1,721,216 research outputs found
Competence, innovative activities and economic performance in Italian high–technology firms
This paper presents an empirical, questionnaire–based enquiry into the main types of competencies which characterize Italian high–technology firms, their main sources, and the relationship between such different types of competencies and the innovative and economic performance of firms
Institutions and economic change: some notes on self-organization, power and learning in human organizations
This paper provides a compact overview of the interpretations of the “primitive entities” constituting the social fabric of economic systems according to different social science traditions. In our view, it is possible to reconstruct two meta-narratives on the origins of the theoretical primitives which are at the roots of different social sciences approaches. The first narrative argues that ‘once upon a time’ there were individuals with well-structured and coherent preferences and with adequate cognitive algorithms which allowed them to take systematically rationally consistent decisions. At the beginning of history, they met and, conditional on the technologies available, undertook mutually beneficial exchanges or, when this was not possible due to technological non-convexities, trading difficulties or problems of contract enforcement, built organizations. In the alternative tale, at the beginning of history, there were immediately factors of socialization like families and social norms, which shaped desires, representations and, possibly, cognitive abilities of the agents. In this perspective, non-exchange mechanisms of interactions (authority, violence and persuasion) which establish the adaptation of agents to specific social roles appear in the explanation from the start. Here ‘institutions’ are the primitives, while ‘preferences’ and the very idea of ‘rationality’ are derived entities. Which of the two meta-narrative is chosen bears far-reaching implications for the interpretation of institutions and organizations and their transformations
Outcome of isolated olecranon fractures in skeletally immature patients: Comparison of open reduction and tension band wiring fixation versus closed reduction and percutaneous screw fixation
The Italian connection: the origins of Giovanni Dosi's thinking and a note on some lost, or never written, manuscripts
This article provides an overview of the Italian side of Giovanni Dosi in terms of his career and works. It brings up two unpublished papers by Dosi showing in part his wider interests in philosophical themes. The article concludes by noting that by recognizing that many of the problems the world faces are not natural or optimal outcomes but are instead the result of human institutions, choices, and path dependencies, Dosi's work also has a very policy-oriented focus. Copyright 2008 , Oxford University Press.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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