2,390 research outputs found

    Ožiljak (Scar): Photographs by Paul Lowe from the siege of Sarajevo

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    During his time as a photojournalist in Bosnia, Paul Lowe made a remarkable set of panoramic photographs of the war-torn country.This exhibition was curated by Val Williams for a showing at the Upper Street Gallery during the 2015 Moose on the Loose Biennale of Research: Archives in Time and Space, and was accompanied by an issue of 'Fieldstudy' with essays by Paul Lowe, Val Williams and Alan Little. The exhibition was also shown at fotodoks, Munich in October, 201

    On Penny Jordan with Dr Val Derbyshire

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    In this podcast, the Categorically Romance Team are joined by Dr. Val Derbyshire and chat the bibliography of Harlequin Presents/Mills & Boon Modern Author Penny Jordan! Penny Jordan also penned names as Caroline Courtney, Melinda Wright, Lydia Hitchcock and Annie Groves

    Mythologizing the Vietnam War - Introduction

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    The Vietnam War is evolving from contemporary memory into history. Fifty years on, it still serves as a benchmark in the history of war reporting and in the representation of conflict in popular culture and historical memory. However, as contemporary culture tries to come to terms with the events and their political, psychological and cultural implications, the 'real' Vietnam War has been appropriated and changed into a set of mythologies which implicate American and Vietnamese national identities specifically, and ideas of modern conflict more broadly, particularly in shaping the mediation of the twenty-first century 'War on Terror'. This collection of interdisciplinary critical essays explores the cultural legacies of the US involvement in South East Asia, considering this process of 'mythologising' through the lenses of visual media and tracing the war's evolution from contemporary reportage to subsequent interpretation and consumption. It reassesses the role of visual media in covering and remembering the war, its memorialisation, mediation and memory

    Yellow Brick Roads: New Narratives in Contemporary Photography, Film and Video

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    Essay by Val Williams which appeared in the catalogue of the Printemps de Septembre a Toulouse, 2001. Val Williams curated the festival, and this essay decribed the themes and arguments within the curation. The main festival section of the catalogue was also edited by the author

    Radiolabeled choline PET/CT before salvage lymphadenectomy dissection: A systematic review and meta-analysis

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    To provide a systematic review of recently published reports and carry out a meta-analysis on the use of radiolabeled choline PET/computed tomography (CT) as a guide for salvage lymph node dissection (sLND) in prostate cancer patients with biochemical recurrence after primary treatments. Bibliographic database searches, from 2005 to May 2015, including Pubmed, Web of Science, and TripDatabase, were performed to find studies that included only patients who underwent sLND after radiolabeled choline PET/CT alone or in combination with other imaging modalities. For the qualitative assessment, all studies including the selected population were considered. Conversely, for the quantitative assessment, articles were included only if absolute numbers of true positive, true negative, false positive, and false negative test results were available or derivable from the text for lymph node metastases. Reviews, clinical reports, and editorial articles were excluded from analyses. Eighteen studies fulfilled the inclusion criteria and were assessed qualitatively. A total of 750 patients underwent radiolabeled choline (such as C-11-choline or F-18-choline) PET/CT before sLND. A quantitative evaluation was performed in nine studies. A patient-based, a lesion-based, and a site-based analysis was carried out in nine, four, and five studies, respectively. The pooled sensitivities were 85.3% [95% confidence interval (CI): 78.5-90.3%], 56.2% (95% CI: 41.6-69.7%), 75.3% (95% CI: 56.6-87.7%), and 63.7% (95% CI: 41-81.6%), respectively, for patient-based, lesion-based, pelvic site-based, and retroperitoneal site-based analysis. The pooled positive predictive values (PPVs) were 75% (95% CI: 68-80.9%), 85.8% (95% CI: 66.8-94.8%), 81.2% (95% CI: 70.1-88.9%), and 75.2% (95% CI: 58.7-86.7%), respectively, in the same analyses. High heterogeneities among the studies were found for sensitivities and PPVs ranging between 61.7-93.3% and 60.6-94.5%, respectively. Radiolabeled choline PET/CT has only a moderate sensitivity for the detection of metastatic lymph nodes in patients who are candidates for sLND, although the pooled PPVs ranged between 75 and 85.8% for all type of subanalyses. The presence of high heterogeneity among the studies should be considered carefully

    Le « val » comme laboratoire de géographie humaine ? Les avatars du Val d'Anniviers

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    Abstract: The "val" as a laboratory of human geography? The saga of Val d'Anniviers. The author analyses the methodological project initiated by Jean Brunhes in his study of an alpine valley considered as a «small isolated world», ideally suited to a quasi-experiment. The author looks at the variations in the text, from its first publication as an article to its inclusion in a human geography manual dating back to 1910 and republished in the middle of the 1950s, and the epistemological meaning of these differences. Finally the author attempts to interpret the rereading of this classic monograph from the viewpoint of the development of a discipline and the issue of social change.Résumé : L'article analyse le projet méthodologique initialement poursuivi par Jean Brunhes dans son étude d'une vallée valai- sanne considérée comme un petit monde isolé susceptible d'une quasi-expérimentation. Il étudie les variations du texte, de sa publication en article à son insertion dans un manuel de géographie humaine réédité de 1910 au milieu des années cinquante, et leur signification épistémologique. Enfin, il tente d'interpréter les relectures de cette monographie classique, au regard de l'évolution d'une discipline et de la problématique du changement social.Robic Marie-Claire. Le « val » comme laboratoire de géographie humaine ? Les avatars du Val d'Anniviers. In: Revue de géographie alpine, tome 89, n°4, 2001. pp. 67-94

    The Splendid Summer: Autonomous Underwater Vehicle Operations at The Center for Coastal and Ocean Mapping

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    **In collaboration with the Coastal Sediments, Hydrodynamics and Engineering Lab University of Delaware** The UNH Center for Coastal and Ocean Mapping operates, in collaboration with the University of Delaware, a “Gavia” model AUV, manufactured by Hafmynd EHF of Reykjavik, Iceland. The Gavia will be introduced, detailing it’s many sensor suites and capabilities. Adventures from a summer of training, learning and numerous expeditions will be recounted, including missions to our own Mendum’s Pond, Delaware Bay, Chesapeake Bay, Lake Tahoe and Abaco, Bahamas. Along the way many engineering and scientific challenges have been unearthed which will be discussed in detail as well as ongoing developments of new sensor modules and up coming missions. Presenter Bio Val Schmidt is pursuing a Ph.D. in Ocean Engineering under professors Chris d\u27Moustier and Larry Mayer. Before coming to CCOM, Val served in the US Submarine Service aboard the USS HAWKBILL (SSN-666). In this capacity, Val participated in two dedicated science ( SCICEX ) missions to the Arctic in 1998 and 1999. He has since worked for Qwest Communications developing applications for Voice Over IP technologies and more recently as a research engineer for the Lamont-Doherty Earth Observatory where he built instrumentation, installed navigation and communications systems, and designed data systems for oceanographic research ships. Val is the lead author of the MB-System Cookbook. The Cookbook provides documentation for the open source swath mapping data processing suite. He also co-developed SWAP - the Ship-to-Ship Wireless Access Protocol - a wireless mesh-networking system for the UNOLS oceanographic research fleet. Val has a terrific and beautiful wife, Alice and a mean cat, Kokua

    Towards a European Cal/Val service for earth observation

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    Societal dependence on, and commercial and scientific exploitation of Earth-Oriented remote sensing from satellites is growing at an exponential rate. The comprehensive EU Copernicus programme provides a major contribution to the global effort, but even so, to achieve the necessary global and temporal coverage requires synergistic cooperation and associated interoperability of the Worlds sensors. For a user to exploit Earth Observation (EO) data there must exist confidence in data characteristics, quality and reliable delivery. Although long-term data records for climate may be the most demanding in nature, generation of analysis-ready operational data sets for applications, as diverse as food security to pollution monitoring, all require the user to have some quantitative level of confidence in the data and derived information. A long-term Calibration/Validation (Cal/Val) vision necessitates clear ownership and long-term funding. Delineating the roles of the European Commission (EC), space agencies and member states in long-term Cal/Val would provide clarity. It is clear that the space agencies have the responsibility to meet the mission requirement of their spaceborne instruments but long-term validation is often entrusted to interested parties bringing their own resources to the task. Furthermore, there is a critical need for Fiducial Reference Measurements (FRMs), acquired in operational mode, and comprehensive in coverage both spatially and temporally, to assure that the satellite product accuracies are met. This paper discusses the current status, gaps and challenges regarding long-term Cal/Val of EO satellites and recommends the creation of a European coordinating entity for satellite product calibration and validation. The proposed entity would be an integrative organization coordinating the European Cal/Val activities in partnership with the member states and the space agencies and working together with existing data providers to secure access to satellite and in-situ data of traceable FRM standards.Atmospheric Remote Sensin

    Utopia as Escapism, Escapism as Protest: Exploring the radical art and architecture of 1968 - 1989 Czechoslovakia, the case for VAL collective

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    Radical experimentation, formal plurality, and oscillation between architecture and visual arts permeated the 50s and 60s generation of architects and artists on both sides of the politically divided Europe. Central and Eastern European examples from this period are often undervalued, if addressed at all, both by Western European standards and even their local contexts. VAL—Voies et Aspects du Lendemain—collective was formed in 1968 Czechoslovakia by the conceptual artist Alex Mlynárčik and the architects Viera Mecková and Ľudovít Kupkovič. VAL developed eight distinct utopias and megastructures in parallel to the global trends and Michel Ragon’s techno-centric theory of prospective architecture. As the height of VAL’s activity coincides with the peak of the normalisation period in the 70s Czechoslovakia, their utopian projects remain resistant to clear-cut interpretation then and now. Heliopolis, Akusticon, and the People’s Assembly of Argillia are three distinct projects of VAL explored in reference to the themes of monumentality and architecture-sculpture, prospective architecture, and performance art influenced by Nouveau Réalisme. Despite the unobstructed idealism that VAL emanates, it is argued that VAL’s proposals go beyond an uncritical techno-positive utopia and can hardly be distilled from the irony and socio-cultural critique. And it is in the act of designing the libertarian utopias that VAL members found a form of individual escapism as means to express themselves creatively and to manageably live in a totalitarian regime—utopia as escapism. By subverting the expectations of what are the forms of expressing architectural dissent, escapism is understood as an act of resistance. Resistance to socio-cultural regression, economic depression, professional frustrations, and personal disillusionment with the failed Communist utopia—escapism as protest. The thesis questions our contemporary standing towards Central and Eastern European architects and artists whose work—as illustrated by VAL—entails complexities and contradictions of its socio-cultural and political context.AR2A011Architecture, Urbanism and Building Science
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