792 research outputs found
Esposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Yamamay in piazza Duomo a Milano delle 2 capsule collections realizzate dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordone
No full textEsposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Yamamay in Piazza Duomo a Milano delle 2 capsule collections realizzate dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordon
Esposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Cesare Attolini in via VIsconte di Modrone a Milano delle 2 capsule collections realizzate dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordone
No full textEsposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Kiton in via Sant'Andrea a Milano delle 5 capsule collections realizzate dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordon
Esposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Cargo Hightech in via Meucci a Milano delle 3 capsule collections per Deja Vu realizzate dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordone
No full textEsposizione durante la Milano Fashion Week Vogue Fashion Night Out presso lo showroom di Cargo Hightech in via Meucci a Milano delle 3 capsule collections realizzate per Deja-Vu dagli studenti del corso Fashion ecodesign 2° anno Prof. M. A. Sbordon
"design landscapes: paesaggi plastici, paesaggi tessili" con M. P. Incutti e M.A. Sbordone
No full textIntimacy as a New Value. The Couture Practice of Shape for Slow Fashion
No full text“Fashion Alive” is a winning project of Creative Europe – European
Cooperation Project, Crea Cult 2021 call, whose partners are: the University
of Campania Luigi Vanvitelli (Unicampania) – Department of Architecture and
Industrial Design; Cremodite (Asociacion Cultural Entrepreneur for Fashion and
Technology Enterprises); University do Minho (Portugal, Department of Engenharia
Textil); promotes sustainable practices in the fashion and textile sectors,
through the development of innovative fashion collections presented during ad
hoc events. The program of exhibitions, fashion shows, conferences and workshops
facilitates participation and sharing of new knowledge and discussion on
issues related to sustainability in fashion and textiles. The initiative helps to raise
awareness in the fashion industry and society towards circular, inclusive, and symbiotic
(PNRR) production and consumption models (SDG’s Goals). As a member
of the Unicampania project team (of which: scientific director R. Liberti; members
O.Cirillo,V.Cirillo,C. Scarpitti,M.A. Sbordone) during the courses collections of
clothes were developed and prototyped, as well as critical-historical and narrative
contents of the ancient trousseau tradition.
In particular, in the courses of the 3-B Fashion Laboratory, Fashion Ecodesign
and in the Textile Design laboratories of the Master of Design for Innovation
(prof. M.A. Sbordone, PhD students: C.I. Amato and M. Orlacchio) the Fashion
Alive project was interpreted as the hub for the development of material contents
(collections and textile concepts) and immaterial contents (enhancement of the
ancient trousseau or trousseau) pertaining to the meaning of the creative and
cultural industry, such as fashion represents and of the trousseau in the demoethno-
anthropological sense
Histological and clinical survey of polylactic-polyglycolic acid and dextrane copolymer in maxillary sinus lift: a pilot in vivo study
No full textAbstarct
Of various proposed alternatives to autogenous bone, a synthetic, degradable copolymer of PLA-GLA and dextrane seems to be a promising biomaterial for maxillary sinus lift. Consecutive partially edentulous patients showing severe monolateral posterior maxillary atrophy were treated via sinus lift using PLA-GLA-dextrane copolymer as the sole filler. Delayed implant positioning was performed and cores of regenerated tissues and native bone controls were retrieved and evaluated by light and electron microscopy, histomorphometry, microhardness and qualitative X-ray analysis. Seven sinuses in 7 patients were augmented with PLA-GLA-dextrane copolymer. Six to nine months after the copolymer ‘graft’, 17 bone cores were retrieved: all histological sections contained newly synthesized, mineralized material and new bone in various stages of development. Histomorphometry revealed average Trabecular Bone Volume (TBV) values ranging from 51% (6 months) to 77% (9 months). Backscattered scanning electron microscopy (BSE) in experimental and control samples confirmed histology findings. Microhardness values suggested newly formed bone at nine months was not as hard as native bone. Ca and P content was similar in 9-month regenerated and native bone. Seventeen implants were inserted in the second stage of surgery: resulting Implant Success (SR) and Cumulative Success (CSR) up to 3 years were 100% following Albrektsson’s criteria. Sinus lift augmentation using PLA-GLA-dextrane copolymer as the sole filler resulted in uneventful surgeries. New bone formation was evident histologically and its maturation was still in progress after 9 months. Successful, staged implant positioning was achieved in regenerated tissue.
Key words: sinus lift, PLA-GLA-dextrane copolymer, histomorphometric analysis, microhardness, X-ray microanalysi
Di materia e di senso. La contemporaneità discronica del design e della moda.
No full textIl saggio riflette sul panorama contemporaneo delle attività rivolte alla produzione di merci che si fondano su presupposti orientati a processi di estetizzazione diffusa del quotidiano. Si tratta di produzioni di beni tangibili e intangibili al centro di fenomeni che provocano inflazione estetica favorita dal modello economico attuale che impone un indiscutibile cambio di paradigma; da un tipo di capitalismo industriale robusto a uno estetico e sensibile definito artista (Lipovetsky, 2013). Si può individuare una fase eroica della produzione di contenuti inscindibili dalla loro identità in forma-merce e dal valore commercializzabile in termini simbolico-estetici; fase dipendente dalla invenzione di economie fondate sui valori del quotidiano che si frappongono tra le economie del lusso e le nascenti economie della omogeneità diversificata. Combinazione paradossale del prodotto dalla doppia natura contrapposta che si gioca tra la produzione industriale di largo consumo e la merce che dialoga con il mercato, per aderire perfettamente alle istanze estetico-emozionali di ogni consumatore /utente
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