1,024 research outputs found
SIMONE DE BEAUVOIR, UNA LECTURA TRANSMODERNA
No full textFraming it in her own memories and from a personal prism, Magda initially approaches the figure of Beauvoir considering the author in the autobiography of her work, and dwelling on her relationships and the tandem formed with Sartre. Once the person is considered, Magda turns to the author, entering into a discussion of "The Second Sex", and critically reviewing many of the positions adopted by Beauvoir in this work. Lastly, Magda analyzes the situation of a “transmodern feminism” examining its link with movements such as Existentialism and highlighting the challenges that still remain today regarding the conceptions that shape the image of women.Enmarcándola en sus propios recuerdos y desde un prisma personal, Magda se acerca inicialmente a la figura de Beauvoir considerando a la autora en lo autobiográfico de su obra, y deteniéndose en sus relaciones y en el tándem formado con Sartre. Una vez considerada la persona, Magda se vuelve hacia la autora adentrándose en una discusión de “El Segundo Sexo”, y repasando críticamente muchos de los posicionamientos adoptados por Beauvoir en esta obra. En último lugar, Magda analiza la situación de un “feminismo transmoderno” examinando su vinculación con movimientos como el Existencialismo y subrayando los retos que hoy en día siguen pendientes en torno a las concepciones que configuran la imagen de mujer.
Abstract
Framing it in her own memories and from a personal prism, Magda initially approaches the figure of Beauvoir considering the author in the autobiography of her work, and dwelling on her relationships and the tandem formed with Sartre. Once the person is considered, Magda turns to the author, entering into a discussion of "The Second Sex", and critically reviewing many of the positions adopted by Beauvoir in this work. Lastly, Magda analyzes the situation of a “transmodern feminism” examining its link with movements such as Existentialism and highlighting the challenges that still remain today regarding the conceptions that shape the image of women
Un Progetto di Informatica nella Scuola dell’Infanzia: Un esempio di collaborazione Scuola – Famiglia
No full textEconomic Elites and Global Shocks: A Conceptual Mapping
No full textHow do economic elites react to global shocks? Here, global shocks refer to events that disrupt both the economy and society, such as economic crises, political regime collapses, natural and climate disasters, and collective health emergencies, including pandemics. These events have varied impacts across different geographical regions and population groups, including social classes and age cohorts. We argue that examining the relationship between global shocks and economic elites provides a unique perspective on significant trends among these elites. Against this backdrop, we will address two key aspects regarding the current characteristics and internal differentiations of economic elites: (a) their stance on socioeconomic inequalities, legitimization, and the construction of social acceptance; (b) new lifestyles and spatial relationships, including practices like land and space grabbing
Le miroir et la voix : la réécriture du mythe de Narcisse et Écho dans les Comptes amoureux de Jeanne Flore
No full textIn the context of the translations and adaptations of the mythological fable of Echo and Narcissus from the Middle Ages to the 16th century - of which this article provides a brief overview - the Comptes amoureux de Madame Jeanne Flore (Lyon, 1542 ca.) offer a particularly interesting case of re-use of the myth, adapted to the didacticism of the collection. In the fourth of the Comptes amoureux, the rewriting of the Ovidian tale through the filter of the Roman de la Rose is condensed around the motifs of doubling, identity blurring and masculine-feminine reversal, from which emerge in particular an updated rereading of the topos of the "beautiful lady without mercy" and the anchoring of the figure of Echo in the ideological framework of fairy tales.Dans le cadre des traductions et des adaptations de la fable mythologique d’Écho et Narcisse du Moyen âge au XVIe siècle – dont cet article fournit un bref aperçu – les Comptes amoureux de Madame Jeanne Flore (Lyon, 1542 ca.) offrent un cas particulièrement intéressant de réemploi du mythe, adapté au didactisme du recueil. Dans le quatrième des Comptes amoureux, la réécriture du récit ovidien via le filtre du Roman de la Rose se condense autour des motifs du dédoublement, du brouillage identitaire et du renversement masculin-féminin, d’où émergent particulièrement une relecture actualisée du topos de la « belle dame sans mercy » et l’ancrage de la figure d’Écho dans le cadre idéologique des contes
Awareness of the imminent end: Magda Isanos - 100 years after her birth
No full textIn 2016 is celebrating 100 years from the birth day of Magda Isanos, a Romanian lawyer, novelist, poet and publicist . The author proposes in article a brief biography related to the literary activity of the poet, novelist and journalist. It also presents Magda Isanos’s works in the collections of USARB Scientific Library
Company SIA "Magda Forte" products promotional opportunities in foreign market
No full textBakalaura darbā „Uzņēmuma SIA „Magda Forte” produkcijas virzīšanas iespējas ārvalstu tirgū” ir izveidota produkta virzīšanas iespējas Norvēģijas tirgū, izmantojot mārketinga komunikāciju paņēmienus.
Bakalaura darbs sastāv no sešām nodaļām. Pirmajās trijās nodaļās tiek sniegts ieskats teorētiskajos aspektos, apskatot, kas ir produkta virzīšana tirgū, kāda ir reklāma un tās nozīme, kas ir eksportu veicinošie faktori, kāda ir Latvijas Investīciju un attīstības aģentūras loma. Ceturtajā nodaļā darba autore veic apskatu par uzņēmumu SIA „Magda Forte” līdzšinējo darbību un tā produkciju. Piektajā nodaļā aprakstīts Norvēģijas kokmateriālu tirgus. Visbeidzot sestajā nodaļā tiks apskatītas Uzņēmuma SIA „Magda Forte” produkcijas eksporta iespējas uz Norvēģiju, kā arī piedāvātas alternatīvas eksporta iespējās, sniegti ieteikumi, kas uzņēmumam būtu jāveic, lai veiksmīgāk iekļūtu Norvēģijas tirgū.
Darba rezultātā izstrādātas uzņēmuma SIA „Magda Forte” produkcijas eksporta iespējas uz NorvēģijuThesis consists of six chapters. The first three chapters are given insight into the theoretical aspects. Looking at what is the product promotion, advertising and what is its role in the export of contributing factors as well as deals with the Latvian Investment and Development Agency. In the fourth chapter, the author carried out an overview of the company SIA „Magda Forte” and the output current activity. The fifth chapter Norwegian wood products market research. Finally, the sixth chapter examines the company SIA „Magda Forte” production for exports to Norway, and what alternatives there are for export opportunities that the company should do for connection with the entry into the Norwegian market.
Result of the work developed in the company SIA „Magda Forte” production for exports to Norway, as well as alternatives to entering the Norwegian market.
Content of the paper is 90 pages including 10 pictures, 7 tables and 4 appendixes
Comics by Magda Dulčić
No full textOvaj diplomski rad se fokusira na analizu strip opusa, stvaralačkih faza i umjetničkog izraza Magde Dulčić (1965. – 2016. g.), te njen autorski značaj i podstrek u okvirima razvojne perspektive nacionalnog stripa. Na tragu invencija koje unosi grupa Novi kvadrat, a u suradnji s njihovim pripadnikom, Krešimirom Zimonićem, Magda Dulčić od 1985. g. kreira mnoštvo stripova za fanzine, omladinsku štampu, dnevne novine, strip magazine i dječje časopise. Njeni radovi objavljivani su na stranicama Lucifera, Kurir, Patka, Vidika, Poleta, Večernjeg lista, Flita, Comicona, Modre laste, Arkzina, Prvog izbora i Oblutka. Svojom autentičnom poetikom izraza se izdvaja kao jedna je od prvih relevantnih autorica na strip sceni. Prepoznali su to i njeni kolege, kritičari popularne kulture i povjesničari umjetnosti, stoga je 1988. godine nagrađena za strip inovaciju na 4. Salonu jugoslavenskog stripa u Vinkovcima. Iduća etapa u karijeri je kolaboracija sa suprugom Zvonkom Todorovskim, unutar multimedijalne grupe Divlje oko, gdje plasiraju stripove namijenjene galerijskom gledanju, a u izrazu Magda Dulčić pokazuje rezolutnu nadogradnju stila. Istovremeno, ostvaruje ciklus stripova za djecu u kojima pokazuje koherentan i jasan izričaj, suptilnih intervencija i eksperimenata. U posljednjim samostalnim stripovima, autorica ostvaruje djela lirskih, intimnih i intuitivnih preokupacija.This thesis focuses on the analysis of comics, creative phases and versatile artistic expression of Magda Dulčić (1965-2016), and her outstanding significance within the development of Croatian national comics. The multi-facetness of artistic interest is the main characteristic of Magda Dulčić as an artist, which makes her opus an intriguing subject for analysis. Following the inventions introduced by the group Novi kvadrat, and under the auspices of their member, Krešimir Zimonić, Magda Dulčić has been, since the early 1980's, creating many comics for fanzines, youth press, daily newspapers, comic magazines and children's magazines. Her comics can be found on the pages of Lucifer, Kurir, Patak, Vidici, Polet, Večernji list, Flit, Comicon, Modra lasta, Arkzin, Prvi izbor and Oblutak. The comics created by Magda Dulčić have an easily recognized style and characteristic formal elements. With her authentic poetics of expression, she stands out as one of the first relevant female authors on the comic art scene. Her colleagues, critics of popular culture and art historians also recognized this, so in 1988 she was awarded for comic innovation at the 4th Salon of Yugoslav Comics in Vinkovci. The next stage in her career was a collaboration with her husband, Zvonko Todorovski, within the multimedia group Divlje oko, where they created comics intended for gallery viewing. Regarding her expression, Magda Dulčić shows a more resolute change of style, thematically, visually and technically more complex. At the same time, she creates a cycle of comics for children in which she shows coherent and clear expressions, subtle interventions and experiments. In her latest independent comics, from 2010 until 2016, the author created works in which she displayed lyrical, intimate and intuitive preoccupations
Hodgkin Reed–Sternberg-Like Cells in Non-Hodgkin Lymphoma
No full textReed–Sternberg cells (RSCs) are hallmarks of classic Hodgkin lymphoma (cHL). However, cells with a similar morphology and immunophenotype, so-called Reed–Sternberg-like cells (RSLCs), are occasionally seen in both B cell and T cell non-Hodgkin Lymphomas (NHLs). In NHLs, RSLCs are usually present as scattered elements or in small clusters, and the typical background microenviroment of cHL is usually absent. Nevertheless, in NHLs, the phenotype of RSLCs is very similar to typical RSCs, staining positive for CD30 and EBV, and often for B cell lineage markers, and negative for CD45/LCA. Due to different therapeutic approaches and prognostication, it is mandatory to distinguish between cHL and NHLs. Herein, NHL types in which RSLCs can be detected along with clinicopathological correlation are described. Moreover, the main helpful clues in the differential diagnosis with cHL are summarized
Simone de Beauvoir, a transmodern reading
No full textEnmarcándola en sus propios recuerdos y desde un prisma personal, Magda se acerca inicialmente a la figura de Beauvoir considerando a la autora en lo autobiográfico de su obra, y deteniéndose en sus relaciones y en el tándem formado con Sartre. Una vez considerada la persona, Magda se vuelve hacia la autora adentrándose en una discusión de “El Segundo Sexo”, y repasando críticamente muchos de los posicionamientos adoptados por Beauvoir en esta obra. En último lugar, Magda analiza la situación de un “feminismo transmoderno” examinando su vinculación con movimientos como el Existencialismo y subrayando los retos que hoy en día siguen pendientes en torno a las concepciones que configuran la imagen de mujer.Initially Magda approaches Beauvoir from a personal perspective, framing her in her own memories. Focusing on the autobiographical dimension of her work, she explores Beauvoir’s relationships and as Sartre’s partner. After considering Beauvoir as person, she turns to her as author to discuss “The Second Sex” and to critically examine the French author’s work. Finally, Magda analyses the situation of what she calls “transmodern feminism”, revising its connections with movements such as Existentialism and underlying the challenges that yet today mark the conceptualizations delineating the female image
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