1,721,674 research outputs found
XVI. M. Fournier et les fouilles de Gergovie
No full textVendryes Joseph. XVI. M. Fournier et les fouilles de Gergovie. In: Etudes Celtiques, vol. 2, fascicule 3, 1937. p. 200
Arborio A.-M., Fournier P. — L'enquête et ses méthodes : l'observation directe
No full textRiandey Benoît. Arborio A.-M., Fournier P. — L'enquête et ses méthodes : l'observation directe. In: Population, 55ᵉ année, n°4-5, 2000. p. 843
Arborio A.-M., Fournier P. — L'enquête et ses méthodes : l'observation directe
No full textRiandey Benoît. Arborio A.-M., Fournier P. — L'enquête et ses méthodes : l'observation directe. In: Population, 55ᵉ année, n°4-5, 2000. p. 843
Les manuscrits américains de M. Fournier à la Bibliothèque de l'Institut.
No full textHamy E.-T. Les manuscrits américains de M. Fournier à la Bibliothèque de l'Institut.. In: Journal de la Société des Américanistes. Nouvelle Série. Tome 1 n°3, 1904. p. 394
Démission de M. Fournier, lors de la séance du 24 octobre 1790
No full textFournier Charles. Démission de M. Fournier, lors de la séance du 24 octobre 1790. In: Archives Parlementaires de 1787 à 1860 - Première série (1787-1799) Tome XX - Du 23 octobre au 26 novembre 1790. Paris : Librairie Administrative P. Dupont, 1885. p. 16
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
« Les cartes de communauté dans le Casentino (Italie): entre cartographie participative et redéfinition d'une identité collective », In Fournier M., Troin F. (a cura di), cartographier les récits, Presses Univ. Clermont-Auvergne - con Andrea Rossi
No full textOn the interpretation of magnetic susceptibility data by means of a modified Curie-Weiss law
No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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