1,720,980 research outputs found
Luca Pozzi. The Rosetta Mission 2020
No full textThe 12° Atelier is a virtual atelier born in 2020 from the collaboration between Casa degli Artisti and the ERC Advanced Grant project “AN-ICON. An-Iconology: History, Theory, and Practices of Environmental Images” (funded by the European Research Council (ERC) within the Horizon 2020 research and innovation programme of the European Union) coordinated by Prof. Andrea Pinotti, at the Department of Philosophy “Piero Martinetti” of the State University of Milan.
From 2021, the 12° Atelier, in addition to the eleven ateliers physically present in Casa degli Artisti, will host a programme of artistic residencies produced by AN-ICON and curated by Elisabetta Modena and Sofia Pirandello.
The AN-ICON residencies are aimed at Italian and international artists who want to create new works of art in virtual, augmented and mixed reality. The artists selected through a public call for applications are invited to reflect on the relationship between concrete physical space and virtual space, exploring the perceptive and agentive possibilities generated by new technologies. The artists’ work is also documented in a series of scientific publications and presented in a series of seminars and conferences open to the public.
Luca Pozzi is the first artist in residence in the 12° Atelier.
ROSETTA MISSION 2020 (RM2020)
Inspired by the ESA (European Space Agency) space mission of the same name, which took place from 2004 to 2016, the work is presented as a virtual reality environment in which comet 67P/Churyumov-Gerasimenko has been reconstructed, transformed from a physical celestial body into a digital place of convergence for different disciplines. The title of the space mission, and consequently that of the art project, alludes to the Rosetta Stone, an archaeological find which, by presenting the same text in the demotic, hieroglyphic and ancient Greek alphabets, has become a fundamental document for the comparison and interpretation of languages and, consequently, of history itself. The allusion to the ancient artefact here, 2200 years after its engraving, is metaphorical: a digital object that can be visited allows information to flow and people to connect from all over the world. The RM2020 is a place free from specific geographical, political and religious coordinates, a meeting point for artists, mathematicians, philosophers and scientists, from which interdisciplinary contributions can emerge. Conceived for a hybrid audience, the comet is a meta-place suspended in time, capable of teleporting visitors into an immersive hyper-technological and collaborative space, bypassing linguistic and physical boundaries, which have shown their limits in the era of the pandemic we are experiencing.
https://hubs.mozilla.com/beXNo3a/rosetta-mission-2020-by-luca-pozzi-level-1-120atelie
Luca Pozzi. The Rosetta Mission 2020
No full textThe 12° Atelier is a virtual atelier born in 2020 from the collaboration between Casa degli Artisti and the ERC Advanced Grant project “AN-ICON. An-Iconology: History, Theory, and Practices of Environmental Images” (funded by the European Research Council (ERC) within the Horizon 2020 research and innovation programme of the European Union) coordinated by Prof. Andrea Pinotti, at the Department of Philosophy “Piero Martinetti” of the State University of Milan.
From 2021, the 12° Atelier, in addition to the eleven ateliers physically present in Casa degli Artisti, will host a programme of artistic residencies produced by AN-ICON and curated by Elisabetta Modena and Sofia Pirandello.
The AN-ICON residencies are aimed at Italian and international artists who want to create new works of art in virtual, augmented and mixed reality. The artists selected through a public call for applications are invited to reflect on the relationship between concrete physical space and virtual space, exploring the perceptive and agentive possibilities generated by new technologies. The artists’ work is also documented in a series of scientific publications and presented in a series of seminars and conferences open to the public.
Luca Pozzi is the first artist in residence in the 12° Atelier.
ROSETTA MISSION 2020 (RM2020)
https://hubs.mozilla.com/beXNo3a/rosetta-mission-2020-by-luca-pozzi-level-1-120Inspired by the ESA (European Space Agency) space mission of the same name, which took place from 2004 to 2016, the work is presented as a virtual reality environment in which comet 67P/Churyumov-Gerasimenko has been reconstructed, transformed from a physical celestial body into a digital place of convergence for different disciplines. The title of the space mission, and consequently that of the art project, alludes to the Rosetta Stone, an archaeological find which, by presenting the same text in the demotic, hieroglyphic and ancient Greek alphabets, has become a fundamental document for the comparison and interpretation of languages and, consequently, of history itself. The allusion to the ancient artefact here, 2200 years after its engraving, is metaphorical: a digital object that can be visited allows information to flow and people to connect from all over the world. The RM2020 is a place free from specific geographical, political and religious coordinates, a meeting point for artists, mathematicians, philosophers and scientists, from which interdisciplinary contributions can emerge. Conceived for a hybrid audience, the comet is a meta-place suspended in time, capable of teleporting visitors into an immersive hyper-technological and collaborative space, bypassing linguistic and physical boundaries, which have shown their limits in the era of the pandemic we are experiencing
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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