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    Statistical energy analysis, energy distribution models and system modes

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    Expressions for the energy influence coefficients of a built-up structure are found in terms of the modes of the whole structure. These coefficients relate the time and frequency average energies of the subsystems to the subsystem input powers. Rain-on-the-roof excitation over a frequency band is assumed. It is then seen that the system can be described by an SEA model only if a particular condition involving the mode shapes of the system is satisfied. Broadly, the condition holds if the mode shapes of the modes in the frequency band of excitation are, on average, typical enough of all the modes of the system in terms of the distribution of energy throughout the system. If this condition is satisfied then the system can be modelled using an "quasi-SEA" approach, irrespective of the level of damping or of the strength of coupling. However, the resulting model need not be of a proper SEA form, and in particular the indirect coupling loss factors may not be negligible

    Wave Propagation in Laminated Cylinders with Internal Fluid and Residual Stress

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    Numerical computation of wave propagation in laminated cylinders with internal fluid and residual stress is obtained using a Wave Finite Element formulation for 2D waveguides. Only a very small segment of the system is modelled, resulting in a very low-order finite element (FE) model to which the theory of wave propagation in 2D periodic structures is applied. The method uses standard FE formulations and exploits the capability of commercial FE software to model both fluid and structure and their interaction, resulting in a very large reduction in computational time. The presented approach is general, and can be applied without the need to make assumptions related to shell theory or low-frequency analysis. In particular, the laminated structure is discretised using 3D solid elements, thus representing the through-thickness dynamics with high accuracy. Residual radial and hoop stresses are included in the model by adding the FE pre-stress stiffness matrix to the original stiffness matrix of the system. The method provides simultaneously a very substantial reduction of computational cost, accurate solutions up to very high frequency and prediction of the dispersion curves for selected circumferential orders without the need for any further analysis. Here, the formulation of the method is introduced and its application to laminated cylinders filled with an acoustic fluid is presented. A composite, reinforced rubber cylinder, pre-stressed by a circumferential tension, is also shown as an example of a laminated pipe for high-pressure applications

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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