90,395 research outputs found

    Adomo's physiognomical image of Mahler: the convergence of music, painting, and language

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    This study makes a case for the manifestation of mannerism in the music of Mahler through a close reading of Adomo's monograph on the composer, concurrently supporting the theory that mannerism is a distinct style, not limited to fixed periods, conditions in art, or media. The label 'Mannerism' connotes the style of sixteenth century Italian fine art, circumscribed by various art historians in the twentieth century. This study argues that the style is evident beyond the constraints of the sixteenth century, through the investigation of its manifestations in different artworks, created both in earlier and more contemporary times. The argument is constructed from a detailed comparison of the characteristics of the style in the paintings of sixteenth century Italian artists Arcimboldo and Parmigianino, the early twentieth century music by Schoenberg and Mahler, and Virginia Woolfs last novel. The comparison is facilitated by the utilisation of Barthes's writings on Arcimboldo, John Ashbery's poem about one of Parmigianino's paintings, and, predominantly, Adomo's interpretation of Mahler. The study also addresses issues that concern a comparison between different media, such as the problematical nature of the convergence of the arts. For example, the comparison of linguistic elements in both Arcimboldo's and Mahler's artworks is difficult to conduct without implying that art or music become language; the notion of a painterly language, or a musical language is complex and ambiguous. The study deals with the issue of whether one medium has to be fundamentally similar to another, in order to identify common characteristics between the two. In accordance with Adorno's writings on this paradigm, the conclusion drawn supports the position that the style of mannerism can be identified as manifesting itself in different mediums, without the necessity to scrutinise the fundamental connection between music, painting and literary forms

    The Mahler Family Letters

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    Intro -- CONTENTS -- ABBREVIATIONS -- INTRODUCTION: Gustav Mahler and His Family -- THE EARLY YEARS (VIENNA, KASSEL, PRAGUE, LEIPZIG) -- Chronology -- Letters -- BUDAPEST, SEPTEMBER 1888-MARCH 1891 -- Chronology -- Letters -- Undated Letters from Budapest -- HAMBURG, MARCH 1891-APRIL 1897 -- Chronology -- Letters -- Undated Letters from Hamburg -- VIENNA, APRIL 1897-NOVEMBER 1907 -- Chronology -- Letters -- Undated Letters from Vienna -- THE LAST YEARS (NEW YORK, TOBLACH, VIENNA) -- Chronology -- Posthumous Events -- Letters -- APPENDIX: Biographical Notes -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- PHOTO GALLERYDescription based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    SHEPHERD SCHOOL SYMPHONY ORCHESTRA Friday, April 22, 2005 8:00 p.m. Stude Concert Hall

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    Playlist: Piano Concerto No.1 in F-sharp Minor, Op.1 / Sergei Rachmaninoff (1873-1943) -- Symphony No. 1 in D Major, "Titan" / Gustav Mahler (1860-1911)

    Twisted Mahler discrete residues

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    Recently we constructed Mahler discrete residues for rational functions and showed they comprise a complete obstruction to the Mahler summability problem of deciding whether a given rational function f(x)f(x) is of the form g(xp)g(x)g(x^p)-g(x) for some rational function g(x)g(x) and an integer p>1p > 1. Here we develop a notion of λ\lambda-twisted Mahler discrete residues for λZ\lambda\in\mathbb{Z}, and show that they similarly comprise a complete obstruction to the twisted Mahler summability problem of deciding whether a given rational function f(x)f(x) is of the form pλg(xp)g(x)p^\lambda g(x^p)-g(x) for some rational function g(x)g(x) and an integer p>1p>1. We provide some initial applications of twisted Mahler discrete residues to differential creative telescoping problems for Mahler functions and to the differential Galois theory of linear Mahler equations

    Limits of Mahler measures in multiple variables

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    International audienceWe prove that certain sequences of Laurent polynomials, obtained from a fixed Laurent polynomial P by monomial substitutions, give rise to sequences of Mahler measures which converge to the Mahler measure of P. This generalizes previous work of Boyd and Lawton, who considered univariate monomial substitutions. We provide moreover an explicit upper bound for the error term in this convergence, generalizing work of Dimitrov and Habegger, and a full asymptotic expansion for a family of 2-variable polynomials, whose Mahler measures were studied independently by the third author

    Bounding the Elliptic Mahler Measure

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    We give a simple inequality relating the elliptic Mahler measure of a polynomial to the traditional Mahler measure (via the length of the polynomial). These bounds are essentially sharp. We also give the corresponding result for polynomials in several variables. Keywords: Mahler measure, elliptic Mahler measure. AMS (1991) subject classification: Primary: 12D05; Secondary: 30C10, 11G05. Centre for Experimental and Constructive Mathematics, Simon Fraser University, Burnaby, BC V5A 1S6, Canada & Department of Mathematics, University of British Columbia, Vancouver, BC V6 T 1Z2, Canada: [email protected]. 2 Chris Pinner 1 Introduction For a polynomial F (x) = d X i=0 a i x i = a d d Y i=1 (x \Gamma ff i ) 2 C[x] we recall the traditional Mahler measure of the polynomial M(F ) := ja d j d Y i=1 maxf1; jff i jg: (1) As observed by Mahler [6] this may be equivalently written in terms of an integral log M(F ) = Z 1 0 log jF (e 2ßit )jdt; (2) using Jensen's formula. Giv..

    Polynomials with small elliptic Mahler measure via genetic algorithms

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    For a minimal polynomial ff we denote by M(f)M(f) the Mahler measure of the roots of ff. The classical Lehmer conjecture is concerned with finding a definitive lower bound for M(f)M(f). Lehmer's polynomial is known to have the lowest Mahler measure for all polynomials. We look at a version of Lehmer's conjecture involving elliptic curves and investigate the corresponding Mahler measures, looking for those polynomials with minimal Mahler measure on various elliptic curves. We detail the results we have found using genetic algorithms

    Transcendence tests for Mahler functions

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    We give two tests for transcendence of Mahler functions. For our first, we introduce the notion of the eigenvalue λF of a Mahler function F(z) and develop a quick test for the transcendence of F(z) over ℂ(z), which is determined by the value of the eigenvalue λF. While our first test is quick and applicable for a large class of functions, our second test, while a bit slower than our first, is universal; it depends on the rank of a certain Hankel matrix determined by the initial coefficients of F(z). We note that these are the first transcendence tests for Mahler functions of arbitrary degree. Several examples and applications are given

    Positiones annuae ex theologia dogmatica

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    quas sub auspiciis reverendissimi... Benedicti Pfiffer ... publice defendendas susceperunt R. P. Xaverius Hecht, & R. F. Emericus Mahler ..., praeside P. Antonio Ronca ... anno MDCCLXXIX., die 15. Aug.Disp., Kloster St. Urban, 177
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