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    GEREJA PAROKI SANTO YUSUP BATANG

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    Indonesia sebagai negara yang ber-Ketuhanan Yang Maha Esa, menghargai dan melindungi hak warga negaranya dalam beragama. Hak beragama tersebut dijamin dalam UUD 1945 pasal 29 Ayat 2. pemerintah Indonesia mengakui 5 agama yang berkembang di Indonesia. Salah satu ajaran agama yang diakui adalah Agama Katolik. Pusat kehidupan umat Katolik adalah Kristus yang kehadiran-Nya diwujudkan dalam sakramen. Sakramen merupakan inti kehidupan iman Katolik. Untuk mewujudkan Gereja sebagai tanda dan sarana persatuan dengan Allah dan sarana persatuan seluruh umat manusia melalui penerimaan sakramen-sakramen maka dibutuhkan tempat ibadah yang disebut ‘gereja’. Gereja merupakan tempat beribadah bagi umat Katolik yang berfungsi sebagai wadah kegiatan peribadatan umatnya yang biasa dilakukan pada hari minggu. Selain untuk mewadahi kegiatan peribadatan, gereja diharapkan dapat menghadirkan suasana yang mendukung umatnya menjalani ibadah misa, karena itu gereja sebaiknya juga melengkapi dirinya dengan prasarana pendukung kehidupan rohani umatnya, seperti ruang tempat sekolah minggu, ruang berkumpul untuk kegiatan-kegiatan kerohanian dan sosial lainnya di luar misa perayaan Ekaristi. Gereja Santo Yusup Batang telah berdiri cukup lama, ±37 tahun, diwilayah kota Batang sebagai gereja stasi dan diresmikan sebagai gereja paroki tiga tahun yang lalu tepatnya pada tanggal 17 Juli 2002. Sejalan dengan bertambahnya umat dan banyaknya kegiatan lain yang muncul, gedung gereja mengalami perkembangan. Bangunan gereja yang semula cukup untuk menampung sekelompok kecil umat, tidak cukup untuk menampung jumlah umat yang semakin bertambah, seluruh umat paroki Santo Yusup Batang sangat mengharapkan adanya gedung gereja yang baru yang cukup untuk mewadahi kegiatan peribadatan dan kegiatan kerohanian lainnya, karena bangunan yang sekarang tidak mungkin lagi dipugar ataupun ditambah luasnya, selain itu perlu adanya fasilitas lain sebagai petugas gereja dalam melayani masyarakat. Berdasarkan deskripsi tersebut maka perlu suatu perencanaan dan perancangan komplek Gereja Paroki Santo Yusup Batang yang representative dimana dalam kompleks tersebut direncanakan akan dilengkapi dengan ruang-ruang penunjang seperti : rumah pastor, ruang pengurus dan seksi-seksi dan ruang-ruang pelengkap (balai kesehatan, ruang pelatihan, rumah pelengkap, dll). Dengan demikian diharapkan pembangunan komplek gereja ini akan menampung segala kegiatan gereja sesuai dengan kebijakan, strategi, misi dan visi dari gereja tersebut. B. Tujuan dan Sasaran Tujuan yang ingin dicapai adalah merencanakan Gereja Paroki Santo Yusup Batang sebagai wadah yang ideal bagi umat Paroki Santo Yusup Batang untuk melaksanakan ibadat dan juga sebagai sarana persatuan dan saling melayani diantara umat serta sarana pelayanan sosial umat kepada masyarakat sekitar. Sasaran yang ingin dicapai adalah mendapatkan dasar-dasar perencanaan dan perancangan Gereja Paroki Santo Yusup Batang sebagai sarana peribadatan dan aktivitas sosial. C. Lingkup Pembahasan Lingkup pembahasan subtansial dalam LP3A ini adalah ilmu arsitektur, terutama bangunan massa banyak yang berkaitan dengan perencanaan Gereja Paroki Santo Yusup Batang. Hal-hal di luar ilmu arsitektur akan dibahas seperlunya sejauh masih berkaitan dan mendukung permasalahan utama. D. Metode Pembahasan Metode pembahasan yang digunakan adalah metode deskriptif-analitis, yaitu dengan menggali dan mengkaji data-data yang ada, baik data primer yang diperoleh melalui survey lapangan dan wawancara maupun data sekunder yang diperoleh melalui studi literature, kemudian data yang ada dianalisa untuk mendapatkan suatu program sebagai landasan perencanaan dan perancangan. Data primer diperoleh melalui survey lapangan ke Gereja Paroki Santo Yusup Batang, wilayah Kota Batang, ke obyek studi banding serta ke pihak yang terkait. Selin itu juga melakukan wawancara dengan pengurus paroki Santo Yusup Batang, pengurus Keuskupan Agung Purwokerto, dan pengurus obyek studi banding. Data sekunder diperoleh melalui studi literature, yaitu yang berkaitan dengan tinjauan umum Agama dan Gereja Katolik Paroki, penekanan desain, tinjauan lokasi, dan standar besaran ruang. E. Sistematika Pembahasan Sistematika yang digunakan dalam Landasan Program Perencanaan dan Perancangan Arsitektur ini adalah : BAB I PENDAHULUAN Berisi latar belakang, tujuan dan sasaran, lingkup pembahasan, metode dan sistematika pembahasan BAB II TINJAUAN UMUM GEREJA PAROKI Berisi pengertian, falsafah dan perkembangan Agama dan Gereja Katolik di dunia dan di Indonesia. Juga berisi sifat dan ciri gereja, hierarki, hierarki structural, kegiatan liturgy, perkembangan bentuk gereja, tinjauan umum gereja Katolik Paroki dan studi banding Gereja St. Petrus Pekalongan dan Gereja St. Athanasius Agung Semarang. BAB III TINJAUAN KHUSUS GEREJA PAROKI SANTO YUSUP BATANG Berisi Tinjauan Umum Kabupaten Batang dan Gereja Paroki Santo Yusup Batang beserta fasilitas yang ada. BAB IV BATASAN DAN ANGGAPAN Berisi batasan dan anggapan yang akan digunakan dalam perencanaan dan perancangan Gereja Paroki Santo Yusup Batang. BAB V PENDEKATAN PROGRAM DASAR PERENCANAAN DAN PERANCANGAN Berisi tentang pendekatan perencanaan dan perancangan Gereja Paroki Santo Yusup Batang yang mencakup pendekatan aktivitas, pendekatan pelaku, standar besaran ruang serta struktur dan utilitas. BAB VI LANDASAN PROGRAM PERENCANAAN DAN PERANCANGAN ARSITEKTUR Berisi tentang tinjauan konsep dasar perancanan dan factor-faktor penentu perancangan dengan pendekatan arsitektural Tadao Ando

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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