242 research outputs found
A cross-country study on female leadership: women in executive positions
No full textAuthor Carolin Fabienne BeaaMasterarbeit Johannes Kepler Universität Linz 2024Arbeit auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
Etudes préliminaires et élaboration d'un protocole d'évaluation de stratégie thérapeutique dans l'ulcère veineux des membres inférieurs
No full textMONTPELLIER-BU Pharmacie (341722105) / SudocSudocFranceF
La lecture de romans policiers : une activité cognitive
No full textSoldini, Fabienne - Reading detective stories, a cognitive activity.
The reader of a whodunit competes with the author but cooperates as well. Confronting the results of the analysis of a corpus of detective stories and of flesh-and-blood readers allowed us to build reading up into a cognitive activity. To make the story come to life and participate in the game, the reader must carry out a series of cognitive acts such as inventing hypotheses, to which one must add the adequate modes and forms of reasoning stemming from natural logic.La lecture de romans policiers à énigme s'inscrit dans un rapport de compétition auteur-lecteur, qui est aussi un rapport de coopération. La confrontation entre les résultats d'analyse d'un corpus de romans à énigme et des lecteurs réels ont permis de construire la lecture en tant qu'activité cognitive. Le lecteur pour actualiser le récit et participer au jeu doit effectuer un ensemble d'opérations cognitives telles la construction de topics et d'hypothèses, auxquelles s'ajoutent des modes et des formes de raisonnement adaptées issues de la logique naturelle.Soldini Fabienne. La lecture de romans policiers : une activité cognitive. In: Langage et société, n°76, 1996. pp. 75-103
Re-writing the Colonial River: Fabienne Bayet-Charlton’s Watershed (2005) and Murray River narratives
No full textThe Murray River, which runs through South-eastern Australia, represents a watery zone of fluidity and flux which has produced multiple creation stories. Settler invasion resulted in violence at the river, and the extent of this genocide is only now being clearly documented. Indigenous author Fabienne Bayet-Charlton’s novel Watershed (2005) is set in “Sturtspond”, an irrigation settlement which was founded on the Murray. Protagonist Eve Marconi, a former champion swimmer whose son has drowned in the river, enters a spiral of alcoholism while her husband battles encroaching salinity on their farm. Water plays a major part in the novel – as river water, pool water and the desire for rain expressed by a naked rain dance. The centring of female experience and a subtle questioning of masculinist, industrialised approaches to water announces a reclamation from the dominant narratives that have pervasively shaped Murray River imaginaries in postcolonial Australia
Memorias de la cale: la propuesta transnacional de Fabienne Kanor
No full textThis article examines Fabienne Kanor’s proposal, in La poétique de la cale, relating to the ways of representing the horror of the transatlantic voyage of enslavement. Starting from the hold of the slave ship, the author weaves a poetics of black memory in a transnational perspective that not only recovers the narratives of the Holocaust but also includes the representations of the dictatorial horror in Chile to confront the past of enslavement. We will analyze how Kanor questions the politics of memory in the Franco-metropolitan territory by discussing the concept of place of memory, formulated by Pierre Nora. Furthermore, the memories of the Southern Cone are part of the ways that will allow Kanor to reconceptualize the ship as a place of memory, in spite of considering it a “disappeared space”, a place that “is and is not”. Finally, the concept of postmemory, developed by Marianne Hirsch, constitutes a starting point not only to describe the traumatic wound that Kanor calls blès but also to “invoke” the disappeared of the hold to recover an identity for them, even though—given the absence of remains— it is only spectral.El presente artículo analiza la propuesta de Fabienne Kanor, en La poétique de la cale, sobre las formas de representar el horror de la travesía transatlántica de la esclavización. A partir de la bodega del barco negrero, hilvana una poética de la memoria negra en clave transnacional que no solo recupera la matriz del Holocausto, sino que también incluye las representaciones del horror dictatorial en Chile para confrontar el pasado de la esclavización. Veremos cómo Kanor cuestiona la política de la memoria en el territorio francometropolitano, discutiendo la categoría de lugar de memoria propuesta por Pierre Nora. Además, las memorias del Cono Sur forman parte de los caminos que le permitirán recuperar el barco como lugar de memoria a pesar de considerarlo un “espacio desaparecido”, un lugar que “está y no está”. Por último, el concepto de posmemoria desarrollado por Marianne Hirsch constituye un punto de partida para describir la herida traumática que Kanor denomina blès e “invocar” a los desaparecidos de la bodega para devolverles una identidad, aunque –dada la ausencia de restos– solo sea espectral
Memories of the Hold: Fabienne Kanor’s Transnational Proposal
No full textEl presente artículo analiza la propuesta de Fabienne Kanor, en La poétique de la cale, sobre las formas de representar el horror de la travesía transatlántica de la esclavización. A partir de la bodega del barco negrero, hilvana una poética de la memoria negra en clave transnacional que no solo recupera la matriz del Holocausto, sino que también incluye las representaciones del horror dictatorial en Chile para confrontar el pasado de la esclavización. Veremos cómo Kanor cuestiona la política de la memoria en el territorio francometropolitano, discutiendo la categoría de lugar de memoria propuesta por Pierre Nora. Además, las memorias del Cono Sur forman parte de los caminos que le permitirán recuperar el barco como lugar de memoria a pesar de considerarlo un “espacio desaparecido”, un lugar que “está y no está”. Por último, el concepto de posmemoria desarrollado por Marianne Hirsch constituye un punto de partida para describir la herida traumática que Kanor denomina blès e “invocar” a los desaparecidos de la bodega para devolverles una identidad, aunque –dada la ausencia de restos– solo sea espectral.This article examines Fabienne Kanor’s proposal, in La poétique de la cale, relating to the ways of representing the horror of the transatlantic voyage of enslavement. Starting from the hold of the slave ship, the author weaves a poetics of black memory in a transnational perspective that not only recovers the narratives of the Holocaust but also includes the representations of the dictatorial horror in Chile to confront the past of enslavement. We will analyze how Kanor questions the politics of memory in the Franco-metropolitan territory by discussing the concept of place of memory, formulated by Pierre Nora. Furthermore, the memories of the Southern Cone are part of the ways that will allow Kanor to reconceptualize the ship as a place of memory, in spite of considering it a “disappeared space”, a place that “is and is not”. Finally, the concept of postmemory, developed by Marianne Hirsch, constitutes a starting point not only to describe the traumatic wound that Kanor calls blès but also to “invoke” the disappeared of the hold to recover an identity for them, even though—given the absence of remains— it is only spectral
Erratum to: Review of the nutritional benefits and risks related to intense sweeteners
No full textUnfortunately, the original version of this article [1] contained an error. The author’s names were included incorrectly, the surnames were presented before the forename: Bruyère Olivier, Ahmed H. Serge, Atlan Catherine, Belegaud Jacques, Bortolotti Murielle, Canivenc-Lavier Marie-Chantal, Charrière Sybil, Girardet Jean-Philippe, Houdart Sabine, Kalonji Esther, Nadaud Perrine, Rajas Fabienne, Slama Gérard and Margaritis Irène The author list has been corrected in the original article and is also included correctly below: Olivier Bruyère, Serge H. Ahmed, Catherine Atlan, Jacques Belegaud, Murielle Bortolotti, Marie-Chantal Canivenc-Lavier, Sybil Charrière, Jean-Philippe Girardet, Sabine Houdart, Esther Kalonji, Perrine Nadaud, Fabienne Rajas, Gérard Slama, Irène Margaritis.International audienc
Erratum to: Review of the nutritional benefits and risks related to intense sweeteners
No full textUnfortunately, the original version of this article [1] contained an error. The author’s names were included incorrectly, the surnames were presented before the forename: Bruyère Olivier, Ahmed H. Serge, Atlan Catherine, Belegaud Jacques, Bortolotti Murielle, Canivenc-Lavier Marie-Chantal, Charrière Sybil, Girardet Jean-Philippe, Houdart Sabine, Kalonji Esther, Nadaud Perrine, Rajas Fabienne, Slama Gérard and Margaritis Irène The author list has been corrected in the original article and is also included correctly below: Olivier Bruyère, Serge H. Ahmed, Catherine Atlan, Jacques Belegaud, Murielle Bortolotti, Marie-Chantal Canivenc-Lavier, Sybil Charrière, Jean-Philippe Girardet, Sabine Houdart, Esther Kalonji, Perrine Nadaud, Fabienne Rajas, Gérard Slama, Irène Margaritis.International audienc
Erratum to: Review of the nutritional benefits and risks related to intense sweeteners
No full textUnfortunately, the original version of this article [1] contained an error. The author’s names were included incorrectly, the surnames were presented before the forename: Bruyère Olivier, Ahmed H. Serge, Atlan Catherine, Belegaud Jacques, Bortolotti Murielle, Canivenc-Lavier Marie-Chantal, Charrière Sybil, Girardet Jean-Philippe, Houdart Sabine, Kalonji Esther, Nadaud Perrine, Rajas Fabienne, Slama Gérard and Margaritis Irène The author list has been corrected in the original article and is also included correctly below: Olivier Bruyère, Serge H. Ahmed, Catherine Atlan, Jacques Belegaud, Murielle Bortolotti, Marie-Chantal Canivenc-Lavier, Sybil Charrière, Jean-Philippe Girardet, Sabine Houdart, Esther Kalonji, Perrine Nadaud, Fabienne Rajas, Gérard Slama, Irène Margaritis.International audienc
«Télécole» ou l'évaluation de la faisabilité de l'éducation aux médias en Belgique francophone
No full textMedia education activities in twenty-one classes in elementary and secondary schools in Francophone Belgium were evaluated. The same tests were administered at the beginning and at the end of the school year in order to evaluate the child's capacities to develop a critical approach towards televisual messages and audiovisual media generally. The author presents the results by grouping the types of evolution according to the level of education of the students evaluated.En Belgique francophone, des activités d'éducation aux médias dans vingt et une classes de l'enseignement fondamental et secondaire ont été évaluées. Les mêmes tests ont été administrés en début et fin d'année scolaire afin d'évaluer les capacités de l'enfant à développer un esprit critique face aux messages télévisés et aux médias audiovisuels en général. L'auteur présente les résultats, en regroupant les types d'évolution selon le niveaux d'enseignement des élèves soumis à l'évaluation.En Bélgica francófona, se evaluaron algunas actividades de educación en los medios de comunicación, en veintiuna de las clases de enseñanza fundamental y secundaria. Se aplicaron los mismos tests al comienzo y al fin del año escolar con el fin de evaluar las capacidades del niño para desarrollar una mentalidad crítica frente a los mensajes televisados y frente a los medios audiovisuales, en general. El autor presenta los resultados, reagrupando los tipos de evolución, según el nivel de enseñanza de los alumnos a quienes se les ha hecho la evaluación.Thomas Fabienne. «Télécole» ou l'évaluation de la faisabilité de l'éducation aux médias en Belgique francophone. In: Communication. Information Médias Théories, volume 16 n°1, printemps 1995. Education aux médias. pp. 102-113
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