3,809 research outputs found
A morphological layer for the German part of the SMULTRON corpus
No full textA morphological layer for the German part of the SMULTRON corpus. Layer was annotated according to the STTS tagset and the annotation guidelines of the Tiger corpus.
Coordinator: Thomas Müller
Annotators: Francesca Caratti, Arne Recknagel
This distribution contains a morphological layer for the SMULTRON corpus [0].
The annotation process is described in :
@InProceedings{mueller2015,
author = {M\"uller, Thomas and Sch\"utze, Hinrich},
title = {Robust Morphological Tagging with Word Representations},
booktitle = {Proceedings of NAACL},
year = {2015},
}
[0] http://www.cl.uzh.ch/research/parallelcorpora/paralleltreebanks/smultron_en.htm
"Die Quelle des Lebens, der Liebe. Des Hasses und des Todes" : Mutter-Tochter Beziehungen bei Herta Müller, Aglaja Veteranyi, Carmen Francesca Banciu und Gabriela Adameșteanu
No full textThis article deals with the representation of motherdaughter relationships in novels by Herta Müller, Aglaja Veteranyi, Carmen Francesca Banciu and Gabriela Adamesteanu, all of them born in Romania. Herta Müller and Aglaja Veterani constantly wrote in German, while Carmen Francesca Banciu changed her language after emigrating to Germany and Gabriela Adameºteanu’s language has always been Romanian. Mother-daughter relationships are analysed in regard of female genealogy, but also considering their complexity and ambiguity. It is shown that representations of mother-daughter-relationships are depending rather on individual and psychological criteria than the author’s cultural or ethnic affiliation. Maybe a larger study, which could not be made in this article, could reveal more detailed results
"The love that made hell, paradise." Ouida re-writing the Paolo and Francesca theme in Held in Bondage
No full textThe bestselling Victorian author Ouida reveals in her novels, and, in particular, Held in Bondage, an extraordinary knowledge od Dante, by using characters and themes from the Commedia. The Paolo and Francesca theme actually constitutes part of the plot of the novel and is to be found in many of her other works, short stories and non-fiction writing
HERStory Makers 2023: Francesca Fotheringham
No full textFrancesca Fotheringham is a postdoctoral research associate at the University of Edinburgh studying educational psychology with a focus on neurodiversity. She took part in HERStory Makers 2023.What is HERStory Makers?HERStory Makers is a social media competition for female-identifying early career researchers to share their research, their career journeys, and to inspire the next generation. Winners are selected by public vote. HERStory Makers is also part of EXPLORATHON, Scotland's contribution to European Researchers' Night.In 2022-23, EXPLORATHON Francescasupported by the Engineering & Physical Sciences Research Council [grant number EP/X020762/1].Author contributions to contentFrancesca conceived, planned, and recorded the video content. Kirsty Ross edited the video content to insert HERStory Maker credits, added subtitles, and reduce video length to below Twitter/X limit of 2 mins and 20 secs.</p
Medicina illuminata. La Biblioteca Lancisiana di Roma
No full textL'articolo presenta i codici miniati della Biblioteca Lancisiana di Roma. La prima parte, del coautore, è dedicata alla Biblioteca. La seconda parte, di F. Manzari, tratta dei manoscritti miniati, costituiti da due codici con le opere di Avicenna e dal Liber fraternitatis della Confraternita dell'Ospedale di Santo Spirito in Sassia a Roma.The article introduces the illuminated manuscripts of the Biblioteca Lancisiana in Rome. The first part of the article, by the co-author, is dedicated to the Library. The second part, by Francesca Manzari, illustrates the manuscipts; these are two manuscripts with the works of Avicenna and the Liber fraternitatis of the Confraternity of the Hospital of Santo Spirito in Sassia in Rome
Regulation of maize Ac/Ds transposition by replication and DNA methylation
No full textIn maize the transposable elements Activator/Dissociation (Ac/Ds) transpose shortly after
replication from one of the two resulting chromatids ("chromatid selectivity"). A model
was suggested that explains this phenomenon as a consequence of different Ac transposase
binding to holo-, hemi- and unmethylated transposon ends (Wang et al., 1996). It assumes
that before replication the element is holomethylated and does not transpose because TPase
can not bind to the transposon ends. Shortly after replication one of the two differentially
hemimethylated daughter transposons should become transposition competent.
However, DNA methylation-mediated replication dependence does not completely explain
the behavior of Ac/Ds transposition. In several studies performed in monocot hosts, it was
found that in a transient assay Ac/Ds element excision from extrachromosomal geminivirus
vectors occurs only during vector replication, although the transfected DNAs were not Cmethylated.
In this work the correlation between Ds transposition, DNA replication and DNA
methylation in the dicot species Petunia hybrida was studied. Ds reporter vectors
harboring TYLCV (Tomato Yellow Leaf Curl Virus) geminivirus replicon sequences and
replicating in transfected petunia cells were constructed. It has been shown that the
transposition of a Ds element from an extrachromosomal vector in petunia cells is
regulated by DNA replication in a methylation-dependent and -independent mode.
Holomethylation completely inhibits Ds excision from a non-replicating plasmid, whereas
Ds transposition is restored by replication. Moreover, Ds elements that are hemimethylated
on one DNA strand transpose in the absence of replication, whereas methylation on the
complementary DNA strand results in at least 6.3-fold reduced excision frequencies. These
data strongly support the transposition model of Wang et al. (1996).
Beyond that, Ds transposition is strongly promoted by replication also in the absence of
methylation. It has been shown that in petunia cells, unlike monocot hosts, replication is
not a prerequisite for Ds transposition, nevertheless it enhances Ds transposition by at least
a factor of 7.5. Moreover, replication promotes the formation of a predominant excision
footprint. Implications on the mechanism and regulation of Ac/Ds transposition are
discussed
Francigena <rivista>. Volume 2(2016)
No full textSOMMARIO
Brandelli d\u27epica. II. Il \u27Foucon de Candie\u27 / Armando Antonelli, Vincenzo Cassì
Code-mixing nel \u27Bovo d’Antona\u27 udinese, con una nuova edizione del frammento Udine, Archivio Capitolare, Fondo Nuovi manoscritti 736.28 / Francesca Gambino
Scavi nel lessico e restauri al testo dell’\u27Aquilon de Bavière\u27 di Raffaele da Verona / Luca Morlino
\u27Tituli\u27, iscrizioni e motti: il francese esposto in Italia fra XIV e XV secolo / Serena Modena
Two \u27Otinel\u27 frescoes in Treviso and Sesto al Reghena / Claudia Boscolo
I manoscritti pisano-genovesi nel contesto della miniatura ligure: qualche osservazione / Francesca Müller-Fabbri
Un progetto di razzia del suolo inglese redatto per Filippo IV il Bello (1294 ca.) / Antonio MusarraSOMMARIO
Brandelli d\u27epica. II. Il \u27Foucon de Candie\u27 / Armando Antonelli, Vincenzo Cassì
Code-mixing nel \u27Bovo d’Antona\u27 udinese, con una nuova edizione del frammento Udine, Archivio Capitolare, Fondo Nuovi manoscritti 736.28 / Francesca Gambino
Scavi nel lessico e restauri al testo dell’\u27Aquilon de Bavière\u27 di Raffaele da Verona / Luca Morlino
\u27Tituli\u27, iscrizioni e motti: il francese esposto in Italia fra XIV e XV secolo / Serena Modena
Two \u27Otinel\u27 frescoes in Treviso and Sesto al Reghena / Claudia Boscolo
I manoscritti pisano-genovesi nel contesto della miniatura ligure: qualche osservazione / Francesca Müller-Fabbri
Un progetto di razzia del suolo inglese redatto per Filippo IV il Bello (1294 ca.) / Antonio Musarr
A DH-Leavened Musicological Toolbox
No full textGraduate-level training in music research methodologies tends to ignore digital humanities work and overlook the use of digital tools created in support of new forms of reading. Training instead focuses on source material in the student’s area of interest. This material includes secondary and primary (archival) resources, as well as information resources, such as: monuments of music and critical editions; indexes; bibliographies and thematic catalogs; dictionaries and encyclopedias; digital libraries of scores or editions; and databases of period-specific newspapers or journals. Graduate students taking research methods courses already have a toolbox built from their experiences as musicians and students of music, including the ability to read and interpret music notation, to understand theoretical and analytical concepts in music, as well as a command of music history, including the canon of musical works.
Digital humanities has become a major area of academic endeavor at the “interface of technological development, epistemological change and methodological concerns." An important characteristic of digital humanities research has been its interdisciplinarity. We argue that graduate training in musicology needs to include coverage of methodologies applied by digital humanists in support of new forms of reading, not only to broaden the canon of research topics in musicology, but also to build common ground with researchers of other disciplines. We propose that librarians are well positioned to provide this expertise and training
Website and flyer of: Workshop on Scholarly Digital Editions, Graph Data-Models and Semantic Web Technologies (#graphSDE2019)
No full textWebsite and flyer of the Workshop on Scholarly Digital Editions, Graph Data-Models and Semantic Web Technologies (#graphSDE2019), held at the University of Lausanne on 3-4 June 2019, co-chaired with Francesca Tomasi.
The website have been archived on September 7, 2019, even if it will remain online until May 2020 at . To browse the website, download it and open 'index.html'
The website contains links to the slides of the papers presented at the Workshop by (in the order of the program) Francesca Tomasi, Spadini Elena, Sippl Colin, Burghardt Manuel, Wolff Christian, Burrows Toby, Velios Athanasios, Holford Matthew, Lewis David, Morrison Andrews, Page Kevin, Cools Hans, Padlina Roberta Laura, Romanello Matteo, Cayless Hugh, Haentjens Dekker Ronald, Rouquette Maïeul, Giovannetti Francesca, Carboni Nicola, Müller Susanne, Ghelardi Maurizio, Kuczera Andreas, Neill Iian, Jarosch Julian, Boot Peter, Koolen Marijn, Prosser Miller, Schloen Sandra, Münnich Stefan
A Twitter Case Study for Assessing Digital Sound
No full textAcademic and cultural heritage institutions around the world have made measurable strides in the development of digital sound archives oriented towards research and access, but their impact on scholarship and society has been little studied. Traditionally, impact has been measured by citations; yet these are problematic metrics for non-traditional outputs like sound recordings. Social media data provide a promising avenue of investigation for measuring scholarly as well as societal impact. Twitter in particular has been shown to provide a high number of references for cultural and research outputs in all disciplines. This study analyzes Twitter references pertaining to the collections of five digital sound archives: British Library Sounds, Europeana Sounds, the Internet Archive Audio Archive, PennSound and UbuWeb. Using text analysis methods to identify high frequency events and trends, and labeling them with a rubric designed for measuring the impact of digital heritage resources, this study provides preliminary insights on user values as they relate to digital sound collections. Despite the limitations of using social media data, the evidence gathered in this case study characterizes aspects of the use of digital sound collections, and may point to future priorities for the digital preservation of sound.Peer reviewe
- …
