164 research outputs found

    La novela negra de Claudia Piñeiro

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    I romanzi di Claudia Piñeiro godono di uno straordinario successo. Si tratta di una parodia del genere giallo o noir o semplicemente di un'evoluzione del genere letterario? L'intervento al seminario dopo aver proposto un itinerario del genere giallo e averne definito il canone, propone un approfondimento del romanzo dell'autrice argentina

    La montagna della Sibilla. Introduzione

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    Il testo introduce il testo di M. Vaquero Piñeiro dedicato ad una profonda riflessione sulle caratteristiche del territorio dell'Appennino centrale e il suo sviluppo nel corso degli ultimi secoli, in cui queste terre sono state martoriate da terremoti, conseguenti crisi economiche e progressivo abbandono. Nell'Introduzione si rimarcano gli effetti devastanti del sisma, non solo sull'organizzazione economica, sulla struttura sociale, ma anche sulla psiche degli abitanti, sulla loro identità, segnando profondamente le comunità. Ma nello stesso tempo il sisma può essere capace di mostrare anche la fora di una comunità che resiste, adattandosi e modificando pratiche e saperi per costruire nuove forme di resilienza

    “Sentinelle della prateria”: i silos rurali negli Stati Uniti e in Canada

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    The tall storage elevators that dot the interior plains of North America are part of a carefully planned network for the collection and distribution of grain. The elevators and the small towns adjacent to them were situated by rail-road companies during the late 19th century when the continent’s agricultural heartland was being settled. Increases in agricultural production, a shift in emphasis from domestic to export production, and technological change in grain storage and transportation have produced visible changes in the old system of grain elevators. Today, as in the past, decisions a!ecting location of grain-storage elevators on the landscape are worked out carefully to minimize transportation costs. In this transformation of the landscape, particular attention has been paid to the definition of construction techniques that have greatly influenced the redesign of the skylines of the American and Canadian prairie

    Italian Wine and Enology in the United States (1861-1914)

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    During the second half of the 19th century, the world fame of Italian wine began to form. The international exhibitions, the foundation of specialized scholastic institutions, the birth of companies and the technical-scientific divulgation created the conditions of production and marketing of quality wines. The diffusion of Italian wine in the United States is an eloquent example of the changes produced by the internationalization of markets between the end of the 19th century and the beginning of the 20th century. For Italian wine, the United States became a point of comparison and encouragement. A central role was played by the winemaking office created by the Italian government in New York. The objective of the office was to favor wine imports and the circulation of news. The head of the office did an intense job of information but also devoted himself to the analysis of the wine that came from Italy to ensure that it was not adulterated and respected the sanitary norms in force in the country. The action of the office, which even gave advice on the characteristics of the wines, contributed to the formation of a more modern oenological culture among the Italian winemakers who opened themselves to the United States market. All this favored the increase in imports and consumption of Italian wine as shown by the menus of the restaurants. Following the historiographical debate on the effects of the first phase of the globalization of the economy, the objective of the work is to demonstrate that in addition to the massive Italian immigration, the Italian quality wine was consolidated in the United States thanks to a series of initiatives and public and private strategies

    Inventare la città reale: Buenos Aires "scritta" da Claudia Piñeiro

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    Buenos Aires is so complex that it is practically indescribable, and literature has used it many times as a setting or as a protagonist. For Claudia Piñeiro the city is always an elect place, one of the main characters of her books in its many different shapes, boundaries and articulations, and as such is narrated, described, invented and inhabited in a variety of ways. She writes about an ideal place, the country, a “private” neighbourhood that becomes the scene of desperate urban lives
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