1,720,994 research outputs found
Poeti e poesía a Genova (e dintorni) nell'età medievale. Atti del Convegno per Genova capitale della Cultura Europea 2004, éd. par M. Lecco, Alessandria, Edizioni dell'Orso, 2006
No full textGiannini Gabriele. Poeti e poesía a Genova (e dintorni) nell'età medievale. Atti del Convegno per Genova capitale della Cultura Europea 2004, éd. par M. Lecco, Alessandria, Edizioni dell'Orso, 2006. In: Romania, tome 127 n°507-508, 2009. pp. 522-528
Poeti e poesía a Genova (e dintorni) nell'età medievale. Atti del Convegno per Genova capitale della Cultura Europea 2004, éd. par M. Lecco, Alessandria, Edizioni dell'Orso, 2006
No full textGiannini Gabriele. Poeti e poesía a Genova (e dintorni) nell'età medievale. Atti del Convegno per Genova capitale della Cultura Europea 2004, éd. par M. Lecco, Alessandria, Edizioni dell'Orso, 2006. In: Romania, tome 127 n°507-508, 2009. pp. 522-528
Per un Decameron di meno : strategie paratestuali nel cento novelle in ottava rima di V. Brusantino (1554)
No full textCome altri classici della letteratura italiana anche il Decameron di Giovanni Boccaccio
è stato oggetto nel XVI secolo di esperienze di riscrittura. Fra queste rivestono
un certo interesse culturale le Cento novelle ridotte in ottava rima di Vincenzo
Brusantino, testo pubblicato a Venezia nel 1554 preso lo stampatore Francesco
Marcolini. Testimonianza della vitalità dell’opera boccacciana anche a ridosso
della promulgazione del primo Indice dei libri proibiti (1559) e, al contempo, della
fortuna dell’ottava come metro narrativo per eccellenza lungo l’intero secolo
XVI, l’operazione letteraria di Brusantino si configura essenzialmente come una
trasposizione minima per versificazione dell’ipotesto decameroniano e mira a un
adeguamento dell’opera trecentesca ai moduli stilistici e alle configurazioni paratestuali
caratterizzanti l’esperienza stilistica ed editoriale del poema cavalleresco di
matrice ariostesca. Proprio sugli elementi del corredo paratestuale che partecipano
a una reinterpretazione moralistica del dettato boccacciano si intende focalizzare
la presente analisi.Like other classics of Italian literature, Giovanni Boccaccio’s Decameron was the
subject of rewriting experiences in the 16th Century. Among these, the Cento no-
velle ridotte in ottava rima by Vincenzo Brusantino, a text published in Venice in
1554 by the printer Francesco Marcolini, is of some cultural interest. It proves the
vitality of Boccaccio’s work even in the time close to the promulgation of the first
Index of Forbidden Books (1559) and, at the same time, the fortune of the octave
as a narrative meter par excellence throughout the entire 16th century. Brusanti-
no’s work represents essentially a minimal transposition by versification of the
decameronian hypotest and aims at an adaptation of the fourteenth-century work to
the stylistic modules and paratextual configurations characterizing the stylistic and
publishing experience of Ariosto’s Orlando furioso. The present analysis intends
to focus precisely on the elements of the Cento novelle paratext that participate in
a moralistic reinterpretation of Boccaccio’s masterpiece
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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