1,721,041 research outputs found

    Luca Rossetti pittore di «ottima mano» e il Rococò nello stato sabaudo: le opere a Ivrea e nel Biellese

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    Il saggio riesamina, alla luce di nuovi documenti e della lettura di recenti interventi di restauro, l'attività del pittore originario di Orta Luca Rossetti nei territori dello stato sabaudo. Emerge una panoramica assai variegata di presenze, in particolare, nella città di Ivrea, a partire dall'intervento nella chiesa di San Gaudenzio per culminare in quella della confraternita di Santa Croce, intervallato a lavori per edifici di culto nel territorio biellese

    LUCA ROSSETTI E BERNARDO ANTONIO VITTONE: MODELOS DE REFERÊNCIA E TRATADOS NA PINTURA EM QUADRATURA DO PIEMONTE

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    eoi/doi Deposit-Electronic Object Identifier   http://eoi.citefactor.org/10.11248/ehum.v13i2.3091 Luca Rossetti e Bernardo Antonio Vittone: modelli di riferimento e trattatistica nella pittura di quadratura in Piemonte Resumo: Luca Rossetti (1708-1770), originário de Orta e ativo entre a área de Cusio e os territórios do Ducado de Sabóia (Novara, Canavese e Biellese, hoje Piemonte), é conhecido na historiografia piemontesa e lombarda como pintor de figuras, ligada a modelos classicistas de derivação romano-bolonhesa. No entanto, em sua vasta produção de afrescos, contribuições importantes também são detectáveis no setor da quadratura. A contribuição pretende investigar os casos mais significativos e documentados em consideração à possível atividade de colaboração do artista com especialistas em arquitetura falsa e modelos de referência neste setor. Um primeiro exame das obras revelou surpreendentes citações da arquitetura, em particular de altares, de Bernardo Antonio Vittone (1704-1770), uma personalidade muito significativa para a história da arquitetura e dos tratados em meados do século XVIII, bem além das fronteiras do Reino da Sardenha em que a sua atividade está documentada. Por ocasião da publicação de Bernardo Antonio Vittone, pintura e pintores, em W. Canavesio (editado por), O gênio voluptuoso do olho. Novos estudos sobre Bernardo Antonio Vittone, Torino, Sociedade Piemontesa de Arqueologia e Belas Artes, 2005 mostraram claramente o interesse do arquiteto e a forte relação com os pintores quadraturistas a quem esta intervenção pretende fornecer mais elementos de reflexão.Palavra-chaves: Luca Rossetti, Piedmont art sec. XVIII, Bernardo Antonio Vittone.temática; Barcelona;Astratto: Luca Rossetti (1708-1770), originario di Orta e attivo tra l’area del Cusio e i territori del ducato di Savoia (novarese, canavese e biellese, oggi Piemonte), è noto alla storiografia piemontese e lombarda come pittore di figura, legato a modelli classicisti di derivazione romano-bolognese. Tuttavia, nella sua vasta produzione ad affresco sono rilevabili importanti contributi anche nel settore della quadratura. Il contributo intende indagare i casi più significativi e documentati in considerazione alla possibile attività di collaborazione dell’artista con specialisti in finte architetture e ai modelli di riferimento in questo settore. Una prima disamina delle opere ha rivelato sorprendenti citazioni dalle architetture, in particolare di altari, di Bernardo Antonio Vittone (1704-1770), personalità assai significativa per la storia dell’architettura e della trattatistica alla metà del XVIII secolo ben al di fuori dei confini del Regno di Sardegna in cui è documentata la sua attività. In occasione della pubblicazione Bernardo Antonio Vittone, la pittura ed i pittori, in W. Canavesio (a cura di), Il voluttuoso genio dell’occhio. Nuovi studi su Bernardo Antonio Vittone, Torino, Società Piemontese di Archeologia e Belle Arti, 2005 è emerso con chiarezza l’interesse e il rapporto forte dell’architetto con i pittori quadraturisti ai quali si intende fornire con il presente intervento ulteriori elementi di riflessione.Parole chiave: Luca Rossetti, Piemonte arte sec. XVIII, Bernardo Antonio Vittone.Recebido em: 10/07/2020 – Aceito em 31/07/202

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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