1,721,090 research outputs found
Una «certa tiritera di parole» : genesi, forma e funzione dell'anapesto in "Lavorare stanca"
No full textL’uso insistito di strutture ritmiche anapestiche nei versi di Cesare Pavese è dato critico da sempre sottolineato, ma raramente approfondito, in particolare in relazione al suo aspetto genetico. Questo studio si presenta quindi come un’analisi del progressivo affermarsi dell’elemento prosodico anapestico nella poesia pavesiana a partire dalle sue prime occorrenze, individuabili addirittura all’interno delle liriche del 1923 che inaugurano la raccolta "Sfoghi". L’evoluzione delle forme metriche è quindi seguita lungo tutte le composizioni che anticipano "Lavorare stanca", fino ad arrivare a "Frasi all’innamorata", necessario antecedente stilistico de "I mari del Sud". L’analisi di tutte le varianti prosodiche e metriche presenti nella raccolta del 1936 porta infine ad una serie di considerazioni circa le funzionalità dell’anapesto all’interno della produzione pavesiana: precisi riferimenti riportati ne "Il mestiere di vivere" spingono a ricollegare il «monotono ritmo» della poesia di Pavese alla ricerca di un «filtro» che permetta al poeta di ottenere un «condensato racconto», finalmente libero dalla precedente poesia di sfogo
«DARE FORMA ALL'ANIMA NASCOSTA». LA RETORICA DELLA COMPARAZIONE NELL'OPERA DI CAMILLO SBARBARO
Full text linkIl lavoro di tesi analizza la produzione poetica e prosastica di Camillo Sbarbaro a partire da un punto di vista retorico, focalizzando particolarmente l’attenzione sui modi e sulle forme della similitudine e della metafora. Dopo aver delineato le principali tipologie strutturali utilizzate nella retorica di comparazione del poeta ligure, l’analisi si sofferma sulla definizione di alcune possibili fonti dei campi analogici più rilevanti della lirica sbarbariana (gli occhi, le lacrime, il dolore), mettendo in rapporto l’opera dello scrittore ligure con le più significative esperienze liriche francesi e italiane dell’Ottocento e del primo Novecento (con particolare riguardo al Leopardi prosatore). Le opere prese in considerazione sono le raccolte poetiche "Resine" (1911) e "Pianissimo" (1914). Vengono poi ampliate le direttrici di ricerca, includendo nell’indagine anche la prima opera di prosa lirica di Sbarbaro, "Trucioli" (1920), in modo da esaminare i mutamenti formali e funzionali dell’elemento retorico nel passaggio dalla scrittura poetica a un genere di recente affermazione come quello del frammento. Lo studio si conclude con l’identificazione di alcune fonti iconografiche alla base delle strutture metaforiche contenute all’interno della prosa lirica "Oppi".«Giving shape to the hidden soul»: the rhetorical comparison in the works by Camillo Sbarbaro
This thesis analyzes the poetic and prose production by Camillo Sbarbaro starting from a rhetorical point of view and it particularly focuses on the use of simile and metaphor.
Firstly, the analysis outlines the main typologies of structures in the rhetorical comparison of the Italian poet, and then it considers the possible sources of the most significant analogies of Sbarbaro’s lyric production (eyes, tears, sorrow) comparing Sbarbaro’s works with the most significant poetic experiences developing in France and Italy in the XIX century and at the beginning of the XX century (with a special attention to the prose work by Leopardi).
The present analysis studies the poetry collection "Resine" (1911) and "Pianissimo" (1914). Furthermore, the research includes the study of the first lyrical prose by Sbarbaro, "Trucioli" (1920) in order to examine the formal and functional changes of the rhetoric device in the passage from the poetic writing to the more recent genre of the fragment.
This study ends with the examination of some iconographic sources of the metaphors used in the lyrical prose "Oppi"
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispositivi concettuali e spaziali per la valutazione dei processi urbani nella città provinciale
No full textDispositivi concettuali e spaziali per la valutazione dei processi urbani nella città provinciale
No full textIl Piano Quadro per il recupero del centro storico di Cagliari La valutazione ambientale strategica nella pianificazione territoriale. Nuove prospettive per la gestione delle trasformazioni urbanistiche
No full textDispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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