1,721,105 research outputs found

    Premessa [a: Il ritorno dei classici nell'Umanesimo : studi in memoria di Gianvito Resta]

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    Illustra le caratteristiche del progetto Il Ritorno dei Classici nell'Umanesimo, articolato in quattro edizioni nazionali e ideato da G. Resta. La maggior parte dei contributi raccolti nel volume si inserisce a vario titolo nel progetto, che è partito da una ricognizione sistematica del manoscritti conservati nelle biblioteche italiane e straniere e contenenti commenti, volgarizzamenti, traduzioni dal greco dei classici e testi storiografici ai classici ispirati

    Recensione a: Tradurre dal greco in età umanistica. Metodi e strumenti. Atti del Seminario di studio, Firenze, Certosa del Galluzzo, 9 settembre 2005, a cura di M. Cortesi, Firenze 2007 (in «Mediaeval Sophia» 8 [2010], pp. 231-238)

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    Recesnione al vol. Tradurre dal greco in età umanistica. Metodi e strumenti, curato da M. Cortesi e pubblicato nel 2007, che raccoglie gli atti del Seminario di studio sul medesimo argomento, svoltosi a Firenze, presso la Certosa del Galluzzo, il 9 settembre 2005. Oltre a due contributi generali, su teoria e prassi della traduzione dal greco durante l'Umanesimo (M. Cortesi, E. Berti), il vol. presenta cinque studi relativi a singoli autori e/o a singole traduzioni dal greco (Gregorio Tifernate e Andrea Brenta, Leonardo Bruni, Rinuccio Aretino, Ermolao Barbaro il Vecchio, Francesco Filelfo). Gli autori di questi cinque saggi sono, rispettivamente, M. Menchelli, M. Bandini, M.P. Pillolla, C. Cocco e S. Fiaschi

    Lingua, stile e composizione dell'Istorietta troiana

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    The Istorietta troiana, written between the XIII and XIV centuries, is one of the jewels of the ancient Tuscan prose. After having written an essay about the philological aspects of the text and waiting for the critical edition to be published, the author addresses the brief work’s linguistic, stylistic and compositional issues in this contribution. On one hand, a Florentine dialect characterized by the presence of the stil novo tradition arises, whereas on the other hand the style is fluid, ductile and pays a special attention to the rhythmical value of the text. The composition of the Istorietta poses numerous issues, concerning both the real consistency of the text (that translates only a part of its source) and the relationship with Ovid’s Heroides, handed down by the same manuscript, but likely belonging to a different author, albeit culturally similar

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Il De Trinitate di Novaziano da Mesnart a Pamelius: problemi testuali ed esegetici

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    L'articolo ricostruisce le vicende editoriali del de Trinitate di Novaziano dall'editio princeps di Mesnart fino a quella di Pamelius, mettendo in luce il contesto culturale e religioso nel quale moperavano i vari filologi
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