1,721,397 research outputs found
Recensiones [Revista de Historia Económica Año XX Otoño-Invierno 2002 n. 3 pp. 649-689]
Full text linkEditada en la Fundación Empresa PúblicaGonzález Enciso, A. (ed.): El negocio de la lana en España (1650-1830) (Por Emilio Pérez Romero).-- Marichal, C, y Marino, D. (comps.): De colonia a nación. Impuestos y política en México, 1750-1860 (Por Rafael Dobado).-- Martín, J. L. (dir.), y Robledo, R. (coord.): Historia de Salamanca, IV. Siglo XIX (Por Enrique Llopis Agelán).-- Carmona, J.: Aristocracia terrateniente y cambio agrario en la España del siglo XIX (Por Richard Herr).-- Martorell, M.: Historia de la peseta. La España contemporánea a través de su moneda (Por Pablo Martín Aceña).-- Cabrera, M., y del Rey, F.: El poder de los empresarios. Política y economía en la España contemporánea (1875-2000) (Por Eugenio Torres).-- Gálvez, L.: Compañía Arrendataria de Tabacos (1887-1945). Cambio tecnológico y empleo femenino (Por Luciano Segreto).-- Vivenza, G.: Adam Smith and the Classics. The Classical Heritage in Adam Smith's Thought (Por Carlos Rodríguez Braun).-- O'Rourke, K., y Williamson, J. G.: Globalization and History. The Atlantic Economy in the Nineteenth Century (Por Leandro Prados de la Escosura).-- Hayes, P.: Industry and Ideology. IG Farben in the Nazi Era (Por Nuria Puig)Publicad
An International Classification of Volunteers Using Artificial Intelligence Methods
No full textThe objective of the research is to understand the characteristics and the motivations of a sample of volunteers, based on the data of the World Value Survey, which have been recently made available. The tools of AI will permit to handle a very large data-set, across many rich, middle income and an poor countries. In the following sections a brief review of the literature and the most recent empirical evidence on volunteers’ supply and demand will be presented (Sect. 2). In Sect. 3 data and methodology will be introduced. Section 4 contains the results of the analysis. Section 5 will conclude
Di necessità virtù: conservazione delle risorse genetiche e sviluppo nelle aree rurali del mezzogiorno
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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