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    An evolutionary approach to real-time moment magnitude estimation via inversion of displacement spectra

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    We present an evolutionary approach for magnitude estimation for earthquake early warning based on real-time inversion of displacement spectra. The Spectrum Inversion (SI) method estimates magnitude and its uncertainty by inferring the shape of the entire displacement spectral curve based on the part of the spectra constrained by available data. The method consists of two components: 1) estimating seismic moment by finding the low frequency plateau Omega(0), the corner frequency f(c) and attenuation factor (Q) that best fit the observed displacement spectra assuming a Brune omega(2) model, and 2) estimating magnitude and its uncertainty based on the estimate of seismic moment. A novel characteristic of this method is that is does not rely on empirically derived relationships, but rather involves direct estimation of quantities related to the moment magnitude. SI magnitude and uncertainty estimates are updated each second following the initial P detection. We tested the SI approach on broadband and strong motion waveforms data from 158 Southern California events, and 25 Japanese events for a combined magnitude range of 3 <= M <= 7. Based on the performance evaluated on this dataset, the SI approach can potentially provide stable estimates of magnitude within 10 seconds from the initial earthquake detection

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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