1,724,508 research outputs found
JEFFREY M. FRIEDMAN
Full text linkcongratulations to Professor Jeffrey M. Friedman, recipient of the 2010 Albert Lasker Basic Medical Research Awardhttps://digitalcommons.rockefeller.edu/posters/1129/thumbnail.jp
Military order for M. Friedman 1864
No full textOrders appointing M. Friedman regimental quartermaster in the 3rd Regiment Freedmen Enrolled Militia, District West Tennesse
Interview with Benjamin M. Friedman
Full text linkBenjamin M. Friedman a politikai gazdaságtan William Joseph Maier professzora
a Harvard Egyetemen, ahol 1972 óta tanít. Korábban a Harvard Egyetem Közgazdaságtan Tanszékét vezette. Foglalkozott a pénzügyi piacok szerepével, a monetáris és fiskális politika gazdasági aktivitásra gyakorolt hatásával. The Moral
Consequences of Economic Growth címmel 2005-ben megjelent könyve a gazdasági növekedés versus stagnálás politikai és társadalmi vetületeit vizsgálta. Egyetemi tevékenységén felül igazgatóként és szerkesztőbizottsági tagként részt vesz az
Encyclopaedia Britannica munkájában is
M. Friedman, Inflation et systèmes monétaires, Calman-Lévy, 1970.
No full textFriedman Milton. M. Friedman, Inflation et systèmes monétaires, Calman-Lévy, 1970. In: Revue d'économie financière. Hors-série, 1994. Bretton Woods : mélanges pour un cinquantenaire. p. 80
Review of: Sharon M. Friedman et al. eds., Communicating Uncertainty
Full text linkA review of the book Communicating Uncertainty: Media Coverage of New and Controversial Science (Sharon M. Friedman, Sharon Dunwoody & Carol L. Rogers, eds.; Lawrence Erlbaum Associates 1999). Preface, introduction. ISBN 0-8058-2728-5 [261 pp. $32.50. Paperback, 10 Industrial Avenue, Mahwah, NJ 07430-2262]
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
David M. Friedman, Con mentalidad propia. Historia cultural del pene (Barcelona:Península, 2007), 362 p.
Full text link“En una cultura donde la virgen simbolizaba todo lo puro, el pene era el referente
de todo lo malo. Lo que defi nía la santidad de María era su ausencia de contacto con
un pene”1. Una frase sentenciosa que, poco después de iniciar el recorrido del libro
aquí reseñado, señala una de las tantas divisiones —y oposiciones— culturales con las
cuales Occidente ha persistido en producirse a sí mismo. David M. Friedman elabora
un trabajo de historia cultural que tiene por objeto un órgano, probablemente conocido
por todos, pero ignorado como objeto de conocimiento por la historiografía —más
atención parece haberle merecido al psicoanálisis y a la antropología en su aspecto
simbólico, auncuando menos en su determinación material—. Paradójicamente, ese
órgano tan conocido, deseado tanto como vilipendiado y fetichizado al límite del
paroxismo que lo imagina capaz de desfl orar la inocencia de niños, niñas y mujeres,
se nos muestra en este trabajo como un gran desconocido por la ciencia histórica
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