AplicadaFac. de EducaciónTRUEpu

    Manuel Cabada Castro, Sein und Gott bei Gustav Siewerth, Patmos» Verlag, Düsseldorf, 1971, 342 pp.

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    Manuel Cabada Castro es profesor de filosofía en la Universidad de Comillas. Hizo sus estudios en esa misma Universidad y en Salamanca y estudia teología en Innsbruck. El presente trabajo, realizado bajo la dirección de Karl Rahner, le valió su promoción en la Facultad de Filosofía de la Universidad de Munich. El autor se ocupa de los temas "Ser y Dios", pero entiende con ello alcanzar al mismo tiempo el núcleo de todo el pensamiento de Gustav Siewerth. Entiende también que su tarea es necesaria porque se carecía hasta entonces de una exposición completa del trabajo de Siewerth, es decir, una exposición que tuviera en cuenta todos los escritos del autor alemán, así como también la correspondencia interna de las distintas ideas que en ellos aparecen. Con este plan, Cabada Castro se propone descubrir desde dentro la interna unidad del pensamiento de Siewerth. Es claro que de este modo "Ser y Dios en Gustav Siewerth" constituye una verdadera introducción al pensamiento del filósofo alemán. (Cfr. Introducción) . Cabada Castro ve el carácter "totalitario" del pensamiento de Siewerth como decisivo. La preocupación por mantener a la vista el todo en cada tema parcial del pensamiento confiere a la obra de Siewerth su profundidad filosófica. Y la totalidad que es vista en cada tema filosófico y en cada rama aún no directamente filosófica del saber es el Ser. Este intento de ver y expresar simultáneamente las partes y el todo es lo que produce la especial dificultad del lenguaje de Siewerth, dificultad anotada por muchos comentadores..

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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