1,720,973 research outputs found

    Paru : "La pertinence de Gunnar Asplund : du cimetière boisé à l'Exposition de Stockholm" / Luca Ortelli, Métispresses, avril 2019

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    Accédez au site de l'éditeur : La pertinence de Gunnar Asplund "La pertinence de Gunnar Asplund : du cimetière boisé à l'Exposition de Stockholm" / Luca Ortelli, Métispresses, avril 2019, 96 p., Collection: vuesDensemble Essais, ISBN 978-2-94-0563-48-7 Résumé éditeur : Raffinée et inventive, l’œuvre de Gunnar Asplund incarne une manière de concevoir l’architecture qui fera de Stockholm et de la Suède un modèle en Europe dès les années 1920. À la recherche d’une spatialité complexe..

    viverevenezia. Nove scuole di architettura europee per la progettazione degli spazi pubblici veneziani

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    Tra i contributi si citano quelli di: Alberto Ferlenga, Marino Folin. Progetti di: Manuel Aires Mateus, Aldo Aymonino, Alberto Cecchetto, Armando Dal Fabbro, Alberto Ferlenga, Vedran Mimica, Carles Muro, Luca Ortelli, Alfredo Payá Benedito, Boris Podrecca, Vojteh Ravnikar, Arnoldo Rivkin, Attilio Santi, Roberto Sordina. Progetti di: Manuel Aires Mateus, Aldo Aymonino, Alberto Cecchetto, Armando Dal Fabbro, Alberto Ferlenga, Vedran Mimica, Carles Muro, Luca Ortelli, Alfredo Payá Benedito, Boris Podrecca, Vojteh Ravnikar, Arnoldo Rivkin, Attilio Santi, Roberto Sordina

    La via svedese alla modernità.

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    Recensione al volume Gunnar Asplund, Wolter Gahn, Sven Markelius, Gregor Paulsson, Eskil Sundahl, Uno Ahrén, _Acceptera_, a cura di Eugenio Lux, prefaz. di Marco Biraghi, postfaz. di Luca Ortelli, LetteraVentidue, Siracusa 2024

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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