1,721,671 research outputs found
Christian Henriot, Lu Shi, La réforme des entreprises en Chine
No full textHoussel Jean-Pierre. Christian Henriot, Lu Shi, La réforme des entreprises en Chine. In: Revue de géographie de Lyon, vol. 73, n°3, 1998. Géographie sociale de l'Egypte : ouverture et cloisonnement. p. 246
Christian Henriot, Lu Shi, La réforme des entreprises en Chine
No full textHoussel Jean-Pierre. Christian Henriot, Lu Shi, La réforme des entreprises en Chine. In: Revue de géographie de Lyon, vol. 73, n°3, 1998. Géographie sociale de l'Egypte : ouverture et cloisonnement. p. 246
Lu shi zuan
No full text羅珌輯 ; 倪元璐撰 ; 夏允彝閱.綫裝, 1函.框21.8x12.6公分, 9行24字, 無界行. 白口, 無魚尾, 四周單邊. 版心上鐫"路史", 下鐫葉次.内封面鐫"夏緩公先生鑒定, 倪太史先生纂, 王衙藏板"Xian zhuang, 1 han.Kuang 21.8 x 12.6 gong fen, 9 hang 24 zi, wu jie xing. Bai kou, wu yu wei, si zhou dan bian. Ban xin shang juan "Lu shi", xia juan ye ci.Nei feng mian juan "Xia Huangong xian sheng jian ding, Ni tai shi xian sheng zuan, Wang Ya cang ban"Luo Bi ji ; Ni Yuanlu zhuan ; Xia Yunyi yue
Susan Greenhalgh, Just One Child, Science and Policy in Deng’s China, 2008
No full textLu Shi. Susan Greenhalgh, Just One Child, Science and Policy in Deng’s China, 2008. In: Études chinoises, n°28, 2009. Numéro spécial sur le droit chinois. pp. 330-334
The use of Intertextuality Theory to Explain Dai Qi Xu Lu Shi Jia Shu Dou Shi Ji: The Focus of Discourse is the Compare Level and Impact Level
No full text[[abstract]]宋呂祖謙的《呂氏家塾讀詩記》是《詩經》學史上的名著，此書被歸爲尊《序》派著作。稍後於呂氏的戴溪有《續呂氏家塾讀詩記》之作，就書名觀之，其書應該爲呂書之附庸，整體質性與呂書無異。然而實際檢視戴書，卻又可發現戴溪在著書體例與說解方式上與呂書大異其趣，若將呂戴二書同歸爲宋代說《詩》中的舊派著作，實與真相不合。本文運用西方的互文性概念，解讀《續呂氏家塾讀詩記》所受自歷時性與共時性「前文本」的影響，指出其表現出的特質傾向新派，其所受到的主要影響乃在宋代新派的《詩經》學文本，傳統《詩經》漢學與呂祖謙的著作對其影響反而不大，但因戴溪仍以探索詩中蘊藏的聖人深意爲依歸，所以本文也要將戴書的新舊標誌作一說明。[[abstract]]Southern Song Lu Zu-Qian'S Lu Shi Jia Shu Dou Shi Ji is The Book of Songs study history of the well-known works, this book is classified in compliance with the Preface book. Dai Qi of Lu Zu-Qian's later, he has the Xu Lu Shi Jia Shu Dou Shi Ji. From Dai Qi to observe the title, this book should be an extension of Lu Shi Jia Shu Dou Shi Ji, the overall qualitative and Lu Shi Jia Shu Dou Shi Ji should be not very different However, the actual view Xu Lu Shi Jia Shu Dou Shi Ji, but Dai Qi can be found in the writing style and explanation of the method and Lu Shi Jia Shu Dou Shi Ji is very different, if the Lu Shi Jia Shu Dou Shi Ii, Xu Lu Shi Jia Shu Dou Shi Ji, together classified as a Song explained, The Book of Songs, the traditional school of thought, such an interpretation with the real situation is different. In this paper, the use of Western academic concept of intertextuality to explain the Xu Lu Shi Jia Shu Dou Shi Ji by the Diachronic and Synchronic of "pre-text" of the impact, pointing out that the characteristics of Xu Lu Shi Jia Shu Don Shi Ji tend to show the new school, it has been the main impact of the new Song style of study. Traditional HAN study impact on its books. But the river is still wearing The Book of Songs in the deep exploration of the meaning of the saints as the focus, so this article should be Xu Lu Shi Jia Shu Dou Shi Ji, the new style of study with the traditional style of study for a basic description
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The Thinking of Resonance (Kan-Ying) in Lu Shi Chun Qiu and Huai-nan Tzu
No full text《呂氏春秋》與《淮南子》是秦漢時期以道家哲學為主軸的兩部重要典籍。本文扣緊「感應」思維、以及其所涉及的義理問題，嘗試分析 與探討呈現在這兩部著作中的感應論述，而希望能對這個議題展開稍進一步的思索。 本文首先解釋「感應」觀念之義涵，接著指出感應思維所關注的哲學問題重點，然後以此理解為背景，開始分析《呂氏春秋》以「類同」 為基本規定的「精氣」感應論述，以及探討《淮南子》從氣類相動到天人感通的感應思想，並且重點指出繼承《呂氏春秋》的「用意」、致「 誠」等，足以獲致感應最大效果的主體修為之外，而為後者所較詳細強調的「無為」、「虛靜」等功夫涵養。最後，本文則是針對與感應思維 有關的「歷時性」(Diachrony)與「同時性」(Synchronicity)二概念，進行初步論究，藉以揭出在感應思維之領域內所可能開發的其他研究 課題。Based on Taoism, Lu shi chun qiu and Huai-nan tzu are two classics of the Qin and Han dynasties. This study is centered on the thinking regarding "Resonance" (Kan-Ying) and the philosophical views it involves. The study also analyzes and discusses the statements of resonant thinking in these two literary texts to offer an insight into this issue. Starting with explaining the concept of "Resonance", the study then points out the philosophical issues that resonant thinking focuses on. In this context, the study analyses the resonant statement of "Essence-Energy" (Jing-Qi), which is a fundamental principle of "Similarity and sameness" in Lu shi chun qiu. Then, it discusses the resonant thought of the "joint movement of Energy" and "Communication between humans and the universe" in Huai-nan tzu. In addition, it illustrates that the inherited concepts of "single-hearted devotion" and "complete sincerity" can achieve the maximum effect of resonance in Lu shi chun qiu, and the idea that the "complete sincerity" emphasizes the ability to exercise "non-action" and to maintain "emptiness-tranquility" in detail. Finally, the study explores the concepts of "Diachrony" and "Synchronicity" related to resonant thinking so as to develop some other possible issues of philosophical research in the field of resonant thinking
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